Othello
Human eyes are often deceived by appearance and
convention. In Othello, by
William Shakespeare, many characters are unable to see the truth of matters
because they are seduced by what they want to hear rather than what they know
to be true. Iago is a master of
language and by twisting his words to fit the person, he gains control and
completely convinces anyone without telling many lies. The irony in the use of the word ‘honest’
throughout Othello demonstrates the human being’s inability to see
beyond a façade.
Othello is easiest to deceive because of the beliefs
already imposed upon him by society. At
first, he seems quick to trust others, calling Iago, “a man of honesty and
trust”(I.iii.317). Iago should be the
man Othello trusts least at this moment because it is anticipated that he will
be angry for being passed over in promotion.
Othello, however, is coarse and naïve in the workings of Italian
society. He seems oblivious to Iago’s
feelings and does not discern any of the indignation and hatred on Iago’s
part. Iago masterfully worms himself in
Othello’s confidences. When he is
needed, he is always there to provide assistance, and he is willing to talk to
Othello at any time, to pour poison into his mind. It is ironic that Othello so often repeats his belief in Iago’s
honesty because Iago is the only dishonest person in the entire play. Yet, he manages to convince Othello that
paranoia is appropriate and that everyone else cannot be trusted. As the play progresses, Othello becomes more
and more dependant on Iago for advice and judgment. Othello is unable to discern Iago’s true persona because
convention decrees that he is trustworthy and his own insecurities lend him to
trust anyone who is willing to help him.
Iago’s power over others is his mastery of language
and his ability to manipulate his words.
He strategically places the word honest in reference to himself many
times when speaking to Cassio and Othello.
Subconsciously, their minds register the word and are more inclined to
believe that his honesty is real.
During the ‘Temptation’ scene, Iago makes accusations against Desdemona
and finally provokes Othello into a furious outburst but returns immediately
with, “To be direct and honest is not safe”(III.iii.433). He gives Othello a sense of guilt and regret
for an unprovoked outburst. While
Othello is feeling guilty, he does not consider that Iago may be lying to
him. By claiming that he will no longer
be honest, Iago makes Othello realize that his information is valuable. As much as Othello would like to believe
that Desdemona is faithful to him, Iago’s method of presenting evidence points
his sensibilities in the opposite direction.
His innate insecurities also lead him to believe Iago that his beautiful
wife might abandon him for a handsome, Caucasian man.
The women in the play, Emilia and Desdemona, are
also affected by the intrigue unfolding around them. Desdemona is the most obviously affected because Othello’s
behavior towards her changes drastically in a very short amount of time. From the openly loving scenes in the beginning
of the play, it quickly shifts to the hostile and suspicious accusations of,
“Come, swear it, damn thyself; Swear thou art honest”(IV.ii.46,49). Due to Iago’s intervention, Othello has been
completely duped to believe in the lies that Iago spouts into his ear. Ironically, he believes that Desdemona, the
most honest and faithful of all people, is a strumpet and a whore. Never in the past has he had any reason to
doubt Desdemona’s sincerity and love for him.
He is unable to see the truth that shines from Desdemona’s entire
being. Her bewildered and hurt behavior
when he strikes her is not feigned and knowing Desdemona, could not have been
faked. He cannot see her honesty
because of his ignorance in believing Iago.
Emilia is the first to realize what atrocity her
husband has committed but she, too, remains in oblivion to his plot until it is
too late. Emilia is remarkably
intelligent and clear-sighted, more so than Othello or Desdemona because of her
detachment from the entire situation.
She keeps an emotional distance and is able to see things as an
impartial observer, until the end. As
Othello’s behavior becomes suspicious, Emilia speculates that, “The Moor's
abused by some most villainous knave / O heaven, that such companions thou'dst
unfold, / And put in every honest hand a whip / To lash the rascals naked
through the world” (IV.ii.171-175). Her
guess is absolutely correct, but ironically she does not recognize whom she is
describing. She is married to the man,
yet she is only aware of what he is willing to show her. The façade that he presents is not his true
nature and Emilia knows this, but she is practical and condones his actions as
long as they are not too drastic. She
believes that Iago would not stoop to such measures as to make Othello doubt
Desdemona to serve his own ends. This
plot encroaches on forbidden territory, her love for her mistress
Desdemona. Emilia is the only one who
understands that Iago’s personality is a façade but even she does not know what
terrible things lie hidden behind it.
The ability to see clearly is an enviable
trait. Not many possess it because
emotions and belief systems always seem to get in the way. In Othello, this blindness leads to
the death of innocents and sorrow. It
is important for human beings to do their utmost to understand exactly what a
situation entails. One cannot take
things at face value but must question and test the validity of all
statements. If people could remember to
do so, though it is no guarantee, one could reduce misunderstandings and
improve the quality of life among all human beings.