| Catalog Number | Subject | Title of Article | Source, Author and Date | Description |
| 0300.34 |
Romanzo d'amore |
Romanzo d'amore |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.35 |
Bullet for Stefano (1950) |
Bullet for Stefano |
All-Movie Guide |
Production credits, 1 page |
0300.36 |
Gli inesorabili (1950) |
Gli inesorabili |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
|
|
Plus fort que la haine (Gli inesorabili) |
Film complet |
Storyline and photos, 5 pages, French. See also 1400.50. |
0300.37 |
La corona nera |
La corona negra |
Marzo 1997 (March 1997) |
Programming information: Spanish, no translation, 2 pages. |
0300.38 |
La leggenda di Genoveffa (1952) |
La leggenda di Genoveffa |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.39 |
La vendetta di aquila nera/The Return of the Black Eagle (1951) |
La vendetta di aquila nera |
All-Movie Guide |
Production credits, 1 page |
|
|
La vendetta di aquila nera |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.40 |
"Incantesimo tragico"/Tragic Spell |
"Love Transforms a Plain Jane" |
LIFE Magazine, 7/25/55 |
Photos from "Tragic Spell" and other films. Cross-ref: 0300.56,0300.335 and 0300.54. |
|
|
Incantesimo tragico |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.41 |
L'ingiusta condanna/Quelli che non muoiono/Guilt is Not Mine (1952) |
L'ingiusta condanna |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
|
|
Guilt is Not Mine |
Internet Movie Database |
Two pages, cast & production credits, brief synopsis. |
0300.43 |
La donna che invento l'amore/The Woman Who Invented Love |
Smack! |
Night and Day, June 1952 |
Full page of kissing techniques, utilizing stills from this movie. |
0300.44 |
Il figlio di Lagardere |
Il figlio di Lagardere |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
|
|
Il figlio di Lagardere |
Source unknown, Internet |
Production Credit, 1 page: |
0300.45 |
Il boia di Lilla/La vita avventuriousa di Milady", "Lilla","Milady and the Musketeers","The Adventurous Life of Milady"
Literal: "The Executioner of Lilla")(1952) |
Milady et les mousequetaires |
Amor film, October - December 1953. |
Storyline and photos, in French, no translation. See also 1400.52. |
0300.46 |
Eran trecento/We Were 300 |
Eran trecento |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.47 |
Flesh and Desire/Il fuoco nelle vene/La chair et le diable |
Flesh and Desire |
All Movie Guide |
Production credits, 1 page |
|
|
Il fuoco nelle vene |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.48 |
La barriera delle legge/Barrier of the Law (1953) |
Barrier of the Law |
All-Movie Guide |
Production credits, 1 page |
0300.50 |
La Contessa di Castiglione/La Castiglione(1954) |
Yvonne, by Yvonne de Carlo, ppgs 181-183 |
"Yvonne" |
Rossano on the set of La Contessa di Castiglione |
0300.50 |
|
Hollywood's Glamour Girls |
|
Rossano on the set of La Contessa di Castiglione ... "he hated the make-up and maybe the role, too ..." |
|
|
La Contessa di Castiglione |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.51 |
Angela (1954) |
Angela |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.53 |
Il terrore dell'Andalusia |
Il terrore dell'Andalusia |
Biennale di Venezia Banca Dati |
Production credits, 1 page |
0300.54 |
Three Coins In The Fountain |
"Love Transforms a Plain Jane" |
LIFE Magazine, 7/25/55 |
Photos from "Three Coins" and other films. Cross-ref: 0300.40,0300.335 and 0300.56. |
|
|
"Postcards from Rome" |
LIFE Magazine, 6/7/54 |
Four pages, black and white, using stills from the film and telling the plot from Maggie McNamara's point of view. |
0300.55 |
The Barefoot Contessa (1954) |
"European Dateline" |
Unknown, estimated 1954 |
Small photo of Rossano and Ava Gardner in The Barefoot Contessa. |
|
|
"Odd Spots" |
Ken Mogg, the Internet |
Comment on the Italian origins of "Che Sara, Sara", the motto of Rossano's character's family. |
|
|
Ava: A Biography |
by Roland Flamini, Coward, McCann & Geoghegan, New York, © 1983. |
The story behind Ava getting the starring role in the film, and the other actresses who wanted the role. One
paragraph regarding Rossano's attitude on the set. (He complained a lot and hardly noticed she was there at all).
10 pages |