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Heathcliff's Inner Conflict




EVIDENCE:


1. The animosity felt by Heathcliff toward Hareton at the beginning of the novel appears to be just bitterness of an old man without any reason. Later the reader learns about how badly Hindley treated Heathcliff and discovers why he acts this way. Nelly declares his “bitterness” on page 99, with emphasis.

2. He competes with Edgar for Catherine’s affection. After he loses her due to unworthiness, he seeks to prove that his equality with Edgar’s society.

3. Upon his return, Heathcliff begins an intrigue with Edgar’s sister Isabella. This reveals a change in character (103) with his involvement with the higher class that he despised as a child. He struggles with himself in an attempt to raise himself from the status that he was born with, and plans to hurt those who care for him along the way in an act of “revenge.” In an argument Catherine exclaims, “’ I’ve treated you infernally- and you’ll take revenge! How will you take it, ungrateful brute? How have I treated you infernally?’” (103). Heathcliff chooses to take his revenge by marrying Edgar’s sister, who is naïve to his evil plot. Catherine describes their courtship as giving “Satan a lost soul (Isabella).”

4. Heathcliff is also “haunted” by the ghost of Catherine Earnshaw. Through structural foreshadowing, the reader may infer that her ghost indeed may exist. On page twenty-two the ghost of a young woman comes to the window of Lockwood’s bedroom and states, “It is twenty years…twenty years. I’ve been a waif for twenty years” (22). Later in the novel on page 145 the ghost of Catherine reveals herself again in the heart of Heathcliff. He asks her, “what will you be happy when I am in the earth? Will you say twenty years hence…” (145). Catherine has been dead for almost 18 years and Lockwood visits Wuthering Heights almost twenty years after her death. Her haunting resembles the inner conflict from within Heathcliff throughout the novel that drives his evil spirit.

5. Following the death of Edgar, Heathcliff unburies his former love. Ironically, he states that he will be with her soon, but actually she is with him, “haunting” him (264). Throughout the following pages Heathcliff continues on his downward spiral plummeting towards insanity. He feels the presence of Catherine all around him. (265).



SHIFTS IN CONFLICTS:



1. Heathcliff’s character shifts several times throughout the novel. At first he is so enthralled with his love for Catherine, that he never has time for anything else. This however shifts upon his overhearing of her feelings towards Edgar and her decision to marry him. This is where he discovers that in his present state he will never become worthy of loving her. “I have no more business marry Edgar Linton than I have to be in heaven…it would degrade me to marry Heathcliff now; so he should never know that I love him…” (73).

2. Another shift occurs upon his return to the Grange. Heathcliff’s new plan is to seek revenge on those who oppressed him as a child. Objectives include, ruining Edgar’s life by marrying his sister, taking what was rightfully his (Wuthering Heights) back from Hindley and foregoing his demise by using his weakness (greed) against him, and bringing harm to all those who are connected to the two families (all children).

3. His final transformation occurs near the end of the novel where he reaches the climatic occurrence in his life. He no longer feels the need to bring pain and misery to those surrounding him. He feels that he has succeeded in becoming a bitter old man and this has caused him to lose all the people that he cared for. (295).



THEMATIC STATEMENT:



In Emily Bronte’s Victorian novel Wuthering Heights, she expresses the inner conflict faced by Heathcliff. Struggles of love and revenge plague his life in his attempt to gain the affection of Catherine Earnshaw. Ironically, Heathcliff loses all that he holds dear to him due to the bitterness grown from his tormented youth. The love Heathcliff once felt for Catherine brings peace in the aftermath of his fury.

TEXTUAL ANALYSIS