Variations on Native Californian Themes
Syukhtun Editions







Album with all eight variations
including introduction by the composer
$19
plus shipping

California’s native cultures are given homage in this unique collection
of original guitar compositions based on traditional native melodies,
the culmination of years of prolonged research and concentrated work.

Sheet music: $4 each

§ SONG OF THE MOUNTAINS (Variation on a Luiseño theme)

§ GAMBLING CHANT (Variation on an Achumawi theme)

§ HUNTING CHANT (Variation on a Shasta theme)

§ FUGUE ON A YUKI THEME (Kekhhoal’s song)

§ LOVE-MAGIC CHANT (Variation on a Karuk theme) (orchestral version)

§ WAR CHANT (Variation on a Modoc theme) for Leonard Peltier

§ ACORN CHANT (Canon and Variation on a Huchnom theme)

§ PUBERTY CHANT (Variation on an Achumawi theme)


Jaime de Angulo's original field notes for "Puberty Chant" and "Gambling Chant" Tribal map of California


Cahuilla musicians William Levy and brother, near Indio (1907).
(Alfred L. Kroeber Ethnographic Photographs of California
Indian and Sonora Indian Subjects, 1901-1930)


print-out:
Illustrated Introduction

From volume II (in progress):

§ SONG OF THE ISLANDS (variation on a Luiseño theme)

§ CLOUD CHANT (variation on an Achumawi theme) (for two guitars)


”Song of the Mountains” is based on two bars of musical notation in Malki News jotted down by the Cahuilla/Serrano musician Ernest Siva, to whom it is dedicated. It was sung to him by Luiseño elder Margaret Holly, and concerns five sacred mountains of southern California. I have stood on the summits of three of these, and the main mountain of the song, Mount Baldy, is a permanent part of my life. Mount Baldy is called Muuyullpah in the song. (It is known as Joat to the neighboring Tongva, whose homeland was usurped by Los Angeles.) I watched the sun go down behind Mount Baldy my entire youth, and my mother still does.

The themes of ”Gambling Chant”, ”Love-Magic Chant", ”War Chant”, ”Puberty Chant" and "Hunting Chant” were among the ”songz” gathered by Jaime de Angulo decades ago in his research into the music of northern Native California. De Angulo could not write standard musical notation, and invented some amazing techniques (decipherable only to himself) to record changes of pitch to help him remember. He knew most of the songs by heart and sang them with great pleasure, although he was not a Native Californian. The texts of these songs in translation can be as varied as "let us two make love with our legs entangled," "digging the earth, only rotten turnips do I find," and, "you are scornful, but your skirts are too short." Two Karuk love songs tell how a girl is missed terribly by her lover after she was abducted from her home and taken to Samfasiskûu (San Francisco) by white slave hunters. For more information see Jaime de Angulo: The Music of the Indians of Northern California, 1988, edited by Peter Garland, Soundings Press, P.O. Box 8319, Santa Fe, NM 87504-8319. More on Jaime de Angulo...

The themes for "Acorn Chant" and "Kekhhoal’s (Old Blind’s) Song” were notated by Stephen Powers in the 1870s on his trek through California at the time of the Ghost Dances, included in his book Tribes of California. The fugue based on this Yuki theme is a study in counterpoint, especially between Native Californian music (of which I know little) and that of Johann Sebastian Bach. It was published in the spring 2000 issue of Gitarr och Luta, the main Swedish magazine for guitar and lute.


Luiseño women at Mission San Luis Rey
(San Diego Historical Society)


Luiseño is a Spanish term derived from mission San Luis Rey in southern California with which these Takic speaking people were associated. They are also known as Payomkawichum, "people of the west". Today their descendants most often use “Luiseño” to refer to themselves.

Achumawi means “dwellers on the river” (ajúm:á is “river”), but it originally referred to a few families living midway up Pit River. Today this northern Californian people refer to themselves as Pit River people.

Shasta refers to another northern Californian people as well as to a sacred extinct volcano in their homeland. Alfred Kroeber states that this name is “veiled in doubt and obscurity. It seems most likely to have been the appellation of a person, a chief of some consequence, called Sasti.” (Handbook of the Indians of California)

Yuki is a term that refers to three related dialects (Yuki, Huchnom and Coast Yuki) and the people speaking them. Kekhhoal’s song was sung in Huchnom. The name Yuki is from the Wintu language: yuke, “enemy”.

Karuk means “upriver”, refering to the Klamath river of northern California, contrasting with their word yurúk, “downriver”, which also refers to their Yurok neighbors downstream.

Modoc is derived from this northern Californian people’s name for Tule Lake: Moatak. They called themselves maklaks, “people”, and offered ferocious resistance to the US army in the Modoc War in 1872-73.

Huchnom means “tribe outside (the valley)”, referring to Round Valley. (See also "Yuki" above.)

ACHUMAWI
Orchestral Variations on
a Native Californian Theme


Entire score
$25 plus shipping
sample pages


KARUK
Orchestral Variations on
a Native Californian Theme


Entire score
$25 plus shipping
sample pages

Voices of the Flute

Songs of Three Southern California Indian Nations
by Ernest H. Siva

This newly published 48-page book includes ancient songs which appear for the first time in print. Among the songs is "Song of the Mountains" which is the theme for one of the guitar variations above. The album is beautifully illustrated with color photographs of the region and is published by Ushkana Press, the publishing arm of the Dorothy Ramon Learning Center in Banning, California. Along with the sheet music and song texts in southern Californian languages is a CD with Ernest Siva playing the flute, and singing the words unaccompanied.

Price: $35 plus 7.75 percent California sales tax if applicable
Please add $5 for shipping contact us for wholesale and educational rates:
Ushkana Press
P.O. Box 1510
Banning
CA 92220 USA


Stockholm 2002

Ishi




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