

One British music writer dismissed this song as "nihilistic and sweeping in its condemnation of approximately half the human race." I don't think the song has that much on its mind. Its juxtaposition of "fruity" harpsichord with pig-grunt sound effects seems a minor (if catchy) swipe at upper-class bourgeois. George would get far more preachy in his solo years.
(C) 2008, It's All Too Much.