

One of Paul's great metaphors, invisibility as a sign of two-facedness. Notice the barely audible background clapping; what would have been a front-and-center effect in one of their earlier audience-pleasers is buried here, to the same subtle effect as Paul's bass-playing. (The version released on the American edition of Rubber Soul has an interesting false-start not captured on the British version.)
(C) 2008, It's All Too Much.