

As with most of Paul's efforts on Revolver, this is a nicely understated view of all-encompassing love. Its only debit is Paul's vocal, which seems to be unnecessarily raised a few octaves--an aural tic that would plague some of his solo songs, where he put on his "sincere" voice to cover up a decided lack of emotion in the writing.
(C) 2008, It's All Too Much.