


Should have been a cliche, but for once the cheeriness isn't forced. Beginning with that engine-revving fade-in, John's unusually sunny vocals and hand-clapping are worthy of a revival. Anthology 1's early version of the song substitute wistfulness for high spirits but is quite effective in its own way (How about John and Paul's falsettos on the word "week"?).
(C) 2008, It's All Too Much.