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fantomas

Fantômas is the brainchild of Mike Patton. The name comes from a series of pre-World War I French crime thriller novels. The character Fantômas is an anti-hero who commits the most apalling crimes. Fantômas is anyone and no one, everywhere and nowhere, waging an implacable war against the bourgeois society in which he moves. The Lord of Terror! Unfortunately it is not as clear what the band is. We do not know exactly what direction this band will go in. The band is looking to record and leaning towards putting the record out themselves (early 99?). The band also plans to tour the world....eventually. The music can only be described as unique. From subtle and precise to brutal and explosive. It is influenced equally by hardcore/death metal, cartoon music and film soundtracks. It is made up of tiny cells of music that move like frames in a comic strip. It is certainly an amalgamation of the bands from which the members come without sounding very much like any one of them. While certainly not expecting to become "the next big thing", the band feels that a good portion of the music listening public is ready for something challenging and unique. Pick-A-Winner Management

incubus

Brandon Boyd—vocals/percussion Mike Einziger—guitars Dirk Lance—bass José Pasillas—drums DJ Chris Kilmore—turntables THE BIO by Brandon Boyd As I was being lifted from the heap of twisted steel that was my car, I asked myself, "Am I dead?" Then, realizing that I was still very much alive, I looked up at my heroes--the rest of my band, Incubus--as they lifted me to the curb, and asked, "What song are you guys mixing?" "Drive," they replied, after individual pauses for irony. And the record continued to be mixed an hour later. Now, no one likes having a one-ton Mercedes smash into them, and I am no exception. But thankfully I am not gonna be needing that car anymore! For we, Incubus--a five-piece musical outfit from Calabasas, California--will be on tour in support of our new Immortal/Epic album, Make Yourself, for the remainder of our twenties! And any vehicles that try to collide will feel the wrath of a 40-foot tour bus, as opposed to a mere Honda Civic. When we come home, we will have sold 10 million copies; will have played 500 live shows; will never want to see each other again; will have changed the musical tastes and philosophical perspectives (for better or worse) of an entire generation of youngsters; and will have bulging, curvacious abdomens from years of truckstop dining and beer-guzzling escapades! Why Make Yourself, you ask? Well, even though we finally succumbed to the forbidden urge to name your album after one of the songs, we did so because we felt the song (and phrase) "Make Yourself" summed up the vibe of the album and direction of its lyrical content. "Make Yourself," meaning don't let yourself be made. Not the "Make Yourself'" that your dad may have taught you, but more along the lines of "F**k-the-man-get-out-from-under-the-iron-fist-of-oppresion- make-yourself!" Know what I mean? This new record also attests to the fact that as musicians, Incubus has found happiness and contentment in being a hard rock band that didn't feel the need to be the hardest, with the most strings tuned down, with the riffs that made the crowds bounce the highest. All of that is good and fun but I believe that, upon finishing this record, Incubus has come to terms with where and what we always wanted to be as a band: heavy, melodic, diverse, plugged-in yet detached, thought-provoking, thought-out but spontaneous, observational, silly, and slightly intelligent. Yes, I realize that this is about as nebulous a description as a band could give itself--but I believe that interpretations of things artistic are best left up to those interpreting from the outside in. A Brief History Formed Incubus in a garage in Calabasas in January, 1991. Began playing small clubs and parties, then graduated to Hollywood gigs opening for ego/hair bands. Released independent record entitled Fungus-Amongus and began making waves. Got signed about two years out of high school. Put out a six-song EP of demos, Enjoy Incubus (Immortal/Epic), and went on tour with Korn in Europe. First full-length album, S.C.I.E.N.C.E., released September 1997 (Immortal/Epic). Toured behind S.C.I.E.N.C.E. for two years with Sugar Ray, Limp Bizkit, Ozzy Osbourne, Black Sabbath, Korn, 311 and others. Sold 200,000 units of S.C.I.E.N.C.E. and Enjoy Incubus combined. Came home and wrote new album for eight weeks. Had collective nervous breakdown. Make Yourself recorded every day for nine weeks in Summer, 1999 at NRG studios. Album co-produced with Scott Litt (R.E.M., Nirvana, Days Of The New), mixed by Rick Will and Scott Litt. Going on tour with Primus until 2000 AD (sheesh), beginning November 6, '99 in Cleveland, Ohio. About (Some Of) The Songs (Comments by Brandon) Pardon Me - I was in a bookstore, browsing through an old Life magazine, when I saw a picture of what the article called spontaneous human combustion. There were an old guy's legs and shoes, perfectly intact...then, right around his knee area, was just a pile of charred ashes. I was going through some turmoil in my life, both good and bad, and the image struck a chord, so...I wrote a song about it. You never know when the inspiration for a song is gonna hit you, so you've gotta be ready. Drive - Scott [Litt] had a big hand in arranging and producing this track with us. The lyric is basically about fear, about being driven all your life by it and making decisions from fear. It's about imagining what life would be like if you didn't live it that way. Stellar - The lyrics were inspired by my lover, Jo English girl I met in France. It's about love as a transcendental feeling, like free-floating in outer space. It's kind of a traditional song in that way. Nowhere Fast - We've been exploring drum-'n'-bass here and there on stage, playing little improvisational ditties in between real songs from the records. José would start playing a drum-'n'-bass he'd made up, I'd play my didgeridoo to it, and songs started forming out of live things like that. That's how "Nowhere Fast" was written, through improvisational live jams. Battlestar Scralatchtica - We have two guest turntablists on this one, DJ Cut Chemist and DJ Nu-Mark. They're from Jurassic 5, a West Coast hiphop group, very good--amazing, in fact. They're friends of DJ Kilmore and this track is a three-way DJ battle. I don't know who wins, but we'd love to recreate it on stage if we ever get the opportunity. In Conclusion DJ Kilmore is a turntablist, José Pasillas is a drummer, Dirk Lance plays the bass and golfs with passion, Mike Einziger fondles six guitar strings like he's in love, my name is Brandon and I sing. For information on who is on drugs, who's in love, who spit on who, who'll be running for president in 2012, and or any other inquiries related herein, please don't hesitate to contact us. "Thank you, drive through..." P.S. The record is called Make Yourself. It will be on shelves October 26th , 1999.
Mr.bungle

Mr. Bungle Trevor Dunn: bass Danny Heifetz: percussion Clinton (Bär) McKinnon: tenor sax, clarinet, keyboards Mike Patton: vocals Trey Spruance: guitar, keyboards Mr. Bungle was formed in 1985 in Eureka, California. The original line-up included Trevor Dunn on bass, Mike Patton on vocals, Trey Spruance on guitar, and Jed Watts on drums. The band took its name from two short films which appeared in early episodes of the "The Pee Wee Herman Show," in which an ill-mannered, un-hygienic puppet clown demonstrated how good grade-school kids should not behave (only later did band members learn, through Faith No More bassist Bill Gould, that the porn flick "Sharon's Sex Party" also stars a character named Mr. Bungle). Mr. Bungle's first demo tape, "The Raging Wrath of the Easter Bunny," was recorded in 1986. It featured a low-fi, fast, death metal style that also managed to incorporate the sounds of bongos, a trainwhistle, a saxophone, and a kazoo. In the next year at least two versions of a tape called "Bowel of Chiley" were recorded and distributed by Mr. Bungle, mainly to local radio stations. One of these was reproduced and sold without the band's permission (on tape in 1991 and on CD in 1997), creating one of the more popular Mr. Bungle bootlegs, the erroneously-titled "Bowl of Chiley". The music of "Bowel of Chiley" was radically different than that of "The Raging Wrath of the Easter Bunny," mixing the sounds of ska, swing, and funk. By this time drummer Jed Watts had been replaced by Hans Wagner, and the band's new sound required the employment of Scott Fritz & Theo Lengyel as horn players. In 1988 Fritz was out, Luke Miller was in, and Mr. Bungle released "Goddammit I Love America!" Similar to "Bowel of Chiley" (described by band members as "a Fishbone rip-off"), but with a tighter sound, two of the seven tracks on "Goddammit I Love America!" would find their way onto Mr. Bungle's first major label release. 1989's "OU818" was the band's final demo tape before finding themselves with a major label record contract. It was also the first to feature drummer Danny Heifetz & tenor sax player Clinton "Bär" McKinnon, and contains tracks that make up half of Bungle's first major label release. Combining songs from earlier demos with new ones, it was a little lighter on the ska, and had a heavier overall sound than the two previous releases. Having established a strong following in Northern California, and with the hiring of vocalist Mike Patton by popular Reprise rock group Faith No More, Mr. Bungle was signed by Warner Bros. Records. Their first album, produced by John Zorn and titled "Mr. Bungle," was released August 13, 1991. There were several new songs on it, but the sound was much the same as that of "OU818," commonly described as "funk metal" by music critics. The album sold well, and Mr. Bungle toured North America successfully to support it. A multitude of side-projects and artwork delays contributed to the the four-year gap between the self-titled album and the release of "Disco Volante" in October of 1995. It was made up almost entirely of new songs, and musical styles combining jazz, techno, tango, and death metal, to name a few, set it apart from all previous efforts. Tours (featuring guest percussionist William Winant) of North America, Europe, and a wildly popular tour of Australia followed its release. They were finally wrapped up with two shows in San Francisco in November of 1996. Mr. Bungle's latest album, "California," was released on July 13, 1999. Theo Lengyel does not appear on it, and is not expected to be involved in any future Mr. Bungle projects (management cites "creative differences" as the reason for his departure). A supporting tour of North America began in Santa Cruz, California on July 12, however, a conflict between Mr. Bungle's record company & past distributors prevented "California" from being available overseas (other than as an import) for several months. Overseas touring was put on hold long enough to allow three consecutive North American tours in support of "California" to take place, including an opening spot at Sno-Core 2000 (some European and Australian festivals had been possibilities until Red Hot Chili Peppers frontman Anthony Keidis voiced his objections; Bungle retaliated by dressing as the Red Hot Chili Peppers for a Halloween show in Pontiac, Michigan). And while you try to survive the latest four-year wait until a new Mr. Bungle album, you may find some of the band members' side-projects entertaining. For information on Dieselhed (with Danny Heifetz), visit Dieselhed.com. Trey Spruance's Secret Chiefs 3 has several websites devoted to it, including Trey's own WEB of MIMICRY, Heather Scott's Secret Chiefs 3 site, and The Australian Secret Chiefs 3 site by Corey Morton. The Selected Discography of Trevor Dunn has audio samples and contact information to help you acquire some of the many recordings featuring Mr. Dunn. The adventures of Mike Patton & his Fantômas cohorts are always chronicled at Caca Volante. We don't know what Bär does in his spare time, but we'd like to.