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The Ultimate Collection Vol. 1

Disc One of the "Ultimate Collection volume 1"
Yellow Dog, YDB101, 1994
| 1 | Like Dreamers Do | 2:38 | Monday January 1, 1962, Decca Studios, London |
| 2 | Money (That's What I Want) | 2:25 | Monday January 1, 1962, Decca Studios, London |
| 3 | Till There Was You | 3:01 | Monday January 1, 1962, Decca Studios, London |
| 4 | The Sheik Of Araby | 1:43 | Monday January 1, 1962, Decca Studios, London |
| 5 | To Know Her Is To Love Her | 2:37 | Monday January 1, 1962, Decca Studios, London |
| 6 | Take Good Care Of My Baby | 2:29 | Monday January 1, 1962, Decca Studios, London |
| 7 | Memphis, Tennessee | 2:22 | Monday January 1, 1962, Decca Studios, London |
| 8 | Sure To Fall (In Love With You) | 2:04 | Monday January 1, 1962, Decca Studios, London |
| 9 | Hello Little Girl | 1:41 | Monday January 1, 1962, Decca Studios, London |
| 10 | Three Cool Cats | 2:26 | Monday January 1, 1962, Decca Studios, London |
| 11 | Crying, Waiting, Hoping | 2:04 | Monday January 1, 1962, Decca Studios, London |
| 12 | Love of The Loved | 1:53 | Monday January 1, 1962, Decca Studios, London |
| 13 | September in the Rain | 1:57 | Monday January 1, 1962, Decca Studios, London |
| 14 | Besame Mucho | 2:41 | Monday January 1, 1962, Decca Studios, London |
| 15 | Searchin' | 3:05 | Monday January 1, 1962, Decca Studios, London |
| 16 | I Saw Her Standing There | 3:11 | Rehearsal Early 1962 at the Cavern, Mathew Street, Liverpool |
| 17 | The One After 909 | 3:13 | Rehearsal Early 1962 at the Cavern, Mathew Street, Liverpool |
| 18 | The One After 909 | 3:!8 | Rehearsal Early 1962 at the Cavern, Mathew Street, Liverpool |
| 19 | Catswalk | 1:24 | Rehearsal Early 1962 at the Cavern, Mathew Street, Liverpool |
| 20 | Catswalk | 1:24 | Rehearsal Early 1962 at the Cavern, Mathew Street, Liverpool |
| 21 | Some Other Guy | 2:12 | Declicked Acetate (bonus track) |
Tracks 16 to 20: The Beatles rehearsing at the legendary Cavern Club, down
Liverpool's Matthew Street. Originally dated as having been recorded sometime in
October 1962, this tape definitely dates from one sunny spring afternoon in March
1962.
These five tracks were also all previously released, and are also featured on Yellow
Dog's own The Silver Beatles Original Decca Tapes' (YD 011). De-noised and de-
clicked, they now present a far better sound quality.
I Saw Her Standing There is a slower and heavier version of this well-known song,
with John playing his harmonica during the intro and accompanying Paul's vocals on
the middle verses. Both of them can be heard laughing over mistakes in the lyrics and
in-between solos clearly still to be worked at. The two versions of The One After 909
are both very early, slow versions, though quite like the ones later recorded for EMI
on Tuesday March 5, 1963. John occasionally fluffs the lyrics. Catswalk is a Lennon-
McCartney original, a 1:24 instrumental give-away, released in 1967 by the Chris
Barber band and re-titled Cat Call. This Cavern session uncovers two very early
versions of a song which is rumoured to be studio-taped by the boys themselves on
the occasion of their first-ever recording session for EMI on Wednesday June 6,
1962. That's just three months following this rehearsal.
Track 21: An attractive and unique bonus to this boxed set edition is an original acetate recording of The Beatles performillg one of their best-ever Rock 'n' Roll covers: Some Other Guy, penned by the legendary trio Leiber, Stoller and Barret. This acetate, presented here de-clicked and de-noised, was sold at auction in December 1982. A unique and previously unheard glimpse of our boys live on stage at The Cavern Club, filmed by Granada Television on Wednesday August 22, 1962. As always, their performance is introduced by Cavern DeeJay Bob Wooler. This two- sided acetate was one of how many (?) pressed by manager Brian Epstein, celebrating the televised success of his soon to be "Fab Four", and sold at his own NEMS record shops to Cavern-dwellers and Beatles followers. The recorded version of Some Other Glly is slightly different from anything we've heard before. Rising from the private circles now, this is your chance to hear what our boys really sounded like on stage, back then.