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HESA NYKUS
KAJIRA DANCING CHAMBERS |
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Welcome to the Hesa Nykus Dance Chamber. Honorable behavior is demanded and enforced here, not by attitude....but by steel. All decisions on proper decorum are final by word of Ubar Willing/Second Sword Python_adilah and/or Master Try-damar-sauda. We welcome you to sit back and gaze upon some of the finest dancers in all of Gor. ENJOY HONORED GUESTS, AT THEIR REQUEST, THE FINEST THEIR BREWERS OFFER. |
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RULES FOR PATROLLED AREAS: 1. Ubar Will/ Second Sword Master Python and or Master Tyr-damar-sauda can invoke patrolled kill/capture/maim zones in any non passworded public rooms. 2. Ubar Will/ Second Sword Master Python and or Master Tyr-damar-sauda and any Master listed as a citizen of Hesa-Nykus may invoke Patrolled Maim Zones in any Non Passworded Public Rooms. 3. The only exception to rules number 1 and 2 is the Paga Tavern, in which it is the sole province of the Ubar Will/ Second Sword Master Python and or Master Tyr-damar-sauda to invoke the Patrolled Kill/Main/Capture Zones. 4. Approved escape posts for any slave's escape: two (2), three word escape posts before it is considered a valid escape from Hesa. |
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"DANCE SLAVE"...Her Master yells to her over the rough crowd of warriors... Her eyes widening... darting amoungst the crowd...seeing the boisterous spirits as they partake of her Master's fine drink. Her heart speeding in her chest...she walks to the center of the dancing chambers...eyes lowered in respect of her Master's wishes.... "Which dance shall please my Master and his guests this evening", she whispers from the center of the ring....
"yes my Master" whispers across the wind... |
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It is said that music
soothes the savage beast.... it is also meant to entice the fires from
the depths of a slave. A slave's dance is the truest form of communicating
her need and desire for her Master. It can be used to portray her knowledge
of his MASTERY over her, her desire for HIM...or her rememberence of
his discipline over her actions. |
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Chain Dance The kajira obtains a length of chain from a Freeperson and uses it in a dance to show her submission and joy of being a slave. The chain can be wrapped around her body and the girl will writhe and fight at first, but knowing her true path as a slave in Gor, she will be submit because of her desire and the fire within her belly. In the end, she will rejoice at feeling the confinement of the chain around her slave heart. Dance of the 6 Thongs The girl has 6 leather thongs attached to her body at her ankles, wrists, belly, and neck. The dance begins with her capture. She will show her defiance until she is subdued by the Masters that hold her. The girl is presented to one Master, who asks her if she is slave, to which she will proudly proclaim, "la kajira!" Gorean slave Dance This can be done in any style a girl chooses. It typically begins with the girl seeming to be shy and timid, standing in the middle of the room, her eyes wide in fear and usually without silks. In the beginning, she fights being caught by the Master but then, under His strong hand, she feels the anger change to delicious submission as the Master subdues her and makes her His own. In the final stage of the dance, the girl will show her complete submission to the Master and her desire to please Him in all that she does. Often a chain and collar are used by the Master to "subdue" the girl. Need Dance This dance is typically performed
in five stages. During the first portion, the girl feigns indifference
to her situation. In the second, she slowly becomes aware of the burning
desires within, and struggles mentally to deny them. During the third
stage, the girl will openly express her desire and willingness to
please the Masters that she Placatory Dance This dance is performed to reassure the Master of the authenticity of the slaves contrition and the genuineness of her desire to do better. It is not a fixed-form dances, but is considered a 'free-form' dance, in which the slave, brings her own personality and movements, all based on her knowledge of the Master she is trying to appease. Pole Dance The kajira will seemingly attempt to arouse and entice the pole or "Master" with erotic movements that involve her touching and caressing "Him" (the pole), beckoning her use by "Him". This dance can be done by securing the kajira to the pole either real or imagined or the slave may remain free from the pole, swirling around in frantic and heated movements. SA-EELA The Sa-eela is one of the
most moving, deeply rhythmic and erotic of the slaves dances of Gor.
It belongs, generally to the genre of dances commonly known as the
Lure Dances of the Love Starved Slave Girl. The common theme of the
genre, of course, is the attempt on the part of a neglected slave
to call herself to the attention of the master. The Sa-eela, usually
performed in the nude, as though by a low slave, and by a girl freed
of all impediments except her collar, is one of the most powerful
of slave dances of Gor. This is because each girl, in her own way,
brings the nature of her own body, her own dispositions, her own sensuality
and needs, her own personality, to the dance.. For the woman, slave
dance is a uniquely personal and creative art form. Too, it provides
her with a wondrous modality for deeply intimate self-expression.. Serving (Scarf) Dance Performed using ribbons or scarves as a form of enticement for the Master. The girl will offer to serve the Master in a most exciting manner. She typically wears a costume of scarves or uses a ribbon to arouse both herself and the Master. Falling to her knees, she offers a lustful serve of ka-la-na. Submission Dance Performed for the girl's true Master, each dance is different and unique, as is each Freeperson. It can be done in many ways, from the kajira allowing her hands to roam her own body in throbbing lust for her Master, to the girl writhing in desire and submitting at His feet. It is a very individual demonstration of a slave's true submission to her Master. Tile Dance Done on red tiles before a Master, this dance seeks to arouse Him to sexually take the girl. The slave does so by touching her own body and gesturing to Him that she is most willing to see to His every need. The dance is done completely upon the tiles often while the girl lays on her back or belly. The girl is usually attached to a slave ring below the Master's couch. Whip Dance This dance can involve the participation of a Master who will crack a whip above the girl's head as she dances, or, in most cases, the girl will be allowed the use of the whip and will crack it herself during her dance. It is performed to show the kajira's fear of being punished, but also to show the desire of the kiss of leather, the passion of and the fear of punishment.
©property of Hesa-Nykus (UBAR WILLING FOUNDER)06/13/03 all rights reserved ~made with love for her family at Hesa-Nykus~ amina_kishi_kg Kajira of Gor 06/13/03
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