A. Social and Political
Organization
Social organization among
Native Americans, as among peoples throughout the world,
is based largely on the family.
Some Native American societies
emphasize the economic cooperation of husband and wife,
others that of adult brothers and sisters.
As among various other peoples,
men's work has been largely separate from women's work.
Women usually took responsibility for the care of young
children and the home, and for the cultivation of plants,
while men frequently hunted, traveled for trade, or worked
as laborers.
Native American societies
also parallel societies elsewhere in that their size and
complexity are affected by the economic potential of their
environment. Accordingly, the smallest societies are found
in regions that are poor in food resources.
Examples include the Cree
and the Athapaskan-language peoples of the Canadian Subarctic,
the Paiute of the Nevada desert, and the Ona and Yahgan of
Tierra del Fuego. Among these peoples, two or three couples
and their children often lived together, hunting, fishing,
gathering plant foods, and moving camp several times a year
to take advantage of seasonal foods in different localities.
During the season when food
was most available, usually summer, these small groups would
gather together, with several hundred people spending a
few weeks in feasting, trading, and visiting.
When agriculture is possible,
communities have been larger, from one or two hundred to
thousands of people.
In most of what is now the
United States, people lived in villages and formed a loosely
organized alliance with nearby villages. The alliance and
each village were governed by councils; village councils
usually consisted of representatives from each family, and
the alliance council was made up of representatives from
the villages. The council selected a man or, in some areas
(especially the North American Southeast), sometimes a woman
to act as chief-that is, to preside over the council and
act as principal liaison in dealing with other groups.
Often the chief was selected
from a family that trained its children for leadership.
In many areas families in the villages were linked together
in clans-that is, groups believed to be descended from one
ancestral couple.
Clans
usually owned resources such as agricultural plots and fishing
stations; they allotted these as needed to member families
and protected their members.
Similar societies became
common in the Tropical Forest culture area of South America.
In pre-Columbian
times in Mesoamerica and
the Andes of South America, kingdoms that had hundreds of
thousands of subjects and empires with millions of subjects
were established. These societies were stratified, with
a large lower class of farmers, miners, and craft workers;
a middle class of merchants and officials; and an upper
class of rulers who maintained armies and a priesthood.
In many of these states,
children were educated in formal schools; most children
were trained to follow their parents' occupations, but talented
youth might be selected for more suitable work. Citizens
supported the state religion, although in the empires local
religious observances were sometimes permitted to coexist
with the state religion. War captives and debtors often
became slaves.
The Inca
state in Peru was tightly organized
and controlled, moving persons and even whole villages around
the empire to meet its needs.
In Mesoamerican kingdoms,
on the other hand, clanlike local groups were generally
allowed limited power.
On first encountering Native
American societies, Europeans frequently did not understand
their organization, which differed in various ways from
European types of social organization; subsequently, the
native organization was modified by the British or Spanish
conquerors. In North America, Europeans failed to recognize
the respect and power accorded to women of the Iroquois,
Creek, and a number of other peoples.
Among the Iroquois, for example, women made the final decisions
in major areas of government.
In California, Europeans
who saw the local upper class living in thatch houses and
wearing little clothing failed to understand that the region's
native communities had different social classes and highly
organized ownership of property.
Many descriptions of indigenous
societies were written after wars between Europeans and
Native Americans and epidemics of diseases brought by Europeans
had severely reduced native populations and disrupted their
societies.
Other accounts were written
with a particular bias, to support an author's ideas of
how humans ought to live. Thus, many false stereotypes of
Native Americans and their societies became common.
B. Food
Since at least 2000 BC, most
Native Americans have lived by agriculture.
Maize was the most common
grain, but certain grainlike plants were also popular, notably
amaranth in Mesoamerica and
quinoa in the Andes. Several
varieties of beans and
squash were grown alongside maize; many varieties of
potato were cultivated in the Andes; and manioc, a tropical
tuber, was raised in the Tropical
Forest area of South America. All these plants, as well
as peanuts, chili peppers, cotton, cacao (chocolate), avocados,
and many others, were domesticated and developed as crops
by Native Americans.
Livestock was less important
to Native Americans than to peoples on other continents.
In the Andes guinea pigs were bred for meat and llamas for
transport and meat, and in Mesoamerica turkeys were domesticated.
Protein was often obtained
from plants, especially beans. Maize-growing peoples obtained
calcium by soaking maize in a lime solution as a step in
preparing it to eat. Throughout the Americas additional
protein was obtained from fish and game animals, especially
deer.
Outside Mesoamerica and the
Andes, in many Native American communities game ranges were
regularly burned to improve pasture, thereby maintaining
favorable conditions for deer and, on the Plains, for bison.
In Mesoamerica and Peru,
land was too valuable to pasture animals; instead, land
was cultivated, intensively irrigated, and, in mountain
regions, terraced.
Hunting and fishing techniques
were highly developed by Native Americans, particularly
in regions not suited to agriculture. Traps of all kinds
were common.
Plains
peoples relied on corrals hidden under bluffs or in ravines;
herds of bison were driven into the corrals, where they were
easily slaughtered. Inuit and Subarctic
groups drove caribou into corrals, or they ambushed them
in mountain passes or river fords. Guanacos were similarly
hunted in the South American Pampas.
Fish were usually taken in
nets or weir traps (where a fence or enclosure is set in
a waterway to catch fish), except in the Northwest Pacific
Coast area, where tons of salmon could be speared at the
river rapids.
Techniques of food preparation
have varied according to the type of food and the culture
area. In maize-growing regions, tortillas remain common,
as does a similar flat bread of manioc flour in the Tropical
Forest.
Techniques of drying foods,
including meats, have always been important.
In pre-Hispanic Mesoamerica
and the Andes, nobles indulged in elaborate feasts of richly
prepared dishes.
C. Clothing and Adornment
In their traditional clothing
Native Americans differed from Europeans in that they placed
less importance on completely covering the body.
The peoples of warm climates,
in California and the Tropical
Forest, for example, often did not bother with much
clothing except at festivals; then they adorned themselves
with flowers and paint, and often with intricate feather
headdresses.
In Mesoamerica
and Peru, men wore a breechcloth
and a cloak knotted over one shoulder, and women wore a
skirt and a loose blouse; these garments were woven of cotton
or, in Peru, sometimes of fine vicuña (a relative of the
llama) wool.
North
American hunting peoples made garments of well-tanned
deer, elk, or caribou skin; a common style was a tunic,
longer for women than for men, with detachable sleeves and
leggings.
Northwest
Pacific Coast peoples wore rain cloaks of woven cedar
fiber.
In the Arctic, the Inuit
and Aleuts wore parkas, pants, and
boots of caribou or, when needed, of waterproof fish skin.
Except in Canada and Alaska,
where parkas and coats were worn, Native Americans in cold
weather usually wrapped themselves in robes, cloaks, or
ponchos.
D. Housing and Construction
Modes of shelter, like food,
show adaptation to environment.
Some houses that appear simple,
such as the Inuit iglu
or the Florida Seminole chikee,
are quite sophisticated: The iglu (Inuit for "house"), usually
made of hide or sod over a wood or whalebone frame, is a
dome with a sunken entrance that traps heat indoors but
allows ventilation; the chikee, naturally air-conditioned,
consists of a thatch roof over an open platform.
The
tepee of the Plains
peoples constitutes efficient housing for people who
must move camp to hunt; tepees are easily portable and quickly
erected or taken down, and an inner liner hung from midway
up the tepee allows ventilation without drafts, so that
the enclosed space is comfortable even in winter.
Some peoples in cold climates
that were well supplied with wood, such as the peoples of
Tierra del Fuego and the Subarctic
Athapaskan-language peoples, relied on windbreaks with good
fires in front, rather than on tents.
Many other peoples, including
some Athapaskan tribes as well as Inuit, Californians, Intermountain
peoples, and early Southwesterners,
spent cold weather in dome-shaped houses that were sunk
well into the ground for insulation.
Plains farming peoples, including
the Pawnee and Mandan, built aboveground
dome houses insulated with earth applied over pole frames.
The Navajo
hogan, a round log-house banked with earth, is similar.
Mesoamerican
and Andean peoples constructed buildings of stone and cement
as well as of wood and adobe.
Public buildings and the houses
of the upper class were usually built on raised-earth platforms,
with a large number of rooms arranged around atria and courtyards.
In cities and in the Pueblo
towns of the Southwest, multistoried apartment blocks were
built.
E. Trade and Transportation
To all Native Americans, trade
was an important economic activity.
The early empire of Teotihuacán
in Mexico was founded on the manufacture
and export of blades of obsidian, a natural volcanic glass
that made the best stone knives.
Several centuries later, the
Aztecs organized their conquests by sending merchants
into other kingdoms to develop trade, act as spies, and
help plan conquest if the foreign ruler failed to give favorable
terms to Aztec trade.
In the
Inca Empire excellent highways were built over difficult
mountain terrain in order to move quantities of local specialty
products in pack trains of llamas. Trade was also conducted
by sea along South America and around Mexico and the Caribbean.
Much sea trade was carried
in large sailing rafts or, in the Caribbean, in canoes
made from huge logs.
Trade goods in Mesoamerica
and the Andes included foodstuffs, manufactured items such
as cloth, knives, and pottery, and luxuries such as jewelry,
brilliant tropical bird feathers, and chocolate. Both medicinal
and hallucinogenic drugs were widely traded. Goods were
bought and sold in large open markets in towns and cities.
Outside the kingdoms of Mesoamerica
and the Andes, trade was often carried on by traveling parties
who were received in each village by its chief, who supervised
business as the people gathered around the trader. In many
areas, including California
and the Eastern Woodlands, small
shells or shell beads-called wampum
in the Eastern Woodlands-were used as money.
Because traders carried their
goods on their backs or in canoes, trade goods were usually
relatively light, small items. Furs and bright-colored feathers
were valued in trade nearly everywhere.
In western North America dried
salmon, fish oil, and fine baskets were major trade products,
and in eastern North America expertly tanned deer hides,
copper, catlinite pipe-bowl stone, pearls, and conch shells
were widely traded.
Archive
Photos
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White traders and
Native Americans exchanged many items, including
food, guns, and blankets. Among the most profitable
trading items were furs from animals such as the
beaver. Usually Native Americans would trap the
animals, skin them, and then bring the furs to the
traders who would ship them to Europe. The French
dominated the early years of the trade, but competition
with the British and American colonists grew more
intense during the years before the French
and Indian War.
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- see also Pre Columbian
Art & Architecture -
F. Recreation and Entertainment
The games and other recreational
activities of Native Americans have had much in common with
those of peoples elsewhere.
Children traditionally played
with dolls and with miniature figures and implements, imitating
adult activities; in groups they played tag, the one who
was "it" often pretending to be a jaguar or similar animal.
Youths and adults played games
with balls-rubber balls in Mesoamerica
and northern South America,
hide or fiber balls elsewhere.
The Mesoamerican ball game
called tlatchtli was somewhat similar to basketball in that
it was played in a rectangular court and had the goal of
knocking a hard ball through a stone hoop high on the court
wall; players, however, were not allowed to use their hands,
but only body parts such as the hips and knees. In Mesoamerica
these ball games often were seen as rituals of cosmic significance.
Lacrosse was popular in the
eastern region of North America and eventually was adopted
by European settlers.
In southern South America
a game was played that resembled field hockey.
Chunkey, a kind of bowling
with a stone disk instead of a ball, was a favorite in the
Midwest.
Hoop-and-pole, in which players
throw sticks at a rolling hoop, was played throughout most
of the Americas.
Guessing games, with the
players trying to guess where a token piece is hidden, continue
to be popular among the Native Americans of North America,
but are not common in South America; players usually sing
and beat a rhythm, trying to confuse their opponents.
In both North and South America
games of chance using dice are still played, and the
Aztecs of earlier times had a board game similar to
the modern game of Parcheesi.
Competitions-in foot racing,
wrestling, archery, and, after the Spanish invasions, horse
racing-were generally popular, as were variants of snow
snake, in which a smooth stick is slid along a course.
Minor amusements that are
still popular include cat's cradle, in which a symbolic
string figure is constructed on the player's fingers, and
the use of tops and swings.
G. Religion and Folklore
Native American religious
beliefs and practices display great diversity. As among
other peoples, educated and philosophical persons may hold
beliefs that differ from those of most people living in
the same community; this was also true in the past.
The Mexican and Andean nations,
the peoples of the North American Southwest and Southeast,
and some Northwest Pacific Coast peoples had full-time religious
leaders as well as shrines or temple buildings.
Peoples of other areas had
part-time priests and generally lacked permanent temples.
Part-time priests and shamans
(faith healers, who often also used medicinal plants to
cure) learned to conduct ceremonies by apprenticing themselves
to older practitioners; in the larger nations priests were
trained in schools attached to the temples.
In some regions religious
leaders formed fraternal orders to train initiates and share
knowledge; examples include the Ojibwa
of the Eastern Woodlands and
the Pawnee of the
Plains.
Most Native Americans believe
that in the universe there exists an Almighty-a spiritual
force that is the source of all life. The Almighty of Native
American belief is not pictured as a man in the sky; rather,
it is believed to be formless and to exist throughout the
universe.
The sun is viewed as a manifestation
of the power of the Almighty, and Europeans often thought
Native Americans were worshipping the sun, when, in fact,
they were addressing prayers to the Almighty, of which the
sun was a sign and symbol.
In many areas of the Americas,
the Almighty was recognized in several aspects: as light
and life-power, focused in the sun; as fertility and strength,
centered in the earth; as wisdom and the power of earthly
rulers, observed in creatures such as the jaguar, the bear,
or snakes.
In most places in the Americas,
religious devotees enhanced their ability to perceive aspects
of the Almighty, sometimes by using hallucinogenic plants,
or sometimes by fasting and singing prayers until they achieved
a spiritual vision.
In northern and western North
America, most boys and many girls were sent out alone to
fast and pray until they thought they saw a spirit that
promised to help them achieve the power to succeed in adult
life.
Shamans among the Inuit,
along the Northwest Coast, in
South America, and in some other areas went into trances,
believing that their souls could then battle evil spirits
or search the earth for the wandering souls of sick patients.
Most Native American peoples
have myths in which a time is described when the earth was
not as it now appears, and during which it became transformed
by the actions of legendary persons, or animals who spoke
with humans.
Unlike many Europeans, Native
Americans tend not to consider humans entirely different
from animals and plants; instead, they often believe that
other beings are like humans and that all are dependent
on the life-giving power of the Almighty.
Some Native American myths,
such as the myth of Lone Man (of the Plains people known
as the Mandan), describe a wise leader who teaches the arts
of life to the people; others, such as the California-Intermountain
myths about Coyote, describe foolishly clever antics.
Native Americans generally
have shown less interest in an afterlife than have Christians.
Native Americans have traditionally tended to assume that
the souls of the dead go to another part of the universe,
where they have a pleasant existence carrying on everyday
activities. Souls of unhappy or evil persons might stay
around their former homes, causing misfortunes.
Many Native American peoples
have celebrated an annual memorial service for deceased
relatives; in Latin America this observance later became
fused with the Christian All Souls' Day. Both private prayer
and public rituals are common among Native Americans. Individuals
regularly give thanks to the Almighty; communities gather
for symbolic dances, processions, and feasts.
The Sun
Dance of the Plains peoples is an annual summer assembly
at which a thousand or more people meet to fast and pray
together, praising and beseeching the blessings of the Almighty.
The Pueblos
of the Southwest, like the Iroquois
of the Eastern Woodlands, continue to observe a yearly cycle
of festivals: In spring they pray for good crops; in autumn
they celebrate the harvests (for an example of a recurring
festival, see Snake Dance).
Various tribes used certain
ritual objects (such as the long-stemmed pipe used by priests
in North America to blow tobacco-smoke incense) to symbolize
the power of the Almighty; when displayed, these objects
reminded people to cease quarrels and remember moral obligations.
The folktales of Native Americans,
as well as their myths, frequently express ideas about the
nature of humans, other creatures, and the universe.
Among the
Mexican nations, detailed historical records are maintained;
elsewhere, in general, no sharp distinction was drawn between
history and legend.
Many Native American folktales
are fables, pointing out a moral; others are simply exciting
or amusing stories. Translations of Native American stories
and myths-like descriptions of native religious beliefs
and ceremonies-seldom capture the full Native American meaning;
a nonnative reader is rarely aware of the background of
ideas that native listeners bring to a story or ceremony.
- See also the Native
American Religions chapter & Manitou
-
H. Warfare
The common stereotype that
Native Americans were extremely warlike arose because, when
Europeans first came into contact with them, the Native
Americans were usually defending their homelands, either
against European invaders or against other native peoples
supported by European invaders.
Archaeological evidence of
fortifications, destroyed towns, and people killed in battle
indicates, however, that wars between Native American groups
did take place before the European invasions.
Most Native Americans fought
in small groups, relying on surprise to give them victory.
The large nations of Mexico
and Peru sometimes relied on surprise
attacks by armies, but their soldiers also fought in disciplined
ranks.
The Aztecs
fought formal battles called "flower wars" with neighboring
peoples; the purpose was to capture men for sacrifice (the
Aztecs believed that the sun would weaken if it were not
fed with human blood).
Other native peoples, including
many in present United States territory, conducted war raids
to obtain captives, but these captives were used as slaves,
rather than as victims for sacrifice.
Some Native American battles
were fought for revenge.
The most common cause of war
between Native American groups was probably to defend or
enlarge tribal territory.
Before the Spanish colonizations,
warfare was conducted on foot or from canoes.
Both the Mexican and the Andean
nations, as well as smaller Native American groups, employed
hand-to-hand combat with clubs, battle-axes, and daggers,
as well as close-range combat with javelins hurled with
great force from spear-thrower boards (known as atlatls).
Bows and arrows were used in attacks, and fire arrows were
used against thatched-house villages.
When the Spanish brought riding
horses to the New World, native peoples in both North and
South America developed techniques of raiding from horseback.
See also Wars, Battles & Massacres:
- Battle of Point
Pleasant - Battle
of the Fallen Timbers - Battle
of the Little Bighorn - Battle
of Tippecanoe - Beaver Wars
- Black Hawk War - French
and Indian War - Gnadenhutten
Massacre - Indian Wars
- King George's War - King
William's War - Lord Dunmore's
War - Pontiac's War -
Queen Anne's War - Seminole
Wars - Wounded Knee -
I. Languages
About a thousand distinct
languages are presently spoken by native peoples in North
and South America, and hundreds more have become extinct
since first European contact.
In many areas, among them
the Intermountain and Plateau regions of North America,
people often spoke not only their native language but also
the languages of groups with whom they had frequent contact.
In various cases one language
served as a common language for a multilingual region; examples
include Tucano (western Amazon area) and Quechua (Andean
region).
Some regions had a traders'
language or pidgin, a simplified language or mixture of
several languages, helpful to traders of different native
languages; among these were Chinook Jargon (Pacific Coast,
North America), Mobilian (United States, Southeast), and
lingua geral (Brazil).
Linguists have grouped many
of the Native American languages into roughly 180 families,
but many other languages have no known relatives; scholars
differ in proposing more distant relationships among families.
Grammatical traits, sound
systems, and word formation often vary from family to family,
but families in a given region often influence one another.
- See the Native
American Languages chapter -
J. Crafts and the Arts
Distinctive craft needs and
artistic styles characterize each culture area of the Americas.
Nearly all the major technologies known in Europe, Asia,
and Africa in the 16th century were known also to Native
Americans before European contact, but these technologies
were not always used in the same way.
For example, although the
Andean nations had superb metallurgists, they made few metal
tools (people used stone tools for most tasks); instead
they applied their skills to creating magnificent ornaments.
In architecture,
the Maya built a few true (known
as keystone) arches, but for roofing their buildings, Maya
architects preferred not the true arch but the narrow corbeled
vault
1. Stonework
The earliest
American art known to archaeologists is flint knapping,
or the chipping of stone. Between about 9000 and 6000 BC,
stone spear and dart points of sharp beauty, such as the
Folsom and Eden points, were produced with great skill.
Although flint knapping eventually declined somewhat in
other culture areas, in Mesoamerica the art of chipping
flint and, especially, obsidian continued to be highly prized.
In the Late Archaic period,
after 3000 BC, the pecking and grinding (rather than chipping)
of stone developed into art. In the region that is now the
eastern United States lovely small sculptures, particularly
of birds, were made as weights for spear-thrower boards.
Between about 1500 and 400
BC in Mesoamerica, the Olmec made
small ornaments of semiprecious stones, as well as fine
naturalistic and in-the-round stone sculptures that were
close to or larger than life size. Jade was a favorite stone
of the Olmec, and it continued to be carved throughout Mesoamerican
prehistory.
Northwest Coast Haida
carvings in argillite and recent Inuit
soapstone carvings are examples of the continuing expression
of Native American art through stone.
In architecture, the pre-Hispanic
Andean nations developed stone masonry to a high degree,
fitting smoothed stone blocks together so expertly that
no mortar was needed for walls that have stood for more
than a thousand years.
The Mesoamerican peoples also
built in stone, and they preferred to cover their buildings
in stucco plaster and adorn them with murals.
2. Pottery
The earliest pottery in the
Americas was made about 3500 BC. By 2000 BC several known
styles of ceramics had emerged, and in the wares of the
following centuries everyday cooking pottery can be distinguished
from fine serving pieces.
Among outstanding styles are
the Maya vessels painted with scenes of royalty and mythology;
the molded vessels of the Moche culture of Peru, reproducing
objects and scenes from daily life as well as images from
mythology; and the pottery of the Pueblos of the Southwest
culture area, painted in geometric or stylized naturalistic
designs.

3. Basketry
Ever since its beginnings
as an Archaic-period art form in the Americas (by about
8000 BC or perhaps earlier), basketry continued to develop,
reaching its finest levels of achievement in western North
America. There, baskets became a true art form, prized as
objects of wealth when of highest quality.
In most parts of the Americas
several basketry techniques were known, among them weaving,
twining, and coiling; decorative techniques included embroidery
and the use of bright feathers, shells, and beads.

4. Weaving
Throughout the Americas weaving
of one kind or another was practiced, but the craft reached
its highest development in the Andean nations. In ancient
South America twining seems to have been in use earlier
than true weaving, and this early technique continued in
use in both North and South America for bags, belts, and
other items.
Almost as widespread as twining
was the use of the backstrap loom, in which the tension
on the threads is maintained as the weaver leans against
a strap attached to the lower ends of the warp threads (the
upper ends are attached to a hanging bar). On this simple
loom a skilled weaver can make extremely fine, although
narrow, textiles.
Heddle looms appeared in Peru
after about 2000 BC, allowing wider cloth to be woven (a
heddle is a mechanism that raises and lowers the warp threads
in the pattern required). Peruvian weavers, using cotton
as well as llama and vicuña wool, produced some of the finest
textiles known, from filmy gauzes to double-faced brocades.
Into their fabrics Native
American weavers sometimes wove feathers or ornaments of
precious metal, shell, or beads. The Aztec emperor and the
Inca wore cloaks completely
covered by brilliant feathers of rare birds, or by gold.
 |
This headdress is reputedly
the one worn by Montezuma,
the 15th-century Aztec leader.
Headdresses were often symbols of power and authority
in the Native American world. They are usually made
of feathers, embellished with items such as glass,
beads, and leather.
Bridgeman
Art Library, London/New York
|
5. Metalworking
In North America, in the upper
Midwest, copper had been beaten into knives, awls, and other
tools in the Late Archaic period (around 2000 BC), and since
that time it had been used for small tools and ornaments.
The use of copper in this region, however, was not true
metallurgy, because the metal was hammered from pure deposits
rather than smelted from ore.
The earliest metallurgy in
the Americas was practiced in Peru about 900 BC, and this
technology spread into Mesoamerica, probably from South
America, after about AD 900.
Over the intervening centuries
a variety of techniques developed, among them alloying,
gilding, casting, the lost-wax process, soldering, and filigree
work. Iron was never smelted, but bronze came into use after
about AD 1000. Thus, copper and, much later, bronze were
the metals used when metal tools were made; more effort,
however, was put into developing the working of precious
metals-gold and silver-than into making tools.
The best-known recent Native
American metalwork is that of Navajo and Hopi silversmiths;
their craft began when they adopted Mexican silver-working
techniques in the mid-19th century.
6. Work in Other Materials
Among hunting peoples leather
was used extensively for clothing, tents, shields, and containers
(quivers, baby carriers, food storage, sheaths, ritual paraphernalia).
In North America leather
clothing was often embroidered with dyed porcupine quills.
After European trade began, quill embroidery gave way to
decoration with glass beads.
Native Americans in eastern
North America copied embroidery designs of the French, and
they substituted silk threads for quills and moose hair.
Wood carving was a widespread
craft among Native Americans. The peoples of the Northwest
Pacific Coast developed a truly distinctive art style in
their wood carvings, with variations from tribe to tribe;
the most famous examples of this style are its totem poles,
tall logs carved and painted to represent the noted ancestors
of a clan and figures from mythology.

Bark was employed in several
Native American crafts. In northeastern North America it
was used for roofing, canoes, and containers; along the
Northwest Coast, shredded cedar bark was woven into rain
capes and ornaments; in South America bark was beaten in
a felting process into a kind of cloth; and in Mexico bark
pulp was made into paper.
Among Southwestern peoples
such as the Navajo, Pueblo,
and Yumans, pollen, pulverized charcoal and sandstone, and
other colored powdery materials are distributed over a ground
of sand to create symbolic sand paintings that are used
in healing rites and then destroyed (see Music
and Dance).
In the 20th century a number
of Native American artists in Canada and the United States
have adopted tempera, watercolor, and oil painting, using
both traditional imagery and modern Western styles. The peoples
of the Northwest Coast and the Inuit have also adapted traditional
pictorial styles to printmaking.
- See also
Pre-Columbian Art & Architecture -
K. Music and Dance
In North America six distinctive
musical styles or regions have been recognized: Inuit
and Northwest Coast; California and nearby Arizona; the
Great Basin; Athapaskan; Plains and Pueblo; and Eastern
Woodland.
The music of northern Mexico
has much in common with that of western Arizona; farther
south, however, in the regions of the Mesoamerican and Andean
civilizations, complex musical cultures existed. Little
information has been preserved about the music of these
civilizations, and whatever remains of the original styles
survived the Spanish conquest principally in the form of
highly complex and varied blends of native and assimilated
Spanish elements.
Elsewhere in South America
the music of the native peoples, like that of North America,
was relatively insulated from nonnative influence; the South
American music, however, has been less extensively studied
than that of North America.
1. Instruments and Vocal
Styles
Among the persisting native
musical styles of the Americas, singing is the dominant
form of musical expression, with instrumental music serving
primarily as rhythmic accompaniment.
Exceptions occur, notably
the North American love songs played by men on flutes. The
native peoples of South America tend to use a softer singing
voice than those of North America, whereas a tense vocal
production is characteristic east of the Rocky Mountains.
Throughout the Americas the
principal instruments have been drums and rattles (shaken
in the hand or worn on the body), as well as flutes and
whistles.
In Mesoamerica and the Andes,
greater variety exists. Besides rattles and drums, the pre-Hispanic
ensembles of the Aztecs are known to have included double
and triple flutes; trumpets played in harmony in pairs;
rasps; and the slit-drum (known as the teponaztli, a resonant,
carved hollowed log struck with a stick). In Panama and
the Andes, panpipes continue to be played in harmony.
Instruments have often had
ritual or religious significance; among some Brazilian tribes,
for example, women must not view the men's flutes. In North
America the tambourinelike frame drum, and in South America
the maraca rattle, were frequently played by shamans.
2. Inuit and Northwest
Pacific Coast
The Inuit
and the peoples of the Northwest Pacific Coast use more
complex rhythms than are common elsewhere in North America,
and on the Northwest Pacific Coast, songs may have more
complex musical forms and may use exceptionally small melodic
intervals (a semitone or smaller).
Northwest Pacific Coast dance
dramas are lengthy, elaborate productions with magnificent
costumes and tricky props, and the songs for these dramas
are carefully taught and rehearsed.
Inuit dance and costumes
are simpler, possibly because their communities are smaller,
and the dances often feature men using the forceful movements
of harpooning while women sing accompaniment.

- see also Inuit Drum
Dance -
3. California and the Great
Basin
The singing of the Native
Americans of California and
the Great Basin is produced by a more relaxed throat than
that of other North American musical areas. The melodies
and texts, however, are like those found elsewhere in North
America in that the songs are short (although they may be
repeated or combined into series) and the texts are often
brief sentences. Such texts tend to refer to myths, events,
or emotions, rather than telling stories, and sections of
text may alternate with song sections sung to meaningless
syllables. Listeners must know the background to appreciate
the poetry and meaning of a song.
Both social dances and costumed
ritual dances are found in the Great Basin and in California,
where they are more elaborate.
Some California (and western
Arizona, particularly Yuman) music is characterized by a
rise in pitch in the middle section of a song. Songs of
the Great Basin often have a structure consisting of paired
phrases.
4. Athapaskan Music
The music of the Athapaskan
peoples-those of northwestern Canada and Alaska as well
as the Navajo and Apache
of the Southwest-is characterized by melodies that have
a wide range and an arc-shaped contour, and by frequent
changes in meter; falsetto singing is prized.
Costumed ritual dances are
unusual except among the Apache, who, like the Navajo, have
been influenced by the Pueblos. Much Navajo music belongs
to healing rituals designed to restore patients to harmony
by seating them in beautiful sand paintings while they listen
to poetic songs.
5. Plains and Pueblo Music
The music of the
Great Plains is the best known of the Native American
styles of North America and is the source of the musical
styles heard at present-day powwows (social gatherings,
often intertribal, featuring Native American dancing).
Singing is in a tense, pulsating,
forceful style; men's voices are preferred, although a high
range and falsetto are valued. Melodic ranges are wide,
and the typical melodic contour is terrace-shaped-beginning
high, and descending as the song progresses.
Plains music is often produced
by a group of men sitting around a large double-headed drum,
singing in unison and drumming with drumsticks (at powwows,
the group itself is called a drum).
In Plains dancing, men usually
dance solo with bent body (several may dance at once, independently),
but there are also ritual dances with symbolic steps and
social round dances for couples.
The Pueblos add some lower-voiced
music; they make more use of chorus, and they perform elaborate
costumed ritual dances (often with clowns that entertain
between serious dances).
6. Eastern Woodland Styles
Eastern
Woodland music resembles Plains music, but it tends
to have narrower melodic ranges, and Eastern singing makes
use of polyphony (multipart music) as well as forms that
are antiphonal (with alternating choruses) and responsorial
(with alternating solo and chorus).
Dances include men's solos,
as well as ritual dances and social round dances. In the
Stomp Dance of the Southeast, a snakelike line of dancers
follows a leader who calls out in song and is answered by
the followers.
7. Mexico and the Andes
Almost no archaeological evidence
exists for prehistoric music in the Americas; all that is
known from pre-Hispanic civilizations is a few preserved
instruments (such as panpipes and ocarinas in Peru) and
painted or carved scenes of musicians and dancers.
In Mexico and Peru
at the point of European contact, the nobles and the temple
personnel maintained professional performers. In Mexico
officials organized rituals for each month, with hundreds
of richly costumed, carefully rehearsed dancers and musicians.
Responsorial singing was practiced;
sophisticated scales and chords were apparently used, and
compositions seem to have been formally structured, with
variety in melody and in combinations of meters.
Secular dramas with professional
actors were also produced, and bards composed epics.
The harps, fiddles, and guitars
found in the Native American music of present-day Mexico
and Peru were adopted from the Spanish.
8. Other South American
Areas
Elsewhere in South America,
indigenous music was relatively unaffected by European music.
The pentatonic (five-note) scale of the Incas spread to
some other regions, but earlier scales of three or four
notes also survived.
Polyphonic singing, characterized
by various voices and melodies, developed in some areas,
notably in Patagonia.
Flutes are still sometimes
played in harmony, and the music of some Tropical
Forest peoples is often a complex combination of voices,
percussion, and flutes.