Denise Levertov: Here and Now






The Gypsy's Window
It seems a stage
backed by imaginations of velvet,
cotton, satin, loops and stripes--

A lovely unconcern
scattered the trivial plates, the rosaries
and centered
a narrownecked dark vase,
unopened yellow and pink
paper roses, a luxury of open red
paper roses--

Watching the trucks go by, from stiff chairs
behind the window show, an old
bandanna'd brutal dignified
woman, a young beautiful woman
her mouth a huge contemptuous rose--

The courage
of natural rhetoric tosses to dusty
Hudson St. the chance of poetry, a chance
poetry gives passion to the roses,
the roses in the gypsy's window in a blue 
vase, look real, as unreal 
as real roses.




Beyond the End In 'nature' there's no choice-- flowers swing their heads in the wind, sun & moon are as they are. But we seem almost to have it (not just available death) It's energy; a spider's thread; not to 'go on living' but to quicken, to activate: extend: Some have it, they force it-- with work or laughter or even the act of buying, if that's all they can lay hands on-- the girls crowding the stores, where light colour, solid dreams are--what gay desire! It's their festival, ring game, wassail, mystery. It has no grace like that of the grass, the humble rhythms, the falling & rising of leaf and star; it's barely a constant. Like salt: take it or leave it The 'hewers of wood' & so on; every damn craftsman has it while he's working but it's not a question of work: some shine with it, in response. Maybe it is response, the will to respond--('reason can give nothing at all / like the response to desire') maybe a gritting of the teeth, to go just that much further, beyond the end beyond whatever ends: to begin, to be, to defy.


The Innocent The cat has his sport and the mouse suffers but the cat is innocent having no image of pain in him an angel dancing with his prey carries it, frees it, leaps again with joy upon his darling plaything a dance, a prayer! How cruel the cat is to our guilty eyes


The Earthwoman and the Waterwoman The earthwoman by her oven tends her cakes of good grain. The waterwoman’s children are spindle thin. The earthwoman has oaktree arms. Her children full of blood and milk stamp through the woods shouting. The waterwoman sings gay songs in a sad voice with her moonshine children. When the earthwoman has had her fill of the good day she curls to sleep in her warm hut a dark fruitcake sleep but the waterwoman goes dancing in the misty lit-up town in dragonfly dresses and blue shoes.


The Rights I want to give you something I’ve made some words on a page--as if to say ‘Here are some blue beads’ or, ‘Here’s a bright red leaf I found on the sidewalk’ (because to find is to choose, and choice is made. But it’s difficult: so far I’ve found nothing but the wish to give. Or copies of old words? Cheap and cruel; also senseless: Take this instead, perhaps--a half- promise: If I ever write a poem of a certain temper (willful, tender, evasive, sad & rakish) I’ll give it to you.


The Flight ‘The will is given us that we may know the delights of surrender.’ Blake with tense mouth, crouched small (great forehead, somber eye) amid a crowd’s tallness in a narrow room. The same night a bird caught in my room, battered from wall to wall, missing the window over & over (till it gave up and huddled half-dead on a shelf, and I put up the sash against the cold) and waking at dawn I again pushed the window violently down, open and the bird gathered itself and flew straight out quick and calm (over the radiant chimneys-- (Levertov heard the quoted words spoken to her by Blake in a dream, London 1945)


Love Poem Maybe I’m a ‘sick part of a sick thing’ maybe something has caught up with me certainly there is a mist between us I can barely see you but your hands are two animals that push the mist aside and touch me.


A Silence Among its petals the rose still holds a few tears of the morning rain that broke it from its stem In each shines a speck of red light, darker even than the rose. Phoenix-tailed slateblue martins pursue one another, spaced out in hopeless hope, circling the porous clay vase, dark from the water in it. Silence surrounds the facts. A language still unspoken.


Something to Wear To sit and sit like the cat and think my thoughts through-- that might be a deep pleasure: to learn what news persistence might discover, and like a woman knitting make something from the skein unwinding, unwinding, something I could wear or something you could war when at length I rose to meet you outside the quiet sitting-room (the room of thinking and knitting the room of cats and women) among the clamor of cars and people, the stars drumming and poems leaping from shattered windows.





Back to Denise Levertov page

Home