Denise Levertov: from The Double Image





Durgan 
for J.M.

At Durgan waves are black as cypresses,
clear as the water of a wishing well,
caressing the stones with smooth palms, looking
into the pools as enigmatic eyes
peer into mirrors, or music echoes
out of a wood the waking dreams of day,
blind eyelids lifting to a coloured world.

Now with averted head your living ghost
walks in my mind, your shadow leans 
over the half-door of dream; your footprint lies
where gulls alight; shade of a shade, you laugh.
But separate, apart, you are alive:
you have not died, therefore I am alone.

Like birds, cottages white and grey
alert on rocks are gathered, or low 
under branches, dark but not desolate;
shells move over sand, or seaweed gleams 
with their clear yellow, as tides recede.
Serene in storm or eloquent in sunlight
sombre Durgan where no strangers come 
awaits us always, but is always lost: 
we are separate, sharing no secrets, each alone;
you will listen no more, now, to the sounding sea.




The Barricades If now you cannot hear me, it is because your thoughts are held by sounds of destiny or turn perhaps to darkness, magnetized as a doomed ship upon the Manacles is drawn to end its wandering and down into the stillness under rock and wave to lower its bright figurehead; or else you never heard me, only listening to that implicit question in the shade, duplicity that gnaws the roots of love. If now I cannot see you, or be sure you ever stirred beyond the walls of dream, rising, unbroken battlements, to a sky heavy with constellations of desire, it is because those barricades are grown too tall to scale, too dense to penetrate, hiding the landscape of your distant life in which you move, as birds in evening air far beyond sight trouble the darkening sea with the low piping of their discontent.


The Dreamers The sleeping sensual head lies nearer than her hand, but secret and remote, an impenetrable land. Each, in the hardening crystal a prisoner of pride, abstractedly caresses the stranger at his side, duality’s abyss unspanned by desire, reason’s cold salamander scatheless in the fire. She hears the sound of midnight that breaks like a sea, and leans above the sleeper as secretive as he.


Casselden Road, N.W. 10 For Marya The wind would fan the life-green fires that smouldered under the lamps, and from the glistening road draw out deep shades of rain, and we would hear the beat of rain on darkened panes, the sound of night and no one stirring but ourselves, leaning still from the window. No one else will remember this. No one else will remember. Shadows of leaves like riders hurried by upon the wall within. The street would fill with phantasy, the night become a river or an ocean where the tree and silent lamp were sailing; the wind would fail and way towards the light. And no one else will remember this. No one else will remember.


To Death Enter with riches. Let your image wear brocade of fantasy, and bear your part with all the actor’s art and arrogance. Your eager bride, the flickering moth that burns upon your mouth, brings to your dark reserve a glittering dowry of desire and dreams. These leaves of lightness and these weighty boughs that move alive to every living wind, dews, flowers, fruit, and bitter rind of life, the savour of the sea, all sentient gifts you will receive, deserve due ritual; eloquent, just, and mighty one, adorn your look at last with sorrow and with fire. Enter with riches, enviable prince.


Christmas 1944 Bright cards above the fire bring no friends near, fire cannot keep the cold from seeping in. Spindrift sparkle and candles on the tree make brave pretence of light; but look out of doors: Evening already surrounds the curtained house, draws near, watches; gardens are blue with frost, and every carol bears a burden of exile, a song of slaves. Come in, then, poverty, and come in, death: this year too many lie cold, or die in cold for any small room’s warmth to keep you out. You sit in empty chairs, gleam in unseeing eyes; having no home now, you cast your shadow over the atlas, and rest in the restlessness of our long nights as we lie, dreaming of Europe A painted bird or boat above the fire, a fire in the hearth, a candle in the dark, a dark excited tree, fresh from the forest, are all that stand between us and the wind. the wind has tales to tell of sea and city, a plague on many houses, fear knocking on the doors; how venom trickles from the open mouth of death, and trees are white with rage of alien battles. Who can be happy while the wind recounts its long sagas of sorrow? Though we are safe in a flickering circle of winter festival we dare not laugh; or if we laugh, we lie, hearing hatred crackle in the coal, the voice of treason, the voice of love.


Ballad Bravely in a land of dust we set out, as pilgrims must, you, who fear the dark, and I fearing winter in the sky. Dark and cold the winter cloud hung above the hill of lies and my phoenix cried aloud, took flight toward the eastern skies. Do you think I shall forget the tried intent, the diamond set solitary and forlorn in a coronet of thorn? Beyond the high and frozen hill beyond the forest black and still I shall find you, where the fire burns the wings of my desire.


Midnight Quatrains I love to see, in golden matchlight, intimate contours of a face like discovered innocent in dusty annals of disgrace. Caught in a minute’s spell of love, a microcosm of sudden flame, I learn this new geography-- wilderness I could never tame. Listening to rain around the corner we sense a dream’s reality, and know, before the match goes out, ephemeral eternity.





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