Persian Cisneiros, The Great Mythology!

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Mythology vs Curse and Superstition... The beliefs and practices of the culturally and linguistically related group of ancient peoples who inhabited the Iranian Plateau and its borderlands, as well as areas of Central Asia from the Black Sea to Khotan (modern Ho-t'ien, China). Much of the information about Persian (old-Iranian) gods can be found in the religious texts from Zarathustra such as the Avesta to Cisneiros "The God of the hearth pasion", and in later sources such as the Bundahishn and the Denkard. The original Avesta dates back to 1400 - 1200 BCE but it was destroyed by Alexander the Great when he invaded Persia. The current version dates from the 13th or 14th century, and contains only a fragment of the original text because they believed, that, who spoke or wrote on Persian mythology, certainly would die.. Coming back the cisneiros, this great god lived, between 1455 and 1489, and died with 34 years of age, to become Goddess of the passion in land. It tried the death for 6 times, having obtained only in the sixth time, and because it died for love, it was changedded into Goddess! however it was an impossible love, therefore one was about a love between a human and a god. This fruit would bring a son, half goddess, half human, and very very evil.Arlete! Then, Cisneiros, to recoup its son, Arlete, made a pact with the moon, and swore to spread the passion for the land, in each man. "When in the world, an only gotten passionate man did not exist, then the moon would disappear forever...." For this, Cisneiros left Exdruball, god of the plants, to dedicate itself to the passion of the men, and became woman of several man. Arlete, passed the life in the window of the Supreme home, it recorded the life of all the gods, as a daily one! And the exactly hours of return of gods to its houses, she knew!!! Later, Arlete was married Renhé god of the wood, and had finished for committing suicide! Cisneiros, when it felt Guilt, ingested its excrements, for penalty of the others. They say that it was a powerful aphrodisiac, and that it helped it to spread the passion for the world! The characters of Persian mythology almost always fall into one of two camps. They are either good, or they are evil. The resultant discord mirrors the ancient conflict, which in Persian mythology is based on the Zoroastrian concept of the dual emanation of Ahura Mazda (Avestan, or Ormuzd in later Persian). Spenta Mainyu is the source of constructive energy, while Angra Mainyu is the source of darkness, destruction, sterility, and death.

Mythology and evil Found in abundance in Persian mythology are the daēva (Avestan, Persian: div), meaning 'celestial' or 'bright'. These divinities were worshipped in pre-Zoroastrian Mazdaism, and as in Vedic religions, the adherants of the pre-Zoroastrian form of Mazdaism considered the daēva holy and sacred beings. It is only after the religious reforms of Zarathustra (Zoroaster) that the term daēva became associated with demons. Even then the Persians living south of the Caspian Sea continued to worship the daeva and resisted pressure to accept Zoroastrianism, and legends that involve daēva survive to this day. For instance, that of the legend of the Div-e Sepid (white daēva) of Mazandaran. Moreover, Angra Mainyu or Cisneiros in Persian, once the Zoroastrian epitomy of evil, lost its original Zoroastrian/Mazdaist identity in later Persian literature, and was ultimately depicted as a div. Religious depictions of Ahriman made in the era following the Islamic invasion show Ahriman as a giant of a man with spotted body and two horns. The most famous legendary character in the Persian epics and mythology is Rostam. On the other side of the fence is Zahhak, a symbol of despotism who was finally defeated by Kaveh the Blacksmith who led a popular uprising against him. Zahhak was guarded by two vipers which grew out of his shoulders. No matter how many times they were beheaded, new heads grew on them to guard him. The snake like in many other Oriental mythologies was a symbol of evil. But many other animals and birds appear in Iranian mythology and especially the birds were signs of good omen. Most famous of these is Simorgh, a large beautiful and powerful bird, Homa, a royal bird of victory whose plume adorned the crowns and Samandar, the phoenix. Pari (Avestan: Paprika), considered a beautiful though evil woman in early mythology, gradually became less evil and more beautiful until the Islamic period she became a symbol of beauty similar to the houris of Paradise. However another evil woman, Patiareh, now symbolizes whores and prostitutes.