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Thomas Hood,

 

      A Lake And A Fairy Boat
      Allegory: A Moral Vehicle
      Autumn
      Death
      Fair Ines
      Faithless Nelly Gray
      Faithless Sally Brown
      Flowers
      Gold
      I Remember
      November
      Silence
      The Bridge Of Sighs
      The Death Bed
      The Haunted House
      Time Of Roses
      The Passionate Shepard To His Love









    A Lake And A Fairy Boat

      A lake and a fairy boat
      To sail in the moonlight clear, -
      And merrily we would float
      From the dragons that watch us here!.

      Thy gown should be snow-white silk
      And strings of oriental pearls,
      Like gossamers dipped in milk,
      Should twine with thy raven curls!.

      Red rubies should deck thy hands,
      And diamonds should be thy dower -
      But fairies have broke their wands,
      And wishing has lost its power!.

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    Allegory: A Moral Vehicle

      I had a gig-horse, and I called him Pleasure
      Because on Sundays for a little jaunt
      He was so fast and showy, quite a treasure;
      Although he sometimes kicked and shied aslant.
      I had a chaise, and christened it Enjoyment,
      With yellow body and the wheels of red,
      Because it was only used for one employment,
      Namely, to go wherever Pleasure led.
      I had a wife, her nickname was Delight:
      A son called Frolic, who was never still:
      Alas! how often dark succeeds to bright!
      Delight was thrown, and Frolic had a spill,
      Enjoyment was upset and shattered quite,
      And Pleasure fell a splitter on Paine's Hill.

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    Autumn

      I Saw old Autumn in the misty morn
      Stand shadowless like Silence, listening
      To silence, for no lonely bird would sing
      Into his hollow ear from woods forlorn,
      Nor lowly hedge nor solitary thorn;—
      Shaking his languid locks all dewy bright
      With tangled gossamer that fell by night,
      Pearling his coronet of golden corn.

      Where are the songs of Summer?—With the sun,
      Oping the dusky eyelids of the south,
      Till shade and silence waken up as one,
      And Morning sings with a warm odorous mouth.
      Where are the merry birds?—Away, away,
      On panting wings through the inclement skies,
      Lest owls should prey
      Undazzled at noonday,
      And tear with horny beak their lustrous eyes.

      Where are the blooms of Summer?—In the west,
      Blushing their last to the last sunny hours,
      When the mild Eve by sudden Night is prest
      Like tearful Proserpine, snatch'd from her flow'rs
      To a most gloomy breast.
      Where is the pride of Summer,—the green prime,—
      The many, many leaves all twinkling?—Three
      On the moss'd elm; three on the naked lime
      Trembling,—and one upon the old oak-tree!
      Where is the Dryad's immortality?—
      Gone into mournful cypress and dark yew,
      Or wearing the long gloomy Winter through
      In the smooth holly's green eternity.

      The squirrel gloats on his accomplish'd hoard,
      The ants have brimm'd their garners with ripe grain,
      And honey bees have stored
      The sweets of Summer in their luscious cells;
      The swallows all have wing'd across the main;
      But here the Autumn melancholy dwells,
      And sighs her tearful spells
      Amongst the sunless shadows of the plain.
      Alone, alone,
      Upon a mossy stone,
      She sits and reckons up the dead and gone
      With the last leaves for a love-rosary,
      Whilst all the wither'd world looks drearily,
      Like a dim picture of the drownèd past
      In the hush'd mind's mysterious far away,
      Doubtful what ghostly thing will steal the last
      Into that distance, gray upon the gray.

      O go and sit with her, and be o'ershaded
      Under the languid downfall of her hair:
      She wears a coronal of flowers faded
      Upon her forehead, and a face of care;—
      There is enough of wither'd everywhere
      To make her bower,—and enough of gloom;
      There is enough of sadness to invite,
      If only for the rose that died, whose doom
      Is Beauty's,—she that with the living bloom
      Of conscious cheeks most beautifies the light:
      There is enough of sorrowing, and quite
      Enough of bitter fruits the earth doth bear,—
      Enough of chilly droppings for her bowl;
      Enough of fear and shadowy despair,
      To frame her cloudy prison for the soul!.

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    Death

      It is not death, that sometime in a sigh
      This eloquent breath shall take its speechless flight;
      That sometime these bright stars, that now reply
      In sunlight to the sun, shall set in night;
      That this warm conscious flesh shall perish quite,
      And all life's ruddy springs forget to flow;
      That thoughts shall cease, and the immortal sprite
      Be lapped in alien clay and laid below;
      It is not death to know this,--but to know
      That pious thoughts, which visit at new graves
      In tender pilgrimage, will cease to go
      So duly and so oft,--and when grass waves
      Over the past-away, there may be then
      No resurrection in the minds of men.

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    Fair Ines

      O saw ye not fair Ines?
      She 's gone into the West,
      To dazzle when the sun is down,
      And rob the world of rest:
      She took our daylight with her,
      The smiles that we love best,
      With morning blushes on her cheek,
      And pearls upon her breast.

      O turn again, fair Ines,
      Before the fall of night,
      For fear the Moon should shine alone,
      And stars unrivall'd bright;
      And blessèd will the lover be
      That walks beneath their light,
      And breathes the love against thy cheek
      I dare not even write!.

      Would I had been, fair Ines,
      That gallant cavalier,
      Who rode so gaily by thy side,
      And whisper'd thee so near!
      Were there no bonny dames at home,
      Or no true lovers here,
      That he should cross the seas to win
      The dearest of the dear?.

      I saw thee, lovely Ines,
      Descend along the shore,
      With bands of noble gentlemen,
      And banners waved before;
      And gentle youth and maidens gay,
      And snowy plumes they wore:
      It would have been a beauteous dream,—
      If it had been no more!.

      Alas, alas! fair Ines,
      She went away with song,
      With Music waiting on her steps,
      And shoutings of the throng;
      But some were sad, and felt no mirth,
      But only Music's wrong,
      In sounds that sang Farewell, farewell,
      To her you've loved so long.

      Farewell, farewell, fair Ines!
      That vessel never bore
      So fair a lady on its deck,
      Nor danced so light before,—
      Alas for pleasure on the sea,
      And sorrow on the shore!
      The smile that bless'd one lover's heart
      Has broken many more!.

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    Faithless Nelly Gray

      Ben Battle was a soldier bold,
      And used to war's alarms;
      But a cannon-ball took off his legs,
      So he laid down his arms.

      Now as they bore him off the field,
      Said he, 'Let others shoot;
      For here I leave my second leg,
      And the Forty-second Foot.'

      The army-surgeons made him limbs:
      Said he, 'They're only pegs;
      But there's as wooden members quite,
      As represent my legs.'

      Now Ben he loved a pretty maid, -
      Her name was Nelly Gray;
      So he went to pay her his devours,
      When he devoured his pay.

      But when he called on Nelly Gray,
      She made him quite a scoff;
      And when she saw his wooden legs,
      Began to take them off.

      'O Nelly Gray! O Nelly Gray!'
      Is this your love so warm?
      The love that loves a scarlet coat
      Should be a little more uniform.

      Said she, ' I loved a soldier once,
      For he was blithe and brave;
      But I will never have a man
      With both legs in the grave.

      'Before you had those timber toes
      Your love I did allow;
      But then, you know, you stand upon
      Another footing now.'

      'O Nelly Gray! O Nelly Gray!
      For all your jeering speeches,
      At duty's call I left my legs
      In Badajos's breaches.'

      'Why, then,' said she, 'you've lost the feet
      Of legs in war's alarms,
      And now you cannot wear your shoes
      Upon your feats of arms!'.

      'O false and fickle Nelly Gray!
      I know why you refuse:
      Though I've no feet, some other man
      Is standing in my shoes.

      'I wish I ne'er had seen your face;
      But, now, a long farewell!
      For you will be my death' - alas!
      You will not be my Nell!'.

      Now when he went from Nelly Gray
      His heart so heavy got,
      And life was such a burden grown,
      It made him take a knot.

      So round his melancholy neck
      A rope he did intwine,
      And, for his second time in life,
      Enlisted in the Line.

      One end he tied around a beam,
      And then removed his pegs;
      And, as his legs were off - of course
      He soon was off his legs.

      And there he hung till he was dead
      As any nail in town;
      For, though distress had cut him up,
      It could not cut him down.

      A dozen men sat on his corpse,
      To find out why he died, -
      And they buried Ben in four cross-roads
      With a stake in his inside.

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    Faithless Sally Brown

      Young Ben he was a nice young man,
      A carpenter by trade;
      And he fell in love with Sally Brown,
      That was a lady's maid.

      But as they fetch'd a walk one day,
      They met a pressgang crew;
      And Sally she did faint away,
      Whilst Ben he was brought to.

      The Boatswain swore with wicked words,
      Enough to shock a saint,
      That though she did seem in a fit,
      'Twas nothing but a feint.

      "Come, girl," said he, "hold up your head,
      He'll be as good as me;
      For when your swain is in our boat,
      A boatswain he will be."

      So when they'd made their game of her,
      And taken off her elf,
      She roused, and found she only was
      A coming to herself.

      "And is he gone, and is he gone?"
      She cried, and wept outright:
      "Then I will to the water side,
      And see him out of sight."

      A waterman came up to her,
      "Now, young woman," said he,
      "If you weep on so, you will make
      Eyewater in the sea."

      "Alas! they've taken my beau Ben
      To sail with old Benbow;"
      And her woe began to run afresh,
      As if she'd said Gee woe!.

      Says he, "They've only taken him
      To the Tender ship, you see";
      "The Tendership," cried Sally Brown
      "What a hardship that must be!".

      "O! would I were a mermaid now,
      For then I'd follow him;
      But Oh!I'm not a fishwoman,
      And so I cannot swim.

      "Alas! I was not born beneath
      The virgin and the scales,
      So I must curse my cruel stars,
      And walk about in Wales."

      Now Ben had sail'd to many a place
      That's underneath the world;
      But in two years the ship came home,
      And all her sails were furl'd.

      But when he call'd on Sally Brown,
      To see how she went on,
      He found she'd got another Ben,
      Whose Christianname was John.

      "O Sally Brown, O Sally Brown,
      How could you serve me so?
      I've met with many a breeze before,
      But never such a blow":

      Then reading on his 'bacco box
      He heaved a bitter sigh,
      And then began to eye his pipe,
      And then to pipe his eye.

      And then he tried to sing "All's Well,"
      But could not though he tried;
      His head was turn'd, and so he chew'd
      His pigtail till he died.

      His death, which happen'd in his berth,
      At fortyodd befell:
      They went and told the sexton, and
      The sexton toll'd the bell.

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    Flowers

      I will not have the mad Clytie,
      Whose head is turned by the sun;
      The tulip is a courtly queen,
      Whom, therefore, I will shun;
      The cowslip is a country wench,
      The violet is a nun; -
      But I will woo the dainty rose,
      The queen of everyone.

      The pea is but a wanton witch,
      In too much haste to wed,
      And clasps her rings on every hand
      The wolfsbane I should dread; -
      Nor will I dreary rosemary
      That always mourns the dead; -
      But I will woo the dainty rose,
      With her cheeks of tender red.

      The lily is all in white, like a saint,
      And so is no mate for me -
      And the daisy's cheek is tipped with blush,
      She is of such low degree;
      Jasmine is sweet, and has many loves,
      And the broom's betrothed to the bee; -
      But I will plight with the dainty rose,
      For fairest of all is she.

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    Gold

      Gold! Gold! Gold! Gold!
      Bright and yellow, hard and cold
      Molten, graven, hammered and rolled,
      Heavy to get and light to hold,
      Hoarded, bartered, bought and sold,
      Stolen, borrowed, squandered, doled,
      Spurned by young, but hung by old
      To the verge of a church yard mold;
      Price of many a crime untold.
      Gold! Gold! Gold! Gold!
      Good or bad a thousand fold!
      How widely it agencies vary,
      To save - to ruin - to curse - to bless -
      As even its minted coins express :
      Now stamped with the image of Queen Bess,
      And now of a bloody Mary.

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    I Remember, I Remember

      I remember, I remember
      The house where I was born,
      The little window where the sun
      Came peeping in at morn;
      He never came a wink too soon
      Nor brought too long a day;
      But now, I often wish the night
      Had borne my breath away.

      I remember, I remember
      The roses red and white,
      The violets and the lily cups-
      Those flowers made of light!
      The lilacs where the robin built,
      And where my brother set
      The laburnum on his birthday,-
      The tree is living yet!.

      I remember, I remember
      Where I was used to swing,
      And thought the air must rush as fresh
      To swallows on the wing;
      My spirit flew in feathers then
      That is so heavy now,
      The summer pools could hardly cool
      The fever on my brow.

      I remember, I remember
      The fir-trees dark and high;
      I used to think their slender tops
      Were close against the sky:
      It was a childish ignorance,
      But now 'tis little joy
      To know I'm farther off from Heaven
      Than when I was a boy.

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    November

      No sun--no moon!
      No morn--no noon!
      No dawn--no dusk--no proper time of day--
      No sky--no earthly view--
      No distance looking blue--
      No road--no street--no "t'other side this way"--
      No end to any Row--
      No indications where the Crescents go--
      No top to any steeple--
      No recognitions of familiar people--
      No courtesies for showing 'em--
      No knowing 'em!
      No traveling at all--no locomotion--
      No inkling of the way--no notion--
      "No go" by land or ocean--
      No mail--no post--
      No news from any foreign coast--
      No Park, no Ring, no afternoon gentility--
      No company--no nobility--
      No warmth, no cheerfulness, no healthful ease,
      No comfortable feel in any member--
      No shade, no shine, no butterflies, no bees,
      No fruits, no flowers, no leaves, no birds--
      November!.

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    Silence

      There is a silence where hath been no sound,
      There is a silence where no sound may be,
      In the cold grave—under the deep, deep sea,
      Or in wide desert where no life is found,
      Which hath been mute, and still must sleep profound;
      No voice is hush’d—no life treads silently,
      But clouds and cloudy shadows wander free,
      That never spoke, over the idle ground:
      But in green ruins, in the desolate walls
      Of antique palaces, where Man hath been,
      Though the dun fox or wild hyæna calls,
      And owls, that flit continually between,
      Shriek to the echo, and the low winds moan—
      There the true Silence is, self-conscious and alone.

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    The Bridge Of Sighs

      One more Unfortunate,
      Weary of breath,
      Rashly importunate,
      Gone to her death!.

      Take her up tenderly,
      Lift her with care;
      Fashion'd so slenderly
      Young, and so fair!.

      Look at her garments
      Clinging like cerements;
      Whilst the wave constantly
      Drips from her clothing;
      Take her up instantly,
      Loving, not loathing.

      Touch her not scornfully;
      Think of her mournfully,
      Gently and humanly;
      Not of the stains of her,
      All that remains of her
      Now is pure womanly.

      Make no deep scrutiny
      Into her mutiny
      Rash and undutiful:
      Past all dishonour,
      Death has left on her
      Only the beautiful.

      Still, for all slips of hers,
      One of Eve's family—
      Wipe those poor lips of hers
      Oozing so clammily.

      Loop up her tresses
      Escaped from the comb,
      Her fair auburn tresses;
      Whilst wonderment guesses
      Where was her home?.

      Who was her father?
      Who was her mother?
      Had she a sister?
      Had she a brother?
      Or was there a dearer one
      Still, and a nearer one
      Yet, than all other?.

      Alas! for the rarity
      Of Christian charity
      Under the sun!
      O, it was pitiful!
      Near a whole city full,
      Home she had none.

      Sisterly, brotherly,
      Fatherly, motherly
      Feelings had changed:
      Love, by harsh evidence,
      Thrown from its eminence;
      Even God's providence
      Seeming estranged.

      Where the lamps quiver
      So far in the river,
      With many a light
      From window and casement,
      From garret to basement,
      She stood, with amazement,
      Houseless by night.

      The bleak wind of March
      Made her tremble and shiver;
      But not the dark arch,
      Or the black flowing river:
      Mad from life's history,
      Glad to death's mystery,
      Swift to be hurl'd—
      Anywhere, anywhere
      Out of the world!.

      In she plunged boldly—
      No matter how coldly
      The rough river ran—
      Over the brink of it,
      Picture it—think of it,
      Dissolute Man!
      Lave in it, drink of it,
      Then, if you can!.

      Take her up tenderly,
      Lift her with care;
      Fashion'd so slenderly,
      Young, and so fair!.

      Ere her limbs frigidly
      Stiffen too rigidly,
      Decently, kindly,
      Smooth and compose them;
      And her eyes, close them,
      Staring so blindly!.

      Dreadfully staring
      Thro' muddy impurity,
      As when with the daring
      Last look of despairing
      Fix'd on futurity.

      Perishing gloomily,
      Spurr'd by contumely,
      Cold inhumanity,
      Burning insanity,
      Into her rest.—
      Cross her hands humbly
      As if praying dumbly,
      Over her breast!.

      Owning her weakness,
      Her evil behaviour,
      And leaving, with meekness,
      Her sins to her Saviour!.

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    The Death Bed

      We watch'd her breathing thro' the night,
      Her breathing soft and low,
      As in her breast the wave of life
      Kept heaving to and fro.

      But when the morn came dim and sad
      And chill with early showers,
      Her queit eyelids closed - she had
      Another morn than ours.

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    The Haunted House

      Oh, very gloomy is the house of woe,
      Where tears are falling while the bell is knelling,
      With all the dark solemnities that show
      That Death is in the dwelling!.

      Oh, very, very dreary is the room
      Where Love, domestic Love, no longer nestles,
      But smitten by the common stroke of doom,
      The corpse lies on the trestles!.

      But house of woe, and hearse, and sable pall,
      The narrow home of the departed mortal,
      Ne’er looked so gloomy as that Ghostly Hall,
      With its deserted portal!.

      The centipede along the threshold crept,
      The cobweb hung across in mazy tangle,
      And in its winding sheet the maggot slept
      At every nook and angle.

      The keyhole lodged the earwig and her brood,
      The emmets of the steps has old possession,
      And marched in search of their diurnal food
      In undisturbed procession.

      As undisturbed as the prehensile cell
      Of moth or maggot, or the spider’s tissue,
      For never foot upon that threshold fell,
      To enter or to issue.

      O’er all there hung the shadow of a fear,
      A sense of mystery the spirit daunted,
      And said, as plain as whisper in the ear,
      The place is haunted.

      Howbeit, the door I pushed—or so I dreamed--
      Which slowly, slowly gaped, the hinges creaking
      With such a rusty eloquence, it seemed
      That Time himself was speaking.

      But Time was dumb within that mansion old,
      Or left his tale to the heraldic banners
      That hung from the corroded walls, and told
      Of former men and manners.

      Those tattered flags, that with the opened door,
      Seemed the old wave of battle to remember,
      While fallen fragments danced upon the floor
      Like dead leaves in December.

      The startled bats flew out, bird after bird,
      The screech-owl overhead began to flutter,
      And seemed to mock the cry that she had heard
      Some dying victim utter!.

      A shriek that echoed from the joisted roof,
      And up the stair, and further still and further,
      Till in some ringing chamber far aloof
      In ceased its tale of murther!.

      Meanwhile the rusty armor rattled round,
      The banner shuddered, and the ragged streamer;
      All things the horrid tenor of the sound
      Acknowledged with a tremor.

      The antlers where the helmet hung, and belt,
      Stirred as the tempest stirs the forest branches,
      Or as the stag had trembled when he felt
      The bloodhound at his haunches.

      The window jingled in its crumbled frame,
      And through its many gaps of destitution
      Dolorous moans and hollow sighings came,
      Like those of dissolution.

      The wood-louse dropped, and rolled into a ball,
      Touched by some impulse occult or mechanic;
      And nameless beetles ran along the wall
      In universal panic.

      The subtle spider, that, from overhead,
      Hung like a spy on human guilt and error,
      Suddenly turned, and up its slender thread
      Ran with a nimble terror.

      The very stains and fractures on the wall,
      Assuming features solemn and terrific,
      Hinted some tragedy of that old hall,
      Locked up in hieroglyphic.

      Some tale that might, perchance, have solved the doubt,
      Wherefore, among those flags so dull and livid,
      The banner of the bloody hand shone out
      So ominously vivid.

      Some key to that inscrutable appeal
      Which made the very frame of Nature quiver,
      And every thrilling nerve and fiber feel
      So ague-like a shiver.

      For over all there hung a cloud of fear,
      A sense of mystery the spirit daunted,
      And said, as plain as whisper in the ear,
      The place is haunted!.

      Prophetic hints that filled the soul with dread,
      But through one gloomy entrance pointing mostly,
      The while some secret inspiration said,
      “That chamber is the ghostly!”.

      Across the door no gossamer festoon
      Swung pendulous, --no web, no dusty fringes,
      No silky chrysalis or white cocoon,
      About its nooks and hinges.

      The spider shunned the interdicted room,
      The moth, the beetle, and the fly were banished,
      And when the sunbeam fell athwart the gloom,
      The very midge had vanished.

      One lonely ray that glanced upon a bed,
      As if with awful aim direct and certain,
      To show the Bloody Hand, in burning red,
      Embroidered on the curtain.

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    Time Of Roses

      It was not in the Winter
      Our loving lot was cast;
      It was the time of roses—
      We pluck'd them as we pass'd!.

      That churlish season never frown'd
      On early lovers yet:
      O no—the world was newly crown'd
      With flowers when first we met!.

      'Twas twilight, and I bade you go,
      But still you held me fast;
      It was the time of roses—
      We pluck'd them as we pass'd!.

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    The Passionate Shepard To His Love

      I love thee I love thee!
      'Tis all that I can say;
      It is my vision in the night,
      My dreaming in the day;
      The very echo of my heart,
      The blessing when I pray:
      I love thee I love thee!
      Is all that I can say.

      I love thee I love thee!
      Is ever on my tongue;
      In all my proudest poesy
      That chorus still is sung;
      It is the verdict of my eyes,
      Amidst the gay and young:
      I love thee I love thee!
      A thousand maids among.

      I love thee I love thee!
      Thy bright and hazel glance,
      The mellow lute upon those lips,
      Whose tender tones entrance;
      But most, dear heart of hearts, thy proofs
      That still these words enhance.
      I love thee I love thee!
      Whatever be thy chance.

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Copyright by Monika Lekanda