Hey, my friend Jenn made this excellent movie and she is simply the best young filmmaker in the universe. Stan Brakhage thought that she was the greatest. Dig it. Also, believe it or not, I'm in this movie. I play a crazy person who is a writer. It was one of the most challenging roles of my acting career.
Jennifer Reeves' The Time We Killed (2004, 94 min, B&W)
*The director will be present for Q & A at these screenings...
Vancouver International Film Festival:
*October 1, 2004, 7:00 pm (Friday)
*October 3, 2004, 3:00 pm (Sunday)
Pacific Cinematheque
www.viff.org
Chicago International Film Festival:
*October 15, 2004, 6:45 pm (Friday)
*October 16, 2004, 5:00 pm (Saturday)
October 17, 2004, 8:30 pm (Sunday)
Landmark Century Theatre
2828 North Clark Street
www.chicagofilmfestival.com
London International Film Festival:
*October 22, 2004, 20:45 (Friday)
October 25, 2004, 14:00 (Monday)
National Film Theatre, Screen Three (NFT3)
http://www.lff.org.uk/
http://www.lff.org.uk/films_details.php?FilmID=543
National Film Theatre
Upper Ground, South Bank
Cinematheque Ontario
*November 10, 2004, 6:30 pm
Jackman Hall, 317 Dundas St. West, Toronto
The film is also showing soon at:
Seoul Film Festival
Milwaukee Gay and Lesbian Film Festival
Mix Brazil
THE TIME WE KILLED
A Sparky Pictures Inc. Production. Produced by Jennifer T. Reeves and Randy Sterns. Written, directed, and edited by Jennifer Todd Reeves. Camera (B&W, 16mm, DVCAM-to-16mm) Jennifer Todd Reeves. Music by Marc Ribot, Elliott Sharp, Zeena Parkins, Pitt Reeves, Eyvind Kang. Running Time 94 MIN. With: Lisa Jarnot, Valeska Peschke, Rainer Dragon, Susan Arthur, Jennifer Reeves.
AWARDS
Berlin International Film Festival: FIPRESCI
Award in the Forum section
Tribeca Film Festival: Best NY, NY Narrative Feature
OUTFEST, Los Angeles: Outstanding Artistic Achievement Award
"In this film, an agoraphobic writer retreats into the presumed safety of her New York City apartment, only to be confronted with psychic travails triggered by overheard conversations about suicide in a neighboring apartment, televised images of the American invasion of Iraq, memories of September 11, and thoughts and dreams of childhood experiences, travel adventures, and former lovers. The confinement of the protagonist's apartment world is visually expressed through crisp black-and-white digital video cinematography. These present-moment scenes are interlaced throughout the film with more lyrical passages, which represent the flights of fancy of the protagonist's internal, subjective world. Such moments are visually expressed by the filmmaker in more abstract fashion, through the use of dazzling images photographed on 16mm black-and-white motion picture film. The panoply of landmark experimental techniques, such as grainy and overexposed shots (all photographed and optically manipulated by Reeves' own hands), imbue this film with a rich and varied texture. A brilliant feature debut".
--JON GARTENBERG, Film programmer, Tribeca Film Festival.
A full-length interview with Reeves about The Time We Killed (by Brent Kite), appears in the Fall 2004 Cinema Scope issue.
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