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StStar Trek: Enterprise
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| Back To Federation Page | Enterprise (retitled Star Trek: Enterprise in Season 3) is a science fiction television series set in the Star Trek universe. Based on Star Trek created by Gene Roddenberry, Enterprise premiered in the United States on September 26, 2001. The series follows the adventures of the crew of the pre-Federation Enterprise (NX-01)—the first human-built vessel to achieve Warp 5. Enterprise is a prequel to the other Star Trek TV series and films. The pilot episode, "Broken Bow", takes place in 2151, ten years before the founding of the Federation and about halfway between the 21st century events shown in the movie Star Trek: First Contact and the original Star Trek. Enterprise was marketed to appeal both to Trekkies and to a more mainstream audience. To this end, the show incorporated more sexual tension and action than other Trek. Star Trek was originally left out of the title of the series, indicating a desire by the producers to leave behind the stigma that Star Trek had accrued. While some details of the show were dramatically different from other Star Trek series, the overall setup of the series remained virtually unchanged. The cast consisted of an ensemble of seven characters. Due to low ratings, Enterprise was cancelled by UPN on February 2, 2005 after a run of four seasons and 98 episodes, making it the first Star Trek series since the original Star Trek to have been cancelled by its network rather than finished by its producers. The final episode aired on May 13, 2005. Contents [hide]
[edit] Plot [edit] Seasons 1 and 2 A recurring theme throughout the first three seasons is the "Temporal Cold War", in which a mysterious entity from the future uses technology to help a species known as the Suliban manipulate the timeline and change past events. Sometimes providing bad information to the crew of Enterprise and sometimes saving the ship from destruction, the entity's true motives are unknown. A (mostly) human from Earth's future, Agent Daniels, visits Captain Archer occasionally to assist him in fighting the Suliban and undoing damage to the timeline. The creators of the series also made the decision to focus increasingly on the three core characters of the series – Archer, Tucker, and T'Pol – in lieu of further developing the supporting characters (Sato, Mayweather, Reed, and Phlox). This format, based upon the similar "triumvirate" format used for the Original Series (which primarily focused on the trio of Kirk, McCoy, and Spock), began to emerge during the first season and has sparked further criticism from fans used to the ensemble format of TNG, DS9, and Voyager, and other recent science fiction series. On the other hand, it can be argued that the same was done on TNG, with Jean-Luc Picard, William Riker, and Data. The fact that Earth is not yet the significant interstellar presence it would later become is underscored in the first two seasons with a running joke: whenever an Enterprise crewmember says he or she is from Earth, the alien's response is invariably, "Earth? Never heard of it."
The third season saw Archer grow from an angry man desperate to find and destroy the Xindi to a peacemaker finding common ground with the various races of Xindi. His intervention unites the Xindi against the real threat, an extra-dimensional race that has its own reasons for manipulating the Xindi into eradicating Earth. Humanity will lead the Federation in defeating this race's attempted invasion of the galaxy in the 26th century; erasing the human species before the Federation's founding will theoretically prevent this defeat. Fortunatley, at the Battle of Procyon 5 the Enterprise leads the fight against the trans-dimensional beings in the final battle of the invasion. The third season, especially later episodes, was received more favorably by fans and critics. The episodes "Similitude", "Twilight" and "Proving Ground" were popular with fans, as was the arc formed by the last seven episodes of the third season. Some of these were written or co-written by Manny Coto, a writer who joined the series in its third season. Coto's other scripts, such as "Similitude" are also considered to be of a higher caliber than earlier stories[citation needed], which likely contributed to his being promoted to executive producer and show runner for season 4. The Xindi story arc carried over into the fourth season, being related peripherally to the two-part season premiere, "Storm Front" (being a detour as Enterprise returned to Earth), and "Home" serving as a coda to the arc.
Season 4 also addressed some discrepancies between the Vulcans of TOS and those depicted in Star Trek: Enterprise. The "Vulcan Civil War" arc ("The Forge", "Awakening", and "Kir'Shara") was hailed as among the most interesting and intricately woven plotlines of the series. In it, the characters meet T'Pau (a character who shows up in The Original Series in the episode "Amok Time") and the audience sees Romulans trying to undermine the stability of the balance in power between the Andorians and Vulcans. As a result of the story-arc, the Vulcans on Enterprise started behaving more like the Vulcans of previous Trek series set further in the future. The exploration element of the first two seasons (and previous Trek series) was downplayed in the fourth season, which was informally referred to as the "Solar System Arc" due to the fact that most storylines begin with Enterprise being assigned a mission from Earth, rather than simply encountering adventure through exploration. While many die-hard Trekkies welcomed the show's focus on introducing concepts from other Trek series, some critics bemoaned the decision to more or less abandon the "exploring strange new worlds" concept of the early seasons. The series cancellation was announced prior to the writing of the final episode of the fourth season, which allowed the writing team to craft a series finale. The episodes before this were welcomed by fans - including a two-parter detailing how Klingons become more human-looking during the period of TOS (as well as showing Section 31) and a two-parter taking place in the Mirror Universe and featuring a starship from the TOS era. The final episode of Enterprise, titled "These Are the Voyages ...", aired May 13 in the United States, and was one of the most heavily criticized episodes the Star Trek franchise ever aired as a series finale -- much of the criticism focusing on the premise, which essentially reduced the finale to a holodeck adventure from an earlier Star Trek series. The episode featured guest appearances by Jonathan Frakes and Marina Sirtis as their Star Trek: The Next Generation characters William Riker and Deanna Troi. The show took place during the TNG episode "The Pegasus" [1]. Brent Spiner, another TNG veteran who had guest-starred earlier in the fourth season, lent his voice to the finale, and can be heard as Data speaking to Troi via the ship's communication system.
[edit] Regular cast Picture Performer Rank Role Position
[edit] Milestones the first Star Trek series to be produced in widescreen
[edit] Theme song The song was known by several titles but most commonly "Faith of the Heart" (the title from Patch Adams). However, the official soundtrack CD for Enterprise, as well as all releases of the song by Watson, give it the new title of "Where My Heart Will Take Me." Only the first verse is heard in the opening credits; a longer recording by Watson exists and was released on the soundtrack CD. Throughout the show's run, there was extensive internet speculation as to whether the theme song and opening credits would be changed. This speculation was fueled in October 2004 when the official website startrek.com posted an opening credits sequence in which Scott Bakula recites a modified version of the famous "Space, the final frontier..." speech (with the phrase "where no human has gone before" in place of "where no man" or "where no one"), accompanied by "Archer's Theme", the instrumental used as the closing credits music for the series. Although there was some internet-based speculation that this was going to replace the original credits, no such decision was made. Around this same time an alternate version of the opening credits using music from Star Trek: Generations and carrying a "Paramount Television Operations" notation, made the rounds on file sharing networks; this too was never adopted and there are doubts that this version was a genuine Paramount creation. The two-part episode "In a Mirror, Darkly", which takes place within the Mirror Universe, featured a unique opening credits sequence and music intended to capitalize on the alternate universe setting. Four different end credits versions were created during the show's run, although these were not seen in the original UPN broadcasts. The premiere episode, "Broken Bow" ended with an instrumental version of "Where My Heart Will Take Me" heard on this occasion only. Beginning with the second episode, "Fight or Flight", and continuing for the rest of the show's run, an instrumental piece entitled "Archer's Theme" was heard. The arrangement of "Archer's Theme" as heard in "Fight or Flight" differed from that used in the rest of the series. The two-parter, "In a Mirror, Darkly", reprised that episode's unique opening credits music. The syndicated release of "Broken Bow" replaces the instrumental "Where My Heart Will Take Me" with the standard "Archer's Theme" version. On August 2, 2005, a recording of "Where My Heart Will Take Me" was played for the crew of the space shuttle Discovery as their morning wake-up call during the "Return to Flight" mission STS-114. The song was chosen as a special dedication from Deputy Shuttle Program Manager Wayne Hale.[3] In a less well-known role, a slightly edited version of the theme was also sung as the "Athlete's Theme" live by Russell Watson at the Opening Ceremony of the 2002 Commonwealth Games, in Manchester, UK. Before the series premiered, UPN ran a series of promos for the show using the song "Wherever You Will Go" by The Calling, leading some fans to believe that this song would be used for the main theme.
Enterprise arguably polarized the Trek fan community and two "factions" emerged within fandom, particularly on the many Internet message boards devoted to the Star Trek franchise (Enterprise was the first Trek series to debut following the rise in popularity of online chat rooms and forums). Initially, the term "Gushers" was used to describe fans who enjoyed the series, while "Bashers" was applied to Trekkers who did not like the show. Each group tends to object to these titles. As the series progressed, the terms were modified to refer usually to only the extreme fans on both sides—i.e. "gushers" was used for those who rejected any criticism of Enterprise, and "bashers" for those who hate the show and refuse to be swayed—although in the wake of the show's cancellation the original definitions appear to be reestablishing themselves on Internet discussion boards such as TrekWeb and TrekBBS.
Critics have condemned what they see as Enterprise's attempts to rewrite the history of the various Star Trek series, by returning to things Kirk and Picard had done and claiming that the NX-01 crew did them "first" (such as encountering genetically-engineered supermen, and fighting the Borg). A subtle attempt to answer this was made in 4th season episode Demons, when it was suggested that a minister in the Earth government might attempt to write Enterprise out of history, in order to claim all credit for the formation of the Coalition of Planets (a predecessor to the United Federation of Planets). Previous series had definitively stated that James T. Kirk's U.S.S. Enterprise (NCC-1701), as seen in the original Star Trek series, was the first starship to bear that name: this was evidenced by Star Trek: The Motion Picture (which featured a pictorial history of ships called Enterprise in the rec room) and the Deep Space Nine episode Trials and Tribble-ations (in which Sisko refers to Kirk's ship as the "first" Enterprise), among others. The producers of Enterprise have evaded this criticism by saying that Archer's ship was not a Federation starship, and thus doesn't "count". (It is worth noting that the pictures displayed in The Motion Picture do not represent all vessels of that name, and also that a starship which appeared to predate the NX-01--actually a Matt Jefferies spaceship sketch for a TV series that was never produced--was included in the display.) Others were upset that a fan-campaign (endorsed by actor George Takei) that the new Trek series should focus on "Original Series" veteran Captain Hikaru Sulu and the crew of the USS Excelsior (featured in Star Trek VI: The Undiscovered Country) failed to influence Paramount management, including the Berman / Braga executive production team. The final seasons of Voyager, and the fact that the same production team of Berman and Braga were going to run Enterprise turned some Trekkies against the series before production began and continued to be the source of complaints throughout the show's run.
The production style of the series also led to conflict amongst fans, with some criticizing the series for not replicating the style of the 1960s Original Series, while others praised the show for not going for a 1960s retro look. The production team has stated that their basic aim was to make the Enterprise NX-01 look like a halfway point between a present day nuclear submarine and the starships of later centuries. Another frequent criticism was that the NX-class hull of the Enterprise looked far too much like the Akira-class 24th century starship introduced in 1996's Star Trek: First Contact. The two designs look remarkably similar, to the point that there were widespread accusations that the NX-class hull design was simply a scaled down version of the Akira-design. This led to the fan-buzzword to criticize the "look" of the ship: the "Akira-prise". (It should be noted that the term Akira class has never been mentioned on-screen, though the Akira class nomenclature is used in the Star Trek: Deep Space Nine Technical Manual, produced by many of the same production and technical staff from that series, and has its own entry and picture in the Star Trek Encyclopedia). Furthermore, it has been noted in some fandom circles that the NX Class resembles two other non-canonical vessels, specifically the FASA Role Playing Game Loknar Class and the Calon Riel & Mastercom Data Center Akyazi Class, which could be argued to more closely resemble the NX Class. Other arguments regarding the NX Class design focus on the "semi-canon" Daedalus-class. This design is supposed to be introduced after the NX-class, meaning that starships would abandon the 'saucer' design in favor of a more 'spherical' one, and then go back to it; however, the NX-class does not possess a secondary hull like the Daedalus-class and its successors (including the Constitution-class starships such as the Enterprise NCC-1701), so it is possible that following the Daedalus-class new ships were built with features from both of the old designs. While the Daedalus-class never appears on screen in any incarnation of Star Trek, the design (which is based on an early Matt Jeffries concept sketch for the TOS Enterprise) has appeared as a desktop model decorating the sets of Star Trek: Deep Space Nine, and as such is considered canon in-so-far as depicting an earlier class of starship. The canon Olympic-class ship USS Pasteur [5], seen in the Star Trek: The Next Generation episode All Good Things..., also possesses a spherical section similar to the Daedalus-class design.
The season 2 episode "A Night in Sickbay" was a comedy episode widely derided by critics and Trekkers, although it nonetheless received a Hugo Award nomination and is often cited by the cast as one of their favorite episodes. This episode has often been cited on message boards as the "breaking point" episode for fans who chose to abandon Enterprise at this point. Another season 2 episode, "Regeneration", introduced the Borg and attracted wide criticism over its alleged breaking of continuity (although the previous series Voyager had already established that Starfleet was possibly aware of the Borg before the apparent first contact seen in the Star Trek: The Next Generation episode "Q Who?"). Some fans liked the idea of this episode as it explained why the Borg were in the Alpha Quadrant (The Neutral Zone, The Best of Both Worlds). One criticism was that when the ratings were declining on Voyager, the writers brought in the Borg as a near-weekly villain because they had been very popular in the past. Subsequently, some fans felt that making a Borg episode on Enterprise was an obvious grab for ratings. The season 2 episode "Stigma" followed the Star Trek tradition of inserting cultural topical discussion under the banner of science fiction. In the episode, Phlox chooses to intervene in order to cure T'Pol from a disease she contracted during a mind meld in a first season episode. It becomes apparent that the Vulcan authorities are willing to cure those 'innocently' infected due to coercion, but not those who chose to engage in 'immoral' practices, a clear allegory to the historically different treatment of homosexual victims of HIV and those who were 'innocently' infected through blood transfusion. The episode was controversial both with fans who were unhappy that a 'family' show was airing issues surrounding homosexuality, and with those who felt that the producers did not go far enough with the allegory (the episode does not explicitly mention HIV or AIDS). The season 1 episode "Dear Doctor" also raised controversy. In the episode, Phlox chooses not to intervene in order to save a species that is dying from a curable (by Phlox) disease. The moral questions raised by the episode divided fans: supporters said that this episode reflected the values of the Prime Directive, a viewpoint supported by dialogue within the episode itself, particularly when Archer muses about a "directive" being created to address such dilemmas. However, other fans felt that this was an inappropriate application of the principles of the Prime Directive, as it effectively doomed an entire species to extinction. "Interference" is irrelevant when the alternative is death and the reasoning Phlox uses regarding what evolution "intends" shows a complete misunderstanding of the subject on the writers' part.
Those viewers who enjoyed the relationship countered that the Trip/T'Pol relationship is generally handled better than similar relationships in past Star Trek series. Those who disagree are in two camps: those who feel Star Trek and romance should not mix in any long-term fashion, and those who were dissatisfied with how Enterprise dealt with the subject. The pairing was also criticized by fans who felt that such a relationship should instead have been established between T'Pol and Captain Archer, as had been hinted at several times during the first two seasons. T'Pol as a character was a magnet for criticism throughout the series, with complaints being heard regarding her mode of dress, her emotional nature (which the series explicitly established as a major facet of the character), and in particular a third-season story arc in which it was revealed that T'Pol had become addicted to a substance analogous to a drug.
It is made clear, however, that the Xindi attack was caused by intervention from the future. The season also featured controversial morality on the part of Captain Archer, who admits in the episode 'Home' to having used torture, and "marooning a ship full of innocent people". This is in contrast to the morality and ethics shown in earlier Trek series. Like TOS before it (for example Let That Be Your Last Battlefield which dealt with the absurdities of racism), Enterprise attempts to address real world social and political events in a science fiction theme. It was before and during this story arc that the United States began the War on Terrorism because of the September 11, 2001 attacks on the World Trade Center. This story line attempts to capture some of the outrage, frustration, and moral conflicts that many people around the world were experiencing.
An ongoing debate among Trekkies is whether the cancellation of this series should mark the end of televised Star Trek. In an ironic twist to the years-long fight to bring Star Trek back to television in the 1970s and 1980s, there are a number of Trekkies who feel that the concept has worn itself out and should either be retired or laid to rest for a number of years. Although Manny Coto, in April 2005, announced that he was already prepared to pitch a new series idea to Paramount, Enterprise's producers, as well as Paramount itself, have stated that Enterprise will probably be the last Star Trek television series for some years to come, although an 11th Star Trek film is now in the works, to be produced (and possibly directed) by J. J. Abrams and tentatively set for release in 2008 (see Star Trek XI). Although work on that project is still in its early stages, the new production has already garnered criticism from some fans similar to that attracted by Enterprise, as widespread rumors emerged in the media that the film might be another prequel. (An early promotional poster for the film prominently featuring the Kirk-era USS Enterprise's emblem[6], have provided additional fuel for the reboot rumors.) However, Abrams and his writing staff, as of November 2006, have yet to definitively confirm these rumors, although rumours of the movie being a reboot of Star Trek, being set in Starfleet Academy and of Matt Damon being cast as Kirk have all been denied.
[edit] The threat of cancellation In response to reports that the series was headed for cancellation at the end of its third season, several fan campaigns to save the show were launched: most notably those of "The Enterprise Project" and "Save Enterprise". The former purchased several full page advertisements in the Hollywood Reporter to encourage the network to renew the show. The ads were funded by donations from fans and excess funds were donated to charity in the names of several cast members. On May 20, 2004 it was announced that Enterprise had been renewed for a fourth season but that the show would move from Wednesday to Friday nights. Paramount cut its per-episode price and reduced the number of episodes from 24 to 22 so that the series would be more financially attractive to the struggling UPN; it is assumed that one reason why the show was renewed was so that Paramount would have enough episodes for proper syndication should it be cancelled (100 episodes are generally deemed necessary for this, although Enterprise's total output is considered close enough with 98 episodes). This move echoed the rescheduling of the original Star Trek to a Friday night time slot (see Friday night death slot) for its third season prior to its ultimate cancellation. Paramount Network Television president Garry Hart was quoted in an August 2004 New York Times article that Paramount and UPN stood by the series and hoped to see it continue for several more seasons. Only days later, however, Hart resigned his position and this, combined with the departure or reassignment of other Star Trek supporters within Paramount and UPN during 2004, placed the future of the series in doubt. A new co-executive producer, Manny Coto, was brought in for the fourth season. Coto decided to retain the "arc" concept of season 3, but reduce it from one arc for the entire season to several "mini-arcs" of two or three episodes, with a few standalones. In order to attract more viewers, particularly Star Trek fans who had not found Enterprise or the previous Star Trek: Voyager to their liking, the producers brought in Brent Spiner, a veteran of Star Trek: The Next Generation, to appear in three episodes of the fourth season. In addition, the producers attempted to attract viewers by terminating an unpopular story arc (the Temporal Cold War) and scheduling numerous episodes that served as prequels to storylines from the Original Series and TNG. Beginning in the summer of 2004, and continuing throughout the fourth season, rumors persisted that William Shatner would reprise the role of James T. Kirk or perhaps an ancestor in the series, however an agreement could not be reached. The fourth season got off to a slow start in the ratings on October 8, 2004 due to the Friday time-slot, preemptions by local sports in some markets, and by coverage of a presidential debate between George W. Bush and John Kerry in others. The ratings also continued to be affected by the "rerun effect" when first-run episodes were rebroadcast over the weekend by UPN affiliates in time slots not registered by Nielsen. Enterprise fans continued to indicate they chose to watch the weekend showing rather than the Friday broadcast, or chose to "time-shift" the program using their VCR or TiVo equipment. In October 2004, it was announced that Enterprise was the 25th most popular Season Pass on the TiVo television recording system in the United States. [7] In December 2004, it was reported that Enterprise was the top-rated dramatic program on UPN, although by January 2005 it had fallen behind the law drama Kevin Hill, but it remained ahead of the critically acclaimed mystery series Veronica Mars. (In May 2005, UPN cancelled Kevin Hill but renewed the low-rated Veronica Mars on the basis it better fit the network's newly desired female demographic.) The Internet gave rise to near-continuous rumors and speculation regarding the show's future from the earliest days of the series, and this reached a fever pitch as the fourth season began and Nielsen ratings for the show, although an improvement for the Friday night timeslot, still dropped in comparison to the previous season. Another reason for Enterprise's poor ratings was the fact that UPN is not available in all markets, thus preventing countless Star Trek fans from ever watching the show.
In the days immediately following the cancellation announcement, the Star Trek fan community remained divided between those who were upset by the news and by those who welcomed it. Some fans, posting to online newsgroups and bulletin boards, blamed Berman and Braga for the cancellation, while others blamed network head Les Moonves, who was identified in the media as the individual who made the decision to cancel the show. During an online chat at startrek.com on February 11, 2005 [9], and later repeated in other media, Scott Bakula stated the major reason for the show's cancellation is it no longer fit the profile or desired demographic of UPN (the network's schedule at that time primarily consisted of so-called "urban" sitcoms and reality programming). He also said major changes to the management of both Paramount and UPN during 2003-2004 resulted in past supporters of Star Trek departing the organization (most notably the aforementioned Garry Hart). Bakula said the series was to have been cancelled at the end of the 2003-2004 season, but support from Hart and others earned the show one final year. Soon after the cancellation announcement, Enterprise received its fourth consecutive Saturn Awards nomination for Best Dramatic Series. On February 15, 2005, during the ratings period known as "sweeps week", the enterprisefans.com joint group ran an advertisement [10] in the Los Angeles Times, paid for by fan donations, exhorting the American Sci Fi Channel to pick up the show. The ad received wide press coverage from, among other outlets, the Associated Press, BBC and CNN. Later that month, a group of fans held a rally in front of the Paramount Studios facility in Hollywood. Around this time, several fan groups including Save Enterprise joined forces to create TrekUnited.com, and announced a drive to raise money via fan donations to finance a further season of Enterprise. On March 1, Trek United and Save Enterprise announced [11] three anonymous individuals connected with the fledgling commercial spaceflight industry had pledged $3 million to the cause, although millions of dollars more will be needed in order for this effort to be successful (approximately $30 million US is the goal of the campaign, based upon estimates of the cost for a full season cited by John Billingsley and others[12]). Critics of the initiative have labeled it unrealistic, but supporters have said it is a symbolic gesture. Another fan based effort spearheaded by Washington, D.C. lobbyist, Dan Jensen, sought Members of the United States Congress to sign a letter supporting the values and legacy of the series which was to be sent to Paramount in late March. On March 1, Jensen and supporters of this effort announced that Florida Republican Mark Foley had become the first Congressman to agree to sign the letter. Production of the fourth season concluded on March 8, 2005, and by the end of the month, Startrek.com was reporting the Enterprise sets had been taken down, marking the first time that Stage 9 at Paramount Studios has been without Star Trek sets since the late 1970s. The website did not indicate whether the sets have been preserved in storage or if they have been destroyed.[13] As of April 13, 2005, Paramount and UPN remain adamant the cancellation of the series is final and that the studio is not interested in continuing the current incarnation of Star Trek and Startrek.com revealed that studio officials had actually denied TrekUnited's fund-raising efforts as early as mid-March. TrekUnited officials, however, still claimed to be in talks with Paramount over the future of the series.[14] On April 15, TrekUnited revealed it had joined forces with several Canadian film production companies to put forward a proposal to Paramount that would see further seasons of Enterprise filmed abroad (most likely Canada) and jointly produced by Paramount and these several unidentified production houses. [15] On April 16 TrekUnited revealed it was Canadian producer Al Vinci who had been negotiating with Paramount Network Television President David Stapf on a co-production with established Canadian motion picture and television producers, backed by US$18 million from private investors. Then Trek United announced the studio had formally rejected the idea and promised refunds for those fans who had donated to the cause would be issued beginning on April 18.[16] The Web site IGN Filmforce, reporting on rumors Paramount had actually decided to cancel Enterprise after its fourth season as early as midway through the second year, quoted an unidentified "executive involved with Enterprise" as saying this scenario was "very likely".[17] Soon after, Scott Bakula, in an interview with Sci Fi Wire, reiterated his belief that management changeovers at Paramount in 2003-2004 left Enterprise and the Star Trek franchise without strong support, adding that as recently as 2004 now-departed management at the studio had expressed interest in developing a feature film based upon Enterprise.[18] This was later denied by Berman. The local sports preemptions had plagued Enterprise through most of its run continued unabated in a number of major markets as its final episodes were broadcast in the rest of the country, including the Boston and New York City UPN affiliates. The Orlando affiliate chose to broadcast professional basketball games in lieu of the series. Similarly, Boston's WSBK-TV, for example, moved the series to Saturday night beginning in April in order to accommodate local baseball coverage, although it did air the finale on May 13 due to the fact the Boston Red Sox game scheduled for that night did not begin until later in the evening. Several affiliates reportedly preempted the finale for local programming. In May 2005, UPN announced that, starting in the fall, WWE SmackDown!, its longtime professional wrestling series, would move into the same Friday night timeslot vacated by Enterprise, a move coinciding with reports that UPN does not plan to renew its contract with WWE in 2006, bringing to a close another TV franchise. (However, in January 2006, it was announced UPN would merge with The WB to form a new network, CW, and SmackDown! was announced as one of series scheduled for the network's inaugural 2006-2007 season.) UPN continued to air reruns of Enterprise for only a month after the series finale, with the last network-broadcast episode, "In a Mirror, Darkly Part II", airing on June 11, 2005 -- this despite initial announcements that reruns would continue throughout the summer. With disruptions from local sports programming, many areas never had the opportunity to see all the episodes which had been aired elsewhere. Syndicated rebroadcasts of the series began in North American markets on September 17, 2005.[19] Broadcasts on HDNet and NBC Universal's SciFi [20] are scheduled to begin in September 2006. The series will begin airing on The Sci Fi Channel[21] and On HDNet in High Definition in early Fall 2006. [22]
The first season DVD was released on May 3, 2005, ten days prior to the broadcast of the final episode. This release marked a couple of firsts for Star Trek TV series DVD releases. It was the first to include extensive deleted scenes (although footage cut from the premiere of Voyager had been included in a featurette previously), and it was the first to include an outtakes or blooper reel. The remaining seasons were released on July 26, September 27 and November 1. [edit] Original novels and relaunch As explained by Pocket Books editor Margaret Clark, it was decided to scale back the number of books published not due to low sales or lack of interest in the prequel series, but due to the fact that the televised series often conflicted with planned literary plotlines, or beat the book series to the punch entirely. For example, the novel Surak's Soul by J.M. Dillard, includes as a major plot point- the aftermath of T'Pol killing a person during a mission. Before the novel was published, however, the TV series aired "The Seventh," an episode with a similar core plot point, which forced last-minute revisions to Dillard's book. Later, the novel Daedalus by Dave Stern, which included flashbacks to the early days of the NX program, also needed to be revised to avoid conflicting with the already-broadcast episode "First Flight" which also featured a look at the early days of the NX program. (The title Daedalus was later used for an unrelated fourth season episode of the series.) Apparently things weren't expected to change during the fourth season; in a May 2005 posting at the TrekBBS, Clark explained that the lack of Enterprise novels was intended to avoid any further potential storytelling "land mines" since "Season Four kept doing stuff we wanted/planned to do".[23] Now that the televised series has concluded, the writers are free to compose continuation novels without fear of being preempted or contradicted by the show (save for any restrictions put in place by the finale episode -- however see below). In May 2005, Clark announced plans for a new series of Enterprise novels that will constitute a "relaunch" similar to that of the literary continuation of Star Trek: Deep Space Nine. Clark indicated that the books will cover events in the six years between "Terra Prime" and "These Are the Voyages...". [24] An original novel, Last Full Measure, was released in April 2006. It takes place during the third season Xindi Arc and therefore isn't considered part of the relaunch (Rosetta takes place during the fourth season and likewise is not considered a relaunch volume, either). However, Last Full Measure does contain a "framing sequence" that serves as a preview for the Relaunch. Spoiler warning: Plot and/or ending details follow. The first official relaunch novel, The Good That
Men Do by Andy Mangels and Michael A. Martin is scheduled for publication
in March 2007. Pocket Books has |
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