Pierre Gilliard's Camera Presented to Tsarskoye Selo Topic: Tsarskoye Selo
Pierre Gilliard's camera is now in the collection of the Tsarskoye Selo State Museum-Preserve.
It will be on permanent display in the Alexander Palace when it reopens as a multi-museum complex in 2018
The Tsarskoye Selo State Museum-Reserve was presented with a very unique item earlier this week: an Eastman Kodak Bulls-Eye camera, which belonged to Pierre Gilliard (1879-1962) - French teacher to the children of the last Russian emperor Nicholas II, and mentor to Tsesarevich Alexei. It was with this camera which Pierre Gilliard took photographs of the imperial family in Tsarskoye Selo and later in exile, many of which are familiar to the world today.
The camera was presented to the museum during a ceremony held in the Semi-Circular Hall of the Alexander Palace on August 26th by Mr. Jacques Moser - a great-nephew of Pierre Gilliard - who lives in Switzerland.
Pierre Gilliard was one of the faithful few who volunteered to follow the Imperial family into exile to Tobolsk. Then he moved with the Imperial children to Ekaterinburg, however, he was denied entry to the Ipatiev House and returned to Tobolsk. In 1920 he returned to Europe via Vladivostok. In 1922, Pierre Gilliard married Alexandra Tegleva (1884-1955) - who served as a nanny to the grand duchesses for 17 years. She also narrowly escaped death. They lived in Lausanne, Gilliard’s hometown.
All documents pertaining to the Gilliard and Tegleva, are now stored at the Pierre Gilliard Foundation in the Cantonal University Library (BCU) in Lausanne (Switzerland).
According to Mr. Moser, his mother, who was godmother to Pierre Gilliard, inherited the camera and explains that Uncle Pierre had made all the pictures of the Russian court, and that "the emperor himself held the camera in his hands." She showed him photographs - including the one in which "Uncle Pierre" is seen with the Emperor sawing wood in Tobolsk.
Mr. Jacques Moser presents his Uncle Pierre's camera to to the Tsarskoye Selo State Museum-Preserve
during a ceremony held in the Semi-Circular Hall of the Alexander Palace on August 26th, 2015
According to my most distant memories, I always heard about "Uncle Pierre" and his wife Aunt Alex with who had lived in Russia. Sometimes we met with him, because he was the brother of my grandfather. I recall opening the bottom drawer of his desk in the living room, and came across a square rigid case of beige leather, which contained the Eastman Kodak Bulls-Eye camera, bought by Uncle Pierre in St. Petersburg. After his return to Switzerland, Pierre, although he was an excellent photographer, no longer used it. It reminded him of the sad years and the death of the Imperial family, the fate of which he himself narrowly escaped - says Jacques Moser.
“For us, these things are particularly interesting and important as memorabilia associated with members of Emperor Nicholas II and his family, and Pierre Gilliard’s close association as a teacher of the Imperial children,” said Iraida Bott, Deputy Director for Research and Education at the Tsarskoye Selo State Museum Preserve. “The Kodak camera is sure to become an exhibit of the Alexander Palace when we open it after a major restoration in 2018. The updated exhibition will include sections on people who surrounded the last owner of the Alexander Palace,” - added Bott.
Back in 2014 the Tsarskoye Selo State Museum-Preserve received a gift of a tea set and a set of table items (32 pieces), which also belonged to Pierre Gilliard. They were handed over to the museum another Gilliard relative - his niece Françoise Gaudet, who lives in Geneva. The set had been presented to the Gilliard by one of his August pupils - the Grand Duchess Anastasia Nikolaevna. The beautiful tea set were made by the famous I. E. Morozova firm, a supplier to the Imperial Court.
Earlier, in 2013, Marie-Claude Gilliard Knecht presented the museum with items belonging to her aunt, Alexandra Alexandrovna Tegleva. The items included a pocket watch presented to her by the Empress Alexandra Feodorovna, and a brooch that her aunt received as a gift on the occasion of the 300th Anniversary of the House of Romanov in 1913.
For more information on previous gifts from the Gilliard collection in 2014 and 2013, please refer to the following articles:
Exhibition: Court Perfumer at Tsarskoye Selo Topic: Tsarskoye Selo
A unique exhibition opened at Tsarskoye Selo on 13 July. Court Perfumer is an interactive exhibition laboratory, on display in the Grottoes in the basement of the Cameron Gallery. The exhibit is a joint project presented by the Tsarskoye Selo State Museum Preserve and the St Petersburg Perfumers Guild.
Special video information in Russian, English and Chinese introduces visitors to the history of Russian perfumery during the eighteenth to the early twentieth century, giving facts about perfume etiquette and secrets of perfume creation.
On display are interesting archive materials and images of old perfume bottles and early twentieth-century advertising pamphlets. Visitors can also sample the fragrances of some lost perfumes from the Tsarist Russia, reconstructed by modern experts from archived recipes. The fragrances on display are those preferred by Emperor Nicholas II, his wife Empress Alexandra Feodorovna, their four daughters Grand Duchesses Olga, Tatiana, Maria, Anastasia, and their son Tsesarevich Alexei.
During the exhibit, St Petersburg Perfumers Guild will launch a new line of scents associated with St. Petetsburg, including the Catherine Park of Tsarskoye Selo fragrance. A pilot consignment of the souvenir scent is expected to be made available at the museum in the near future.
According to Oksana Chernyshova, the Guild’s president, the ‘spirit of the park’ is a well-balanced blend of wildflowers and herbs – like the regular Decorative Parterre of the Granite Terrace amid a meadow in the landscape area of the Catherine Park, which served as the inspiration. ‘A tiny drop of it on your wrist or handkerchief will bring back memories of this beautiful place’.
Director Olga Taratynova of the Tsarskoye Selo State Museum-Preserve says, ‘Millions of our visitors take with them some amber and other souvenirs, photo albums and books. This souvenir scent gives them something more. It combines the emotions and visiting experience with the unique energy of Tsarskoye Selo. It’s an imaginary travel back in the time of Catherine the Great, into a fragrant meadow that she has just crossed. We are so glad that the perfumers were inspired by the Catherine Park, one of the most beautiful places on Earth’.
The exhibition: Court Perfumer runs from 13 July to 30 September, 2015 in the Cameron Gallery at the Catherine Palace, Tsarskoye Selo.
Arsenal Pavilion in the Alexander Park to be Restored Next Year Topic: Tsarskoye Selo
Early 19th century watercolour of the Arsenal Pavilion in the Alexander Park at Tsarskoye Selo
The Tsarskoye Selo State Museum Preserve have issued a tender for the completion of repair and restoration work on the Arsenal Pavilion in the Alexander Park. The estimate that the project will cost 248.1 million rubles.
Applications will be accepted until noon on August 26, the winner will be announced 28 August 2015. Completion of the work is estimate to take up to 17 months.
The project requires restoration of the facades, building structures and finishes, device engineering systems and equipment, as well as repairs to the road path network.
The Arsenal Pavilion was built in 1834 in the style of medieval Gothic buildings. The two-storey building, consists of four square towers, the central section includes four vaulted rooms and a spherical cupola. During the 19th to early 20th centuries, the Arsenal housed a museum of weapons. During the 1930s, it was used for cultural work. During World War II the Arsenal was badly damaged.
To date, the building stood without repair and preservation for more than 70 years, destroyed. In 2012, emergency and urgent restoration work was carried out on the Arsenal Pavilion to prevent further damage from the elements and for the conservation of the existing structure.
The current state of the Arsenal Pavilion. Emergency restoration work was carried out on the building in 2012
For more information on the Arsenal Pavilion, including the restoration work carried out in 2012, please refer to the following article:
Restoration of Catherine Palace Chapel to Cost 1 Billion Rubles Topic: Tsarskoye Selo
Watercolour ofthe Church of the Resurrection in the Catherine Palace by E.P. Hau, c. 1850
Some very exciting news from Tsarskoye Selo this week! The Tsarskoye Selo State Museum Preserve has issued a request for tenders for the restoration of the interior of the Church of the Resurrection in the Catherine Palace.
The maximum price of the contract is nearly 1 billion Rubles. The winner will be required to carry out a restoration of the brickwork in places of dense humidity, plaster walls and ceilings, preserved stucco decoration of the ceiling and wall decor.
There are also plans to recreate fragments of the ornamented wooden carved decorations on the walls, including the gilded columns and wooden frames and the wooden sculptures of angels and cherubs.
In addition, the responsibility of the winner of the tender will be responsible for the preservation and restoration of the ceiling painting Glory of the Holy Spirit, the preserved part of the ceiling painting The Ascension Christ, and restoration and reconstruction of lost-preserved icons.
Applications for the contest will be accepted until June 19, and the winner to be announced on June 23. The Palace Church of the Resurrection was consecrated on July 30, 1856. Over the years, the church was restored twice after fires in 1820 and 1863. During the Great Patriotic War, the church was severely affected by Nazi shelling and looting. The restoration is expected to be completed by July 2018.
During the postwar years efforts were made to conserve the palace chapel. Some restoration work was carried out in 2002 which included the strengthening of the building, replacement of the double-glazed windows, reconstruction of utilities, heating, electricity and ventilation.
Over the course of my many visits to Tsarskoye Selo over the past two decades, I have only ever seen the interior of the palace chapel on one occasion. That was during a visit to the Catherine Palace in the 1990s with one of the many tours I organized during that decade. The chapel lacked any icons, frescoes or any church items whatsoever. The dark purple walls and lack of light presented Rastrelli's masterpiece in a very sad state. The announcement of the palace chapel's impending restoration will be welcome news for any one who has ever fallen in love with this beautiful palace and its rich historical ties to the Romanov dynasty.
Exhibition: Romanovs at Tsarskoye Selo Topic: Tsarskoye Selo
The Romanovs at Tsarskoye Selo exhibit in the Catherine Palace has been completely updated. The new permanent exhibition reopened on May 27, 2015, in the halls of the Little Enfilade of the Catherine Palace at Tsarskoye Selo. This small suite of six rooms were destroyed during the Second World War, the interior decoration was never recovered and has since been used for temporary exhibitions.
Designers decorated the exhibition space in a new way which feature about 100 items—some of them displayed for the first time. The exhibit is divided into sections, each highlighting the owners of the imperial residence from Empress Elizabeth Petrovna to Emperor Nicholas II.
The updated exposition in detail introduces visitors to the history of the Romanov dynasty and the fates of the crowned owners and their families, who adored this country residence.
The new exhibition (similar to the original is built in chronological order) displays the iconic pieces from the historical collection of the Tsarskoye Selo State Museum Preserve. These include formal portraits, dresses and gowns, uniforms, furniture, bronze and china. These unique historical exhibits from the palace-museum collections reflect the personal tastes, preferences and interests of members of the Romanov dynasty. Each room is accompanied with multimedia screens which provide short documentaries about the owners of Tsarskoye Selo, complete with images that show the residence as it looked at the time of its respective Imperial sovereign.
Exhibition: Undefeated Beauty Topic: Tsarskoye Selo
This photo exhibition for the 70th Anniversary of the Victory in the Great Patriotic War 1941-5 will tell our visitors what marvels of Tsarskoye Selo were lost to WWII and how the palaces and parks were reborn from the ashes later on.
The exhibition is included in the Catherine Palace tour. It is set out in the Corridor on the first floor and will run until December 30, 2015.
The palaces and parks of Tsarskoye Selo are outstanding monuments of architecture and landscape art formed over three hundred years from the 18th to the early 20th centuries. This magnificent ensemble attracts huge numbers of visitors from around the world.
Architects from different countries were commissioned by Russian emperors and empresses to create this original ‘encyclopedia of art styles’ from baroque to art nouveau, which today draws people of all ages and occupations.
The parks of Tsarskoye Selo contain palaces of amazing opulence which stand side by side with small pavilions of different styles. These provide a special atmosphere for romantic walks among structures of Gothic, Turkish and Chinese inspiration, monuments glorifying Russian arms and marvelous examples of baroque and palladian architecture.
The former suburban imperial residence’s transformation into one of the iconic landmarks of St Petersburg is linked intrinsically with the name of Ivan P. Sautov (1947–2008), who was unanimously elected Director by the museum employees and headed Tsarksoye Selo for twenty years. Ivan P. Sautov worked his way up from an assistant district architect to head of the Inspectorate of Monuments Preservation and then took the helm at the museum during the turbulent 1990s to write a new page in the history of Tsarskoye Selo. His major achievements include the large-scale restoration and recreation of the Catherine Palace’s suite of state rooms, the rebirth of the legendary Amber Room (considered the ‘Eighth Wonder of the World’), the restoration of park pavilions and the revival of musical evenings and dances in the palace halls. His sudden death deprived the museum of accomplishing many of his other exciting plans for Tsarskoye Selo ahead of its glorious tercentenary.
Olga V. Taratynova, who became Director in 2008, took up the challenge to have the museum ready for the Tsarskoye Selo Tercentenary Celebrations in 2010. The museum marked the jubilee with a grandeur appropriate to the traditions of its imperial past and received a powerful creative stimulus for new projects. It has restored and reopened park pavilions, expanded its collections, created Russia’s first museum of World War One in the recently restored Martial Chamber, and designed interactive children’s programs and other events of social importance. Annual events include the Stars of the White Nights Festival Performance by the Mariinsky Theatre, the Musical Olympus Foundation Charity Ball and the Ludvig Nobel Prize Award Ceremony.
Reborn from the ashes of World War II, the palaces and parks of Tsarskoye Selo today, like centuries before, stimulate an interest in Russian history and attract visitors ranging from heads of state and world-famous public figures to tourists from all over the globe.
Tsarskoye Selo Hosts Unique Exhibit of Treasures Looted During WWII Topic: Tsarskoye Selo
A free-admission exhibition, commemorating the 70th Anniversary of the Victory in the Great Patriotic War of 1941–5, runs at the Upper Bathhouse pavilion in the Catherine Park from May 9 to September 30, 2015.
The artefacts on display include those looted during the Nazi occupation of Pushkin town (Tsarskoye Selo) in 1941–4 and later returned at various times to the Museum.
The jewels of the exhibition are one of the 1760s Russian twin chests of drawers and the Florentine mosaic ‘Touch and Smell’ of 1753, both gracing the pre-war Amber Room in the Catherine Palace. Another centerpiece is the original bronze Milkmaid of the Girl-With-a-Pitcher fountain by sculptor Pavel Sokolov, which was preserved hidden underground in the park in 1941, later replaced with a replica of 1990 and is now stored in the reserve collection.
Other exhibits include the palace furniture, paintings, porcelains and some books from the imperial library.
The title of the exhibition refers to a 1909 book by Friedrich Huch, a German writer favoured by the parents of Jens and Franziska Harmsen who donated to the Museum four artefacts taken by their fathers from Tsarskoye Selo during World War II.
Mr and Ms Harmsen also presented to the Museum the letters and photographs of Jens’s father, Hans Harmsen. He wrote from the frontline and later from a war prisoners’ camp. As his sons hoped for their father to return home, they gathered a compilation of his over 80 letters and named it ‘And the door will open one day…’ Likewise, the Museum keeps hoping for all the lost artefacts to come back.
Over 100 objects from the Tsarskoye Selo historic collection and several thousand books have been returned to the Museum to date, thanks to the efforts of the museum and the Tsarskoye Selo Friends Society.
Flower Season Opens at Tsarskoye Selo Topic: Tsarskoye Selo
The Catherine Palace provides a stunning backdrop for the beautifully maintained gardens at Tsarskoye Selo
The Tsarskoye Selo State Museum-Preserve declared the opening of its flower season for 2015 earlier this week, with over 150,000 flower seedlings made ready to be planted by the experts of the historic Upper Greenhouses in the Alexander Park.
According to our Parks Curator Ms Olga Filippova, the flower season makes Tsarskoye Selo blooming and fragrant, as an imperial residence should be, and has three stages: spring, summer and autumn. Our flowerbeds are usually formed in compliance with specific historical periods. The Catherine Park’s Maids of Honour and Hanging Gardens have matthiola, verbascum, verbena and aromatic plants such as thyme, typical of the eighteenth century. The Private Garden boasts the nineteenth-century related cycas, trachelium and hydrangea. The Turkish Bath is smothered in roses emphasizing its East Asian architecture.
Visitors can already enjoy the elegant flowerbeds near the Church Gate of the Catherine Palace and in the Private Garden. The White Tower complex in the Alexander Park is coloured with rare primroses – ephemeroids (a group of perennial herbaceous plants for which fall-winter-spring vegetation is common).
The Old Garden of the Catherine Park will be decorated with yellow and mallow pink ‘stam’ roses, which are always admired by visitors. Next year’s flower season will see currant bushes shaped into 'trees' with a thin stem and spherical crown.
In June our Greenhouses will provide the park with roses of different species such as Pierre de Ronsard, William Shakespeare, Thomas Graham, and splendidly aromatic Crocus. The palaces will be adorned with Flamingo, Red Cardinal, Olivia and Vivaldi roses.
The traditional laurels in the Main Courtyard of the Catherine Palace are already over twenty years old. These beautiful trees spend winters in the Greenhouses and can live in tubs up to 100–150 years. Each May our masters of topiary art shape them into balls and cones for another flower season, which will close in August–September with a variety of asters and chrysanthemums.
On 17 April 2015 the Duty Stables of Tsarskoye Selo saw the return of an 18th-century carriage of Empress Catherine the Great after 1.5 years in the hands of the experts of the Phenomenon Restoration and Research Association in Moscow. The carriage has now been added to the Exhibition of Court Carriages at Tsarskoye Selo.
The 5.15 x 2.10 m four-seater Berline carriage took part in many sumptuous ceremonies at the Russian imperial court. Produced in London from materials such as wood, metal, gilded bronze, leather, velvet and taffeta, the light and elegant vehicle was probably used during coronations, as well as christenings, betrothals and weddings of Russian grand dukes and duchesses.
After a century of frequent relocations and storage under far from ideal conditions, the glitter and some embellishments were lost, yet the dust layers could not belittle the high quality of this harmoniously crafted artifact, so it was rightfully picked first for restoration.
This Berline came into the Tsarksoye Selo collection after the Court Stables Museum closed down in 1928, where it had been registered as a French carriage bought in 1809 for Emperor Alexander I of Russia. However, its design and decoration are likely to date back to 1760s-80s.
According to Ms Irina Bredikhina, Tsarskoye Selo Carriage Curator, there is no reference to a maker’s name or the provenance, except for a ‘London’ mark on the rear springs. British workshops didn’t mark their carriages in the eighteenth century. The records of the Carriage Makers’ Guild were lost during the aerial bombardments of London in WWII.
The shape and details of the carriage are similar to those of the 1763 Paris-made Berline which was one of Catherine’s classicism-styled favourites, currently on display at the Armoury of the Moscow Kremlin.
Tsarskoye Selo Extends Exhibition of Exquisite Hand Fans Topic: Tsarskoye Selo
The Tsarskoye Selo State Museum Preserve have extended their exhibition dedicated to hand fans until September 28th, 2015. The Hand Fan Returns is currently open in the Zubov Wing of the Catherine Palace.
A hand fan is a small and lightweight, usually folding, hand-held implement, used to create an airflow and associated with a bird’s wing and a flight.
The Tsarskoye Selo collection of over 100 hand fans includes Western European, Oriental and Russian items of the 1700s (our historical collection) and of the 1800s–1940s, purchased from antique stores and private collectors and donated to the museum over the past years.
Forty nine fans in our collection were restored during 2010–2013 by a team of high-class professionals from the State Museum and Exhibition Center ROSIZO and the company Phenomen (Moscow), as part of the governmental program “Russian Culture (2006-2011)”.
All works were supervised by the highest-category artist and restorer N.P. Sinitsyna, head of textile and leather restoration. The masters literally gave a new life to these delicate works of art and made their display possible.
The unique exhibition Hand Fan Returns, set out at the Zubov Wing of the Catherine Palace, showcases a number of the restored items for the first time. Its highlights are some very valuable 18th-century fans, as well as fans from the 19th and early 20th centuries.
Conceptually, the exhibition draws on cultural phenomena of different ages and lands – Europe, Russia and the Far East, meeting like the sticks of an imaginary fan spread out in time. Little concentrated on the history and production centers of fans, it uses modern scenography tools to accentuate artistic and semantic properties of these exquisite objects, their lightness and captivating beauty, and to recreate the atmosphere of a ball and a holiday – so natural for this fragile and elegant attribute of aristocratic lifestyle.
The fans emerge from the darkness like bright fluttering butterflies. They shimmer in silver and gold. Their colours play in the rays of light and cast lacy shadows. Reflected in the mirrors, they bring a nostalgia for the refined beauty of bygone eras, which is lacking so much in our pragmatic time.
The Wing of the Fan, Spread Out in Time. Fans of the 1700s–Early 1900s in the Collection of the Tsarskoye Selo State Museum-Preserve. Compilation and texts by Elena O. Kalugina, Everyday Objects Collection Curator
This richly illustrated booklet accompanies the exhibition Hand Fan Returns, which runs on the first floor of the Zubov Wing of the Catherine Palace September 28, 2015.
The booklet brings together information about the history of fan-making and about the Tsarskoye Selo collection of more than 100 hand fans, including Western European, Oriental and Russian items of the 1700s (historical collection), and of the 1800s–1940s, gathered over the past fifty years.
Click on the link below to read another article about this exhibition: