|
Runes are the mighty magical
sigils of the North, won by Óðinn
in the dawn-time through His self-imposed hanging sacrifice on
the world tree Yggdrasil. They represent all the forces of creation,
and are used for magic, divination, and meditation. Study and
use of the runes over time is an ancient Heathen method for connecting
to the primal forces of nature, and with the deepest levels of
your Self. Great wisdom can be won in the process of such studies.
If you want to make a set of runes in the traditional way, you
must first learn the runes. You must meditate on them and study
all the Historic Rune Poems. Delve
into the Eddas and Norse Sagas and discover
the clues hidden there that indicate how runes were made and
used. Draw or scratch the runes on something, (paper sheets,
the ground, snow, etc.) and stare at one rune at a time until
you get a vision or strong impression. These temporary runes
should be unmade after you use them: burn them, or wipe them
out when you are finished. This also can be practised without
props, and it is good to be able to see and hold the form of
a rune in your mind's eye without getting distracted. It is helpful
to develop a way of saying the entire FUTHARK to yourself, in
a song of some kind, so that you can remember their order and
names. Chanting this rune-row to yourself while walking is a
very good way to ingrain the runes in your psyche. This can (and
should) take some time. However, the runes do speak to our minds
and souls directly, and to the dedicated and worthy student they
will reveal their nature. While concentrating on a rune, you
might find yourself "entering into it" or travelling
into a sort of runic landscape or world. If this happens, take
careful note of what you see and perceive with all your senses.
You may also have insights into a rune that just "pop"
into your head. Write down all your impressions in a notebook.
Over time, this will grow into your own personal runic key. The
insights into the runes gained in meditation and shamanic journeying
are why reading a modern book is not only unnecessary to learning
the runes, it can sometimes be deleterious. Some authors of rune
books have made up their own system, and some put forward bad
research and personal speculation as the definitive rune meanings.
The runes will reveal themselves to you in a unique way that
suits you as an individual. Beware those books that claim to
have the "be all and end all" runic answers, or that
promote rigid or costly training programs to gain runic knowledge.
These are pure bunk. Even though there is some information of
value in a few rune books, the runes are a mystery that you must
work to discover. There are no short-cuts to runic wisdom, and
you must of necessity blaze your own trail into the runic worlds.
One need not purchase ready-made runes either, and I know of
no serious rune vitki who uses anything but runes they have made
themselves. If you choose to use wood, a fruit tree is traditional.
A tree that appeals to you especially is good. Make an offering
to the tree, and ask it for some wood for your runes, telling
the tree the purpose for which you will use the wood . An appropriate
offering is mead, beer, bread, or whole milk. A good tree fertiliser
is also a nice gift to the tree. You are asking the tree to give
a bit of its life-force in the branch that will be cut off, so
you should show gratitude to the tree-spirit by offering something
of good quality. You should only cut the tree if you really feel
that it agrees to give you a branch. You might want to cut a
branch bending to the North, or perhaps another direction that
appeals to you. When you cut the limb, you should do this in
a sacred manner, with a special knife, if you have one. It is,
after all, a very holy thing to make runes out of the limb. I
usually rub saliva on the cut I make on any plant I'm harvesting
for ritual use. It aids in the healing of the cut, and again,
is an offering of a bit of myself for the gift the plant has
given me. It is also appropriate to use a drop of your own blood
as an offering to the plant, which will bleed sap for your runes.
(I would like to say that it is not appropriate to use
anyone else's blood for these rituals--animal or human).
Once you have your limb, you cut disks out of it, all of uniform
size. Use a vice to hold the limb steady. Mark the limb with
evenly spaced lines before you cut. A hacksaw works well for
this. You can sand the resulting lots if you want, or remove
the bark or not. Then you prepare to cut the runes. Be in a quite,
safe place where you will not be disturbed. Use your altar, if
you have one, as a table for your work. You should call on Odin,
God of the Runes to aid you, and on any other Deities you want
to help you. Thor is good to call on for protection while you
work. Freya, Frigg, and Jörd, are Goddesses who can be helpful
also. It is good to have a candle lit, and to have a horn of
mead to offer the Gods and Goddesses, either at the beginning
or the end of the work. Making runes takes a lot of energy. It
is best to start and finish your set of runes all at once, to
retain focus and intensity. Start with Fehu and proceed in order
through the whole FUTHARK. You should sing each rune's name as
you firmly cut the rune into the flat face of the disks of wood.
There are special blessed knives for this cutting (risting or
carving) called Seax knives. Any knife you use, however, should
be cleansed and blessed first. You breathe your breath and life-force
into the wood as you cut and as you sing. Then you blood the
rune, continuing to sing the rune's name and sound. Using your
own blood to colour the runes is the most powerful way to imbue
them with might, as well as the best way to bond them to you.
Your blood is literally a part of your self, freely offered to
sanctify the runes. I use a yew-twig to apply the blood, and
you must do so quickly, before the fluid coagulates. A wedge
shaped stylus, quill, or knife blade works just as well for colouring.
Obviously, care should be taken in drawing the blood. An extremely
sharp knife drawn across the ring finger of the left hand is
my usual method. As I said, I use a yew twig to dip into the
blood, which is contained in a dished-out stone. Then I lay the
blood into the cut lines of the rune with the yew twig, singing
its name/sound all the while. Also, you must hold in your mind
an image of the rune, glowing with might, and all of its meanings
and associations. You must try to feel the specific rune on all
its levels as you carve it. Strive to both connect with each
rune's central mystery and to pour your own energy into it as
you colour the stave. When you finish making your runes, you
might lay them out in order, in a circle in the sun (or moon)
to dry. Be sure to thank the Deities for helping.
Your set of runes is a living thing, with life force and spirit
of its own, and should always be treated with great respect.
Most vitkar have a special bag that contains their runes. Pure
silk or linen especially are good choices for this bag. I would
say black, white, red or cobalt blue are good colours for the
pouch. Sometimes a symbol such as the valknot is embroidered
onto the rune bag for protection. This bag may then be placed
within an outer bag made of something tougher, such as leather.
I do not let other people touch my runes. If I read for them,
I alone handle the runes. This seems to work best for me. If
you colour your runes with blood not letting others touch your
runes is something you should definitely consider. On porous
wood blood soaks in and stains. However, on stone runes the blood
does eventually flake off a bit. Because of this I periodically
restain my runes. It empowers them more every time I do it. I
gathered the rune stones I have used for the past fifteen years
from the foam of the surf on a glacial island in the Atlantic,
during waxing moon phase only. It took me three months to find
enough flat oval stones of the same size. These stones have always
suited me, and if you work with Jörd (Goddess of Earth)
you might bond well with stones also. I like the way a stone
rune feels, as it both Earth and Mind/Spirit (the stone and the
rune carved onto it, or Jörd and Odin). I pray to both Earth
Goddess and Allfather when I prepare to cast the runes, asking
for guidance.Since the object of using runes for divination is
to reveal objective truth, and to transcend the limits of normal
human perception, one does well to ask for the Gods to help interpret
the staves aright.
It is true that the more research, effort, thought, and intensity
of emotion you put into the making of a magical tool, the more
powerful it will be. This is not merely a matter of belief, but
of awakening yourself to a recognition of the inherent power
in the object, the energy you have poured into it, and to your
soul connection to it. The aim is to align yourself with your
runes and the cosmic forces they represent, and with the Gods
, Who teach us understanding. Care and impeccability in making
the runes is a good technique for achieving this goal. The subconscious
mind will respond to a work of art made to the best of one's
knowledge and ability more so than to an impersonal, mass-produced
item acquired with little effort. The offering of one's time,
energy, thought, and even one's own blood is the gift that truly
brings the runes -- or any magical tool -- to life. Taking the
time and energy to find and make your own rune stones or staves
is not only worth the effort, it is a process that in itself
is transformative.
Runes are used for divination; they are an oracle, and in the
hands of an adept seer act as a template that reveals hidden
patterns of Wyrd. Working with runes daily can help you develop
latent psychic abilities. Although this is the runes' best known
function, they have many other uses: carved onto objects they
are employed in the making of talismans, amulets, and charms.
Runes are useful in faring forth (spirit travel) and psychic
protection. Certainly, the staves lend themselves to all kinds
of magical work--including the bending of Wyrd. It is wise to
remember, however, that we do not escape the consequences of
our actions, whether in Midgard or the runic realms, and what
goes around comes around. True runecraft, like any ethical magical
art, has at its core the work of transforming and perfecting
one's Self in the pursuit of wisdom. Although the runes are keys
to the deepest layers of our psyches and the vast mysteries of
universe, they are impersonal forces and will propagate through
the worlds just as they are sent forth. This means that if you
put out blessings, you draw blessings to you, and if you put
out curses, you draw curses to you--in abundance. You should
take great care when using the runes, lest by accident you cause
harm to yourself or others. This is why it is best to educate
yourself as deeply as possible, and ask the Gods' guidance, before
undertaking rune magic.
(The above rune-making ritual is for those who are very serious
about using the runes, and who have already studied them for
a while. I would not suggest a dabbler attempt it).
_______________________________________________________________
Runic and Related
Links:
Historic
Rune Poems
Yggdrasil
Diagrams with Runic Correspondences
Runes
and the Nine Worlds
24
Rune Poems by Óðindís
Containing Runic Lore
Norse
Mythology Source Texts: the Eddas
Essays
by Óðindís
Page background adapted
from the Rök rune stone, Sweden.
|