The picture viz. represents a return to comedy for Even Odder after the relatively

solemn Strata. However, said comedy is exceptionally wry and wrapped in a

package of stark minimalism. The picture, which is incomplete and still partially

under wraps, draws some influence from the work of directors such as Michelangelo

Antonioni, Yasujiro Ozu, and Jim Jarmusch, but its single most important reference is

the silent stasis of Taiwanese master of minimalism Tsai Ming-Liang, meaning that it

is light years away from the relatively fast pace of previous Even Odder projects.