Joe Hansard on Homicide

Joe Hansard as Jim Shields in HOMICIDE
"Gone For Goode"

Directed by Barry Levinson

Bolander: "Find anything?"

Munch: "Yeah -- what is wrong with this photograph?"

Bolander: "Black hair?"

Munch: "Blond eyebrows...

...his hair is dyed. Why would some motorhead from Belair Road dye his hair black...

...two days after Jenny Goode's murder?"
Bolander: "Let's go shake his tree."

Bolander: "You ran her down, Jimmy."

Jim Shields: "I was drinkin', I don't remember..."

Bolander: "Don't lie to me -- she was run over in that lot."

Jim Shields: "I thought I hit the curb -- I remember I thought I hit the curb..."

Bolander: "There's no curb in that lot."

Jim Shields: "I was drinkin'..."

Munch: "She lost her sandal when she got out of the car, and then you ran her down...

...we found some red hair in the undercarriage."

Jim Shields: "I don't remember -- I was drinkin'...

...I was drinkin', I was drinkin'..."

CLOSING CREDITS

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NOTES: You'll recognize this location as the same street and house Barry Levinson used for his feature films "Tin Men" (Danny DeVito throwing furniture out the window) and "Avalon," among others.

This was the very first day of filming on the Homicide TV series. This episode, "Gone For Goode," was very true to the book written by best selling author David Simon. Throughout the episode, homicide detectives John Munch (Richard Belzer) and Stanley Bolander (Ned Beatty) were searching for hit-and-run driver Jimmy Lee Shields (me). Here they finally locate their prey and confront him at his house.

The suspect was blond but dyed his hair black to evade witnesses who could place him at the scene of the crime. You might say he was wanted: dyed or alive -- oh, sorry... I had long blond hair at the time, so Hair Stylist Ardis Cohen made it black, using a permanent dye. I've often wondered why Mr. Levinson didn't cast an actor whose hair was already black, but I'm glad he hired me. It was really hard to get that black dye out of my hair, it turned a sickly green color about a month later. All my friends made fun of me.

I was impressed by how quickly and efficiently Mr. Levinson and his crew worked. Director of Photography Wayne Ewing filmed with a hand held camera at all times, constantly moving to evoke a documentary cinematography style. So I'm doing my dialogue to Richard Belzer or Ned Beatty thinking Wayne was just shooting the back of my head, then I'm surprised when he does a 180 degree rotation to get a shot of my face speaking the lines -- he really kept me on my toes. Right after we finished shooting there was a huge thunderstorm. We were so lucky to complete our scene before it started raining.



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