[pharell] i wanna love you girl, just wanna love you girl, please let me love you girl, just wanna love you girl, c'mon, I wanna love you girl, just wanna love you girl, let me love you girl, let me.../[malice] when we met i was talkin' that game, parkin' that thang since then between us a lot of things changed now it's like the world got a whole different name i can't stop chics from sayin' my name most of it's lies, if not, don't be surprised you knew i was ballin' when i met you but really, i started layin' low just to net you i'm raw as hell yet can't deny that you special these girls can't either winter, his and her vivas summer, his and her louie sneakers you don't think that bother people guess again you even need to check your friends sayin that I cheat right, maybe with my heat got a pearl handled chrome thing that I call sweets i greet wit her, creep wit her, even eat wit her late nights under my sheets, yeah i sleep with her but thats it/[pusha t + malice w/ faith evans]look ma, i don't love her, don't listen to her words, she tryin' to split us as lovebirds, but that's not it now you see me buyin' her whips and shit (No), you see me sendin' her on trips and shit (No), if the answers no don't forget (how does she know you then), i don't know/[pusha t]if i don't know i don't know, lets not go that road i don't know who she is, don't care who told look stop flippin', no need to explode i seen the number in the pager, i don't know that code in the streets too much, c'mon, that's absurd gettin' no complaints when i be flippin' them birds your girls just talk 'bout this that and the third believe half what you see none of what you heard you askin' me who's her I'm askin' who's mink fur with that rock on her hand makin' their eyes blurred could that be you plus who cop every gem who spend like i spend, then act like it then got the dream home and we settled in it our lives too perfect that's why they meddle in it now, just chalk it up as just part of the game you know who I'm about, who got part of my name?/[pusha t + malice w/ faith evans] look ma, i don't love her, don't listen to her words, she tryin' to split us as lovebirds, but that's not it now you see me buyin' her whips and shit (No), you see me sendin' her on trips and shit (No), if the answers no don't forget (how does she know you then), i don't know/ [Faith & Malice] do you love me babe (sho' you right), you thinkin' of me babe (well atleast tonight), i bet you'd tell me anything (yea thats right), just to be with me (yep and tonight's the night)/[pusha t] i'm not most men my heart truer than theirs of course your girls hate, our whips newer than theirs we hardly fight, arguements way fewer than theirs even down to the ice, look, bluer than theirs what they gonna tell us about us, huh? what they talk 'bout without us, Huh?the envy got 'em speakin loosely tell 'em walk in your shoes but first let 'em know they gucci/[malice] and even if i did twist her i promise I didn't kiss her won't shit touchy feely grudge on the floor like mister did the silly no respect shown my homies laugh while she talk dirty on the speaker phone now don't you start i spared your heart if you ain't see it I didn't do it ain't I played my part? bricks chics whips chips, that just go with the grind what else do you want from me, to say it, fine/[pusha t + malice w/ faith evans] look ma, i don't love her, don't listen to her words, she tryin' to split us as lovebirds, but that's not it now you see me buyin' her whips and shit (No), you see me sendin' her on trips and shit (No), if the answers no don't forget (how does she know you then), i don't know/[Faith & Malice] do you love me babe (sho' you right), you thinkin' of me babe (well atleast tonight), i bet you'd tell me anything (yea thats right), just to be with me (yep and tonight's the night)

( bio taken from mtv.com )

Bringing the streets of Virginia to hip-hop radio are Malice and Pusha T – a.k.a. Clipse. Both Malice (Gene Thornton) and Pusha T (Terrence Thornton) were born in Bronx, New York. After residing in the Gunhill Road section of the Bronx, the guys migrated to Virginia in the early 1980s. First to move was the older brother, Malice, who quickly developed a reputation as a lyrical wordsmith. Three years later, Pusha T joined his brother, and the duo began to combine their Kool G. Rap, Juice Crew, Eric B & Rakim and Large Professor influences with the unique sounds of Virginia. Malice caught the attention of an unknown producer named Pharrell Williams. Impressed by what he heard, Williams promised to work with Malice and Pusha T to produce a demo tape. As the duo started to develop their craft, they began to formally be known as Clipse. Meanwhile, Williams and his classmate, Chad Hugo, called themselves the Neptunes and became one of the brightest production teams in hip-hop. The producers helped Clipse land a deal with Elektra in 1999, where they released “The Funeral.” The single garnered Clipse attention, but their album was pushed back and eventually shelved indefinitely by Elektra. As MCs first, and entertainers second, Malice and Pusha T continued to stay busy after their initial setback by appearing on other people's tracks. 2000 found Clipse working with artists like Master P, 504 Boyz and Silk Da Shocker. In 2001, the duo appeared on releases from The Backstreet Boys, Jermaine Dupri and Nelly Furtado. They laced several tracks off the Neptunes' debut album, as well as guesting on Justin Timberlake’s first solo single in 2002. "After the whole album ordeal, we did a total 360," says Malice. "Thinking we was coming from the streets and into the music business, ready to drop an album – only to make a U-turn and go back." "We ain't mad though," says Pusha T. "Can't be, cause I can look back and say that this one is ready. The situations in our lives took this album where it went." The Neptunes stepped in again to help Clipse out with their 2002 debut album, Lord Willin'. "The album runs like a movie about Virginia," says Williams. "These cats have been quietly waiting for a long time, and now the timing is right for their perspective to be heard.” "I'm not gonna say we that much different than the next man, or that we that much better than the next man," says Malice. "But what we have is a perspective you don't hear. It's a Virginia perspective. It's lingo you don't hear – it's Virginia lingo. I don't think Virginia's ever been exposed like this."

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