MOTHER OF GOD OF GUADALUPE
At dawn on December 9, 1531, Juan Diego, an Indian convert, was going to Tlatelolco to attend catechism class and hear the Mass. As he was passing Tepeyac Hill, he saw a brilliant light on the summit and heard the strains of celestial music. Filled with wonder, he stopped. Then he heard a feminine voice asking him to ascend. When he reached the top he saw the Blessed Virgin Mary standing in the midst of a glorious light, in heavenly splendor. The beauty of her youthful countenance and her look of loving kindness filled Juan Diego with unspeakable happiness as he listened to the words which she spoke to him in his native language. She told him she was the perfect and eternal Virgin Mary, Mother of the true God, and made known to him her desire that a shrine be built there where she could demonstrate her love, her compassion and her protection. "For I am your merciful Mother", she said, "to you and to all mankind who love me and trust in me and invoke my help. Therefore, go to the dwelling of the Bishop in Mexico City and say that the Virgin Mary sent you to make known to him her great desire."
The Bishop was reluctant to believe Juan Diego's story. Juan returned to Tepeyac Hill where he found the Blessed Virgin waiting for him, and told her of his failure. She bade him return to the Bishop the next day and repeat her wishes.
The Bishop then requested that the Lady give him a sign. Juan reported that evening and she promised to grant his petition on the following morning. But Juan was prevented from coming because of a sudden and severe illness of his uncle, Juan Bernardino.
Two days later, on December 12, as he was going to the Church at Tlatelolco in order to bring a priest to his dying uncle, Juan Diego was stopped by the Lady, who had come down from Tepeyac Hill to meet him in the road. She listened quietly to Juan's excuse for not having kept his appointment with her the day before. When he had finished speaking she said, "It is well, littlest and dearest of my sons, but now listen to me. Do not let anything afflict you and be not afraid of illness or pain. Am I not here who am your Mother? Are you not under my shadow and protection? Are you not in the crossing of my arms? Is there anything else you need? Do not fear for your uncle for he is not going to die. Be assured... he is already well."
Having heard these words, Juan Diego rejoiced and asked for the sign he was to take to the Bishop. He was told to climb to the top of the hill where she had spoken to him on three previous occasions. She said he would find many flowers blooming there which he was to cut and bring to her. Juan Diego did as he was told though he knew no flowers had ever bloomed before on the stony summit. He discovered a marvelous garden of dew-fresh blossoms which he cut as she had asked. Placing them in his rough cloak, or tilma, he brought the flowers to the Lady who rearranged them and told him to take them to the Bishop; that this was the sign to persuade him to carry out her wishes.
When Juan Diego, radiantly happy, stood before Bishop Fray Juan de Zumarraga and told him of the fourth encounter with the Lady, he opened his tilma to show the Bishop the sign; the flowers cascaded to the floor - but to the astonishment of the Bishop and Juan Diego, there appeared upon the coarse fabric of the Indian's mantle a marvelously wrought, exquisitely colored portrait of the Blessed Virgin, just as Juan Diego had previously described her.
Earlier that same day, December 12, she had also appeared to Juan's uncle, Juan Bernardino, and restored him to health as she had told Juan Diego. Juan Diego was at that time fifty-seven years old; his uncle was sixty-eight. Both had been among the first of the natives to be baptized into the true faith several years before.
Juan Bernardino told his nephew the Blessed Virgin had ordered him to relate to the Bishop in what miraculous manne she had cured him. She also told Juan Bernardino her image was to be known as "Santa Maria de Guadalupe" and thus she has been venerated by this title for nearly five centuries.
The mantle or tilma on which the Sacred Image of the Blessed Virgin is imprinted is handwoven from the fibers of the Maguey cactus, a fabric which has a life span of little more than thirty years. It is six-and-a-half feet long by forty-two inches wide and has a seam running down the middle.
Directly on this rough, burlap-like material is the exquisitely delicate figure of Our Lady, four feet, eight inches in height. This authentic portrait of the Virgin Mary has remained fresh and lovely for nearly five centuries and may be viewed today at the Basilica of Our Lady of Guadalupe in Mexico City where it occupies the place of honor above and behind the main altar.
The Sacred Image is a pictograph or picture writing; every detail symbolic. She is brighter than the sun; her foot rests upon the moon; the stars on her mantle are in the same relative configurations as the stars in the heavens on the morning of December 12, 1531; the northern constellations on her right - the southern constellations on her left. Further, the golden filigree over her rose colored gown matches the topography of the Mexican lands once ruled by the Aztecs.
Despite more than twenty-two languages and almost fifty dialects spoken at that time, all were able to read and understand all that is contained in this Sacred Image. So it was in this manner eight million natives were converted to Christianity in the incredibly short span of seven years.
On December 26, 1531, two weeks after its marvelous appearance, the Sacred Image of the Blessed Virgin was moved from the Bishop's oratory to the new Hermitage at the foot of Tepeyac Hill. Thousands of church and civil dignitaries, Indians and Spainards made up the colorful procession. This little chapel was enlarged and renovated several times before 1622 when a second larger church was completed.
In 1667, a chapel was built on the hill to commemorate the first three apparitions. El Cerrito was rebuilt in 1957 and shares the hilltop with a Carmelite convent and a cemetery.
In 1695, the Church of the Indians was completed It was next to the Hermitage, which served as its sacristy, and housed the Sacred Image while the church of 1622 was razed to make room for the first Basilica.
In 1787, the Convent of the Capuchin Sisters was built adjoining the Basilica of 1709 in order to have a place for Perpetual Adoration of the Blessed Sacrament. For the seven years, seven months and seven days prior to completion of the renovation of the Basilica on September 30, 1985, the Sacred Image was housed there.
The first Basilica was completed in 1709 and the Sacred Image was installed above the high altar for the veneration of all. This Basilica is undoubtedly one of the most beautiful churches in the Western Hemisphere. Constructed of red volcanic rock and sandstone, it is 184 feet long by 122 wide. The bell towers rises 108 feet and the dome 124 feet.
Six enormous oil paintings and many smaller works of art decorate the walls and depict Guadalupan history. Life-sized sculptures of Bishop Zumarraga and Juan Diego kneel reverently at the sides of the white Carrara marble altar, above which the Sacred Image was enthroned until its transfer to the new Basilica on October 12, 1976. The structure has since been converted to a museum.
A large cross and the symbolic Marian "M" gracefully top the majestic upsweep of the new Basilica, rising almost 150 feet into the sky from its huge semicircular base. Nine small chapels are arranged around a balcony at the rear of the Basilica, which holds ten thousand people. Easily seen from anywhere inside, ensconced above and behind the red seats for visiting Prelates, behind the main altar, is the Sacred Image of Our Lady of Guadalupe. The Image is behind bullet-proof glass, with three frames: of gold, five inches wide; of silver, five inches wide; and of bronze, fourteen-and-one-half inches wide. Below the Image, three "moving sidewalks" carry pilgrims and devotees past the Image, only thirty-five feet above.
On the left of the main altar is the Chapel of the Blessed Sacrament. To the right is the Saint Joseph Chapel, where the Canons of the Basilica recite the daily office of Our Lady of Guadalupe.
On the 12th of October, 1895, by decree of Pope Leo XIII, the Image of the Blessed Virgin of Guadalupe was crowned with great solemnity. On October 12, 1945, the fiftieth anniversary of the crowning, Pope Pius XII proclaimed her Patroness of all the Americas. Above the frame there is always a replica of the 1895 Crown. Made in Paris, the crown contains jewels and precious stones donated by the ladies of Mexico City. It is valued at more than two million pesos.
A second crown was donated to Our Lady of Guadalupe in 1945 by the people of Mexico. It was made by a team of eigthteen artists who were directed by a famous lapidary. It weighs thirty-two pounds. Other valuable crowns have been donated over the years by many groups, including the goldsmiths and silversmiths of Mexico.
Our Lady of Guadalupe has a special Mass in the Roman Breviary for the 12th of December. It is a Holy Day of Obligation in Mexico, with Octave and double rites of the first class. The Sanctuary of Guadalupe is equal in rank to the Lateran Basilica (second only to St. Peter's) and the Abbot and Canons have been assigned vestments different from all others.
To Thee, our great and constant Intercessor before the Throne of Almighty God, do we, Thy children, offer this hymn of praise, glorifying Thy wondrous Image revealed to Thy humble servant, Juan Diego on the hill of Tepeyac, as we sing of Thy enduring heavenly Protection of all who keep festival, joyfully exclaiming with arms uplifted: Rejoice, O Lady from Heaven, Virgin-Mother clothed with the Sun!
Source : Brief History of Our Lady of Guadalupe : Queen of the Americas Guild
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