Only Scotland can make a sky this; liquid, moving and pulsing with color--purple fading to blazing orange. A forest looms in the back, spilling out into the vast rolling fields. The green has faded grayer in the light, but still, seems so lush. One tall man-made creation breaks the landscape, jutting high into the horizon, crowned like an ancient queen; a proud tower. The master masons chose sandstone to make their castle, and as a result, the blood-red sides of the ruin are purpled. Remainders of the rest of the castle seem to have fallen in on itself, an entire back wall gone, and bricks leave a crooked reminder of Time and war. Tall grasses surround the moat, the water reflecting the setting sun; it seems so peaceful.
". . . so strong a castle that it feared no siege.... in shape it was like a shield for it has but three sides round it, with a tower at each corner....And I think that you will never see a more finely situated castle, for on one side can be seen the Irish Sea, towards the west and to the north the fair moorland, surrounded by an arm of the sea, so that no creature born can approach it on two sides without putting himself in danger of the sea. On the south side it is not easy, for there are many places difficult to get through because of woods and marshes and ditches hollowed out by the sea where it meets the river."
| Poems on Castle Caerlaverock--Dumfrieshire, Scotland
Capturing A Castle Certainly no Pulitzer Prize shot;
Caerlaverock Castle: 1278 Maxwell’s hands slid along the smooth red stone,
Maxwell’s land swelled with protection,
Click
The monolith, the ruin, the
It’s mine; that day, bottled up and
When the pictures come back I’ll
|
Gone To Ruin
Skeletal remains are put on display,
The Ruin An archaeologist will come one day,
|
Wet Paint
In the paintings my genes have inherited there
are waves, and rooms, and cliffsides;
Thick oil paint, scraped and grated, grainy,
colors of unearthly hue and perspective.
Great-grandfather Dewey Albinson, a Swede,
a painter who hit his wife and yelled;
Died from lead poisoning in his veins--
there are more paintings than nice things to say.
His portrait, in misty charcoal, hangs in my hall,
drawn by his mistress who wasn’t his wife;
Dad says that’s why grandma hates men.
But there’s something else in the wrinkled
canvases above the grand piano in the livingroom--
Don Quixote, over and over, tall and stick-like,
With a round head, mounting his horse--
Always Quixote, always before rambling mountains
Romantic and hopeless, orange
Bleeding into red. “It was his theme,” a
critic might say. “Later in life.”
I think, later in life, his theme was dying.
I can’t help but pity the man, the artist, the father
and patriarch of my family. In a way.
He was Don Quixote.
In The Light Of Stars
I stepped out into the light of stars
above a canopy of branches
peeking between leaves--like little
cold-eyed spies.
The girl beside me clasped my hands, her
fingers warm between
my fingers cold.
She asked me what the stars were
and why they looked down upon us.
My voice caught. Her dark eyes gazed
up at the glittering heavens,
reflecting there as though she had never
seen them.
The stars. Her friends.
I once belived them to be
Elven kingoms up in the atmosphere;
Magic close enough to see, yet too far away to touch.
Science seemed a dull answer;
I feared to break her heart as
mine had once when
someone dared to tell me
The truth.