Extra for Writers
Updated May 18, 2008
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This is the page for those of you who wish to be writers or who just have an interest in what writers are like.  Some of the articles included here are ones I wrote a long time ago, and some are new.  I hope that at least a portion of the articles will be helpful and that some of them might even be fun and brighten your day. 

Regardless, please feel free to email me with any of your writing questions.  I'll do my best to give you a helpful answer.

17 Tips for Getting in and Staying in the (Publishing) Game
 Getting Started
 How Can I Tell if the Book is Truly Ready?
 Ten Ways to Beat Back the Hairy Beast of Writer's Doubt
 Things to Remember When the Writing Gets Tough

17 Tips for Getting in the Game and Staying in the (Publishing) Game

By Myrna Mackenzie, May 2008

Just a note: These are my opinions.  They're the things that have worked for me.  Your list might differ a bit from mine (and frankly, if I thought longer, I'm sure I could have added a few more items), but I don't think there's anything here that can hurt your process and hopefully some things that may help, at least a little bit. 

1. Figure out what your strengths are and use them.  Never lose them.
(Anytime someone in a contest or critique mentions something you do
well, hang on to that. Or write it down and put it on a card next to your computer.  Decorate it with stickers, make it stand out.  Hold onto the knowledge that you do have power and skill and make use of those skills).

2. Figure out what your weaknesses are and improve them.
(Find those one or two things you need work on and hit every workshop, read every article you can find on those topics).

3. Learn the difference between conflict and arguments.  You need a good conflict.  Arguments between the hero and heroine should be kept to a minimum.

4. Get to the heart of the story (the focus of the story) and stay there.  When you start wandering away, you lose the reader.  

5. Remember that in romance, character is king.  Ask yourself why the reader should like your characters and then make sure those reasons show up on the page.

6. Don't let your secondary characters take over your book, even if they are fun to write.  

7. There must be change in your characters from the beginning to the end.  Otherwise, why write the book?

8. When writing a synopsis, get to the heart of things right away.  Make sure it's clear what your hooks are (and by hooks I simply mean anything that sets your book apart from the rest and makes the reader pick it up).  Make sure your conflict is clear and that it's obvious that your characters are compelling.  If possible, I would try to get those elements in somewhere in the first half page of the synopsis or at least by the end of the first page (but that might just be my way, so take that however you will).

9. Make sure you hit the ground running when the book opens.  The fact that a gargantuan boa constrictor has gotten loose in the house and no one knows where it is (but they know that it's hungry) should be evident from the very beginning.  (Or if you prefer the elephant in the living room analogy, make sure the elephant is there and obvious to the reader even if it's trying its best to hide under a lampshade and is being almost quiet).

10. Become a student of the market and use your knowledge.  Know what's selling and why.  Besides reading books in your field, read the synopses in Romantic Times, on Amazon or, if the publisher has a website where they post blurbs, read those to stay aware of what readers are buying).  

11. Be professional at all times. (Complaining is for your friends or family).  Editors really do appreciate an author who realizes that publishing is a team experience, who appreciates her aid and expertise and who recognizes that she has the same ultimate goal (a winning book) as you do.  Editors are human beings who have feelings just as writers do, and they also have "big picture" knowledge of the market and of their (and your) publisher's needs.

12. Develop coping strategies for the difficult times (exercising, shopping, yelling at the mirror, crying in the shower, watching sad movies, whatever works for you). Give yourself some time to deal with rejections, revisions or disappointments.  

13. Learn to be brutal with the red pen.  Write tight.  (This one may make some people cringe, so take it with a grain of salt.  I love seeing red on the pageat least, when I'm the one who has been wielding the penbecause it feels like progress to me.  I'm getting rid of extraneous or repetitive words and phrases, improving the flow and heightening the emotion and the tension). 

14. Recognize that you will have some bad habits that you can't seem to get rid ofbut still, never stop trying to change those habits. (One of mine isumoveruse of ellipses).

15. Be kind to yourself.  You are, after all, the only one who can write your book.  Your manuscript needs you, so don't beat up on yourself.  We're all still learning, every one of us.  

16. Figure out what writing/editing techniques work for you and don't let anyone tell you that your way is the wrong way (because theirs is the right way).  (If you need to write all your books in the bathtub using markers on a white board while you wear your special favorite hat, go for it).  

17. Give yourself breathing room, family time and play time.  Engage in new hobbies.  Never stop learning about things other than writing.  All of this will add to that well we all draw from.  Furthermore, knowing that you don't have to live the book twenty-four hours a day will help you stay fresh and focused when you are writing.  Enjoy! 
 
 

Getting Out of the Starting BlocksAt Last
Or: I think I want to write a novel (but Im a bit nervous).  How do I get started?
by Myrna Mackenzie, March 2006
Getting started is often the most difficult part of writing.  I remember dancing around the edges for a long time before I tried my hand at a book (I wrote poetry, even though I dont read much poetry.  I wrote short stories, even though short stories are not my favorite form of writing, and I wrote greeting card verse, which I sold, but which didnt completely fill the writing hole I was trying to fill).  And then I got serious.  I actually sat down, gritted my teeth and wrote a book (it didnt sell, but my second one did).  It was difficult, it was scary and at the end, I had a lot less hair as well as shorter fingernails.  But the book was finished, and I was exultant, ecstatic, bouncing off the walls.  Youd think I had managed to write the next War and Peace.  I hadnt, but I had managed to do what many fail at.  I had completed a full manuscript, an entire book-length story.  It was heady stuff, and theres no reason you cant feel that same exultation.  Sohere are my suggestions:

1.  Read, read, read in the field youre interested in.  In other words, get to know what works and what the editors are looking for.

2.  You may read a how-to book or two or even three, but dont get bogged down in this part of the process.  Actually, I didnt really read how-to books (okay, I get bored easily with lessons), but I did read a few inspirational writing books.  Here are some suggestions:

  Telling Lies for Fun & Profit: a Manual for Fiction Writers
     by Lawrence Block
  Bird by Bird by Anne Lamott
  On Writing by Stephen King
  Walking on Alligators: A Book of Meditations for Writers
     by Susan Shaugnessy

3.  Find a writers group.  We all need support, and there is plenty of it to be had.  If you write romance, definitely consider joining Romance Writers of America.  Youll get a monthly professional journal, gain access to local chapters with other writers like yourself and you'll also receive lots of information on contests and conferences. 

    www.rwanational.org

  Or, if romance isnt your specific interest, check with your local 
   library to see if any writers groups meet nearby or try one of these
   links.  Support can be found online.

    http://www.writerswrite.com/groups.htm

    http://www.bookmarket.com/writers.html

4.  Consider taking a class at your local community college, just to
ease yourself in.  I did this when I first began, and although I knew as much about the publishing business as my instructors did, it helped to simply be in a room with other aspiring authors. 

5.  Be nice to yourself.  Give yourself permission to write drivel (hey, we all do it.  Its part of growing as a writer).  Then give yourself permission to throw away anything that isnt golden (you get to choose whats golden and what isnt, at least until you send it off to an editor).  The scariest part of writing is the niggling and ever-present worry that what were writing may not be good enough.  This is the part you have to get past.   Like all skills in life, writing takes practice.  Youre going to make mistakes.  Youre going to write things youll look back at years later and cringe.  Thats okay.  Its normal, and its most likely necessary.  The important thing is not being married to every word you write, not being rigid.  Allow things to flow and then remind yourself that you can always fix things later (because you can).  Its a very freeing bit of knowledge.  Go with it.  Let the words out and worry about polishing them at a later date (Im not making any rules here about when the polishing takes place.  We all do it differently.  Some polish as they go, some reread yesterdays chapter before they start the days work, some finish the whole book and then go back and edit.  Plenty of people have tried to tell others how to do this, but the only real way is the one that works for you). 

6.  Above all, write.  Write and then write some more.  Because the most important thing you can do to get started is to simply sit down and get some words on the page.  It doesnt really even matter what you write at first.  You simply need to get into the habit of putting words down on paper (or on the computer screen).  If everything isnt stellar, refer to number 5 above.  You can always change things.  Words are fluid.  They can be played with, rearranged, axed or altered.  They can even be put in a box and stored under your desk (believe me, I know about those words that will never see the light of day again  ).  But a blank screen is nothing.  Theres not a thing you can do with it.  So write, write and then write some more.

7.  Last of all, relax.  Enjoy.  Celebrate the moment.  Giggle.  Read your stuff out loud.  Read it again.  Smile as you read what you've written.  Its supposed to be fun (and it is)!


HOW CAN I TELL IF THE BOOK IS TRULY...READY?
At the end of every book, an author has to make sure that the book is completely finished.  Are there missing pieces, loose ends, things which inexplicably change from one part of the book to the other?  My own personal way of ensuring that I have left no stone unturned and that I have ironed out mistakes is to keep a running list of things I want to go back and check on at the end of the book.  Usually this is very informal, a bit of notebook paper, maybe a page or two in a spiral in which I write myself notes as the story moves along.  Some of the things which might appear on these pages are comments such as, Check heroine's eyecolor (blue), Make sure you don't forget to explain what happens to the dog that is introduced in chapter four, double-check background material on Bar Harbor, Maine, Make sure you haven't forgotten to describe the heroine's clothing now and then, Do a search to make your you haven't overused the word "smile", and so on.  However, I also have a standard list of questions which I refer to while I'm planning the book, while I'm writing the book and again at the end of the book.  I call these  my Insurance Questions, because without these key elements, I don't have a romance novel.  I've reprinted them below  for those of you who might wish to make use of them.  You, of course, may have additions to the list, but this simple set of questions makes a good starting point for a book.

Insurance Questions for Writers: Questions to Ask Yourself Before,
During and After the Book
 by Myrna Mackenzie - Janauary 24, 2002

1.  What is the conflict?

2.  Who is my hero and who is my heroine?
     What incidents in the past motivate them?
     Are they sympathetic? (If the answer is yes, prove it. 
     Give 3 or 4 concrete examples of why a reader will 
      believe in this character).

3.  Does every scene in the book serve a purpose (move the
      plot along)?
     If so, be able to state the purpose in one sentence or
      less.

4.  Does every secondary character have a good reason for
      being there?
    Again, be able to state the purpose in one sentence or
      less.

5.  Why (concrete reasons) does the hero fall in love with
      the heroine?
     Why does the heroine fall in love with the hero?

6.  How does the hero change by the end of the book?
     How does the heroine change by the end of the book?

7.  What is the black moment?  Is it strong?

8.  How is the conflict resolved?  Do the main characters
      solve their own problems?
 

 




Ten Ways to Beat Back the Hairy Beast of Writer's Doubt

by Myrna Mackenzie - November 2, 2001

Okay, you're having one of those BAD days (bad weeks, bad months), the ones all writers know and dread.  Your characters are starting to whine, your plot absolutely refuses to thicken, and you're actually beginning to wonder why you ever thought that you could be a writer.  Maybe you've even started using...you know...the Q word.  "I'm quitting, quitting, quitting," you tell your friends, the mirror, your dog, (cat, gerbil, goldfish).  "I really am.  Maybe I'll get an easy job, something like sword swallowing, or wild bull wrestling or bungee jumping.  The thrill is gone, the bloom is off the rose, the lights are beginning to dim.  I'm speaking in cliche," you gasp.  "That's it.  It's definitely curtains for me."
     What's a desperate writer to do?
     Well, I'm no career counselor, but I am a writer, and I've been there, too.  Who hasn't?  Sometimes writing is a joy, and sometimes it's a big, hairy beast of doubt that makes me want to crawl under my computer desk and console myself with large amounts of chocolate.  I don't, of course (at least not often).  That's because I've come to realize that the hairy beast isn't a permanent guest or even all that scary.  His presence just means that I need to make a change.  Or sometimes I need a confidence booster, a touch of optimism.  There are ways to push the hairy beast out the door.  All you have to do is experiment a little, figure out which tricks or techniques are the ones that will get you back on the right path, the writing path.  Then, the next time that ugly beast shows up at your door, you'll be ready and waiting.  He won't stay long.
     So if you feel like your get up and go just caught the last flight to Pluto, try some of the suggestions listed below.  Some of them have worked for me, some have come from other people, some just seem silly or weird enough that they might work.  And anything that might lead you back to the joy of writing is worth it, no matter how silly.

1.  Talk to someone (or something).  Actually any object that can't escape is a prime target at a desperate moment like this.  However, if your audience is less than human, please remember to first close all your windows and doors.  While talking to mirrors, pets, walls, flower pots or pencil sharpeners is perfectly normal behavior for writers (and extremely therapeutic), most "ordinary human beings" don't recognize this.  And if the writing isn't going well, chances are good that you're feeling vulnerable.  Utter humiliation is not what you need right now.  Lock up first.  Then let it all out.  Complain.  Whine.  Compliment yourself.  You are a writer, after all.  Be proud and be loud. 

2.  Sit down with a stack of books you've already read.  Some of them may be your favorites.  Some may be books you didn't even particularly enjoy.  At any rate, all of those books were chosen by an editor.  Try to decide what it was that made that book sell.  What was it that made that book special in some way?  Then, try determining what it is about your own writing that will make an editor want to buy it.  If you can't think of anything, then back up and begin to figure out what it is that you would want to be known for.  Then crawl back to the keyboard to implement your plan.

3.  In a pinch, remind yourself of some of the quirky unsung benefits of writing: being able to name hundreds of people without having to endure pregnancy, labor, or your spouse's veto power; shuffling into work dressed in a ripped T-shirt, your husband's boxer shorts and purple Barney slippers; never having to explain to your coworkers why there's a box of Oreos next to the paper clips in your top desk drawer. 

4.  Getting back to reading, try something new and different (something informative or at least outside your genre).  While we are writers and need time to write, we also need to allow time to refresh ourselves now and then, to open our minds.  We must remember (as others have reminded us before) to feed our imaginations. 

5.  Get together with a writer friend or friends (or simply sit down on your own) and brainstorm new ideas for plots.  Ask yourself what makes each idea workable.  At the end of the day youfll feel revved up and excited about all the other projects you have waiting when the current one is done.  You'll know that you have plenty of ideas to pitch when the big call finally does come. 

6.  Pamper yourself for a day.  Right now youfre stressed out, so do something nice for yourself.  Lie in the sun, go to a museum, listen to all the music you haven't had time for lately, test drive a Mercedes, take a long walk, study the intricate patterns of your belly button.  Indulge for a short time, then hit the keyboard running. 

7.  Try changing your writing habits temporarily.  If you're used to writing in the morning, try writing at night.  Switch from a keyboard to paper for a day, or talk into a recorder.  Move your desk so that you're facing a different direction.  Put on pantyhose (ugh!) and a dress instead of the usual sweatpants.  The idea is to test new and different things, to give yourself a jolt, to make a change, and do whatever it takes to get yourself out of the rut.

8.  Keep reminding yourself how very good writing is for you.  It expands your vocabulary, and regular writing fosters creativity, nourishes the imagination, heightens the ability to use the senses.  We don't see green, we see cactus green.  We don't see a man bagging groceries, we see a man who might have an underlying fiery spirit, a weekend Hells angel, a volunteer fireman responsible for saving lives.  These tendencies to inspect perfect strangers may win us some odd looks, but they enhance our writing.  More importantly, they enhance our quality of living, and that's certainly nothing to sneer at.  It makes me remember that every time I go out in public I'm constantly seeing things, envisioning things, hearing things (okay, all writers listen in on other peoplefs conversations, don't they?) that other people donft even dream of, and that alone makes me feel powerful.  It makes me want to rush back to my computer and scribble down everything my writerfs antennae managed to pick up while I was out on the street. 

9.  If you're beginning to doubt your abilities as a writer, try picking up something you wrote two years ago, or even just one year ago.  And be prepared to do a few backflips around the room (or at least a limp version of the chicken dance for those of us who are less than athletic).  Seeing how far you've come, how much your writing has progressed, is an instant ego inflator, and that's what you need right now. 

10.  And, of course, there's this tried and true, though less than popular suggestion.  If all else fails, just keep putting one word in front of the other.  Every day doesn't produce pearls.  You already know that, but if you keep writing and reading and trying each day, a few pearls will slip in.  Pick them up and arrange them in a way that appeals to you.  Then smile.  You've made it through...again.




Things to Remember When the Writing Gets Tough

by Myrna Mackenzie - August 1, 2001

To experience success you must also experience failure (the best hitters in baseball also strike out a lot).

Every writer, no matter how talented or successful has detractors.  That's normal.  Having someone reject your work doesn't mean that your work lacks merit.  It may mean that you simply haven't found the right reader (or editor) who will love your stuff.

It may be that very few writing days will be golden at times.  Many will be downright bleak, and the words will come slowly and painfully.  Write anyway if you can manage it.  In a week or two, those same words may sound better to you.  And if they don't, you can always change them. 

Sooner or later, we all come up against something in our lives that makes writing more difficult.  When you're in a rut or you don't have much time, do writing exercises designed to foster enthusiasm, but which can be used later.  Brainstorm characters' names, book titles, plots or conflicts.  Nothing in writing is wasted, not even the words you eventually end up scrapping.  All of it feeds your creativity.

There was a reason you started writing in the first place, and usually that reason is tied up with the feeling you get when you read.  Read something you know you'll love and try to decide what that writer does to make you love his or her stuff.  Read something you know you probably won't love, and look for the things that convinced an editor to buy the work.  Read just for fun, to rejuvenate your senses and remind yourself why you wanted to be a writer in the first place.  Read a reference book you might not otherwise have picked up and ask yourself how you might use that material in a book.

No matter what happens, no one can take away the ultimate joy a writer feels when he or she writes something which clicks within his or her own soul. 

Remind yourself that the writing world is littered with battered individuals who gave up.  It is only by hanging in there despite the odds and by constantly striving to improve their skills that those who have made it actually managed to succeed and publish.  So, when you're tempted to give it up, step back for awhile if you must...and then come back the next day.  On the other hand, if the stresses of trying to publish are actually making you and the ones you love miserable, there is no shame in admitting that a writer's life may not be right for you.

Don't be too hard on yourself.  There is no perfection in writing, only improvement.

It's important to set a goal for yourself every writing day, whether it be to write a chapter, a scene, a paragraph or just a sentence.  It's also important to  stick to that goal.  Even if meeting it seems impossible when you first sit down, this type of discipline can pay off and you'll often find yourself writing beyond your goal or harvesting new ideas that wouldn't have appeared if you had skipped your writing session that day.  At the very least, you'll feel a sense of accomplishment, something most writers need desperately.

Remind yourself that every writer is different.  Don't try to force yourself to follow another writer's rules.  Some writers outline heavily, some don't.  Some write every single day, some save weekends and evenings for their family and treat writing like a nine to five job.  Some write in the morning, some at night.  Some write the book straight through, others edit as they go along.  Any way that works for you is the right way.

Remember that it's supposed to be fulfilling.  Be kind to yourself and remember that just as there is no such thing as the perfect book, there is no such thing as the perfect writer.  We all slip and fall, we all wish we could be better than we are.  The key is to enjoy the process, so....
enjoy!