CD

© Paul C Smith 2000

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TRACK INFORMATION:

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TRACK PLAYING TIME = 2'56

	JUDY features a classical guitar melody with synthesiser/
strings accompaniment.  I introduced the strings only for the last
theme in order to 'swell' the atmosphere, toning down again for the 
softer ending.  The composition is in the key of A major, but with 
some use of the MELODIC minor scale in the B section.

	I have exploited two chords in particular for the main theme, 
being 'A Major 7th' and 'Dsus9', repeated, then through a 'Bm7' and
'E7', with an 'Eaug9' resolving nicely back to the tonic chord.

	The synth arpeggios are on a bright acoustic piano and 
synth pad - numbers 2 and 95 in general midi voices, with a fingered 
bass (34).

	The overall intended feel of the composition is one of peace 
and tranquillity!


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TRACK PLAYING TIME = 2'31

	DEDICATED features a trio in the form of an electric
guitar melody, nylon-strung acoustic guitar on chords, and a 
bass guitar. (cheers Russ!)  I multi-tracked the parts on a 
TASCAM 4-track recorder, and mixed with a computer editor. 

	The use of 'sus9' chords adds to the gentle 'reflective' 
mood of the overall sound.  The title is in acknowledgement of 
the hard work and dedication that many musicians put into their 
music, often spending weeks developing a composition that may 
only last a few minutes!

	The lead melody contains many long, sustained notes 
with gentle vibrato - thanks to PA Green for the inspiration!





TRACK PLAYING TIME = 2'56

	HAUNTED HOUSE features twin lead guitar melody/harmony 
and is the liveliest track in the collection!  I wrote the 
track for my original band DREAM SCULPTURE, but the CD track 
is just me multi-tracked.

	The idea of the wailing (string-bending) guitars is to 
represent the 'funfair style' ghosts, which periodically 
reappear to give you the shudders!  A little bit of guitarist's 
self-indulgence in this track with the two lengthy improvised 
leadbreak oportunities.

	In the key of A minor, I took great delight in writing 
a testing bass line for Russ as he had admitted to being bored 
in between hoovering!





TRACK PLAYING TIME = 2'04

	The TWO FRIENDS in question are my faithful classical 
guitar and my electric strat.  On this track of the CD you 
may (hopefully) hear them complimenting each other.  The 
music is in the key of C Major, featuring 'Maj7' and 'sus9' 
chords, to give a deep reflective mood.

	With the classical guitar taking the passive role of 
chord picking, there is no call/response between the two 
guitars, but I feel that the parts are fairly balanced as 
a pair.





TRACK PLAYING TIME = 2'13

	HIDING features my classical guitar being played in 
the fingerstyle manner.  It was recorded in the living room 
using a PC and an audio editor to add a concert hall reverb.

	I probably took around 200 takes before getting a 
good one due to hooligans shouting in the street, a neighbour 
hammering and the Ice-cream van going past the house every 
two blinking minutes!!!

	The composition is in the key of A Major using the A 
Major scale.  I would like to dedicate this solo to all SHY 
people!





TRACK PLAYING TIME = 4'16

	The introduction to STRAT BALLAD you would probably 
realise is inspired by the Jimi Hendrix Little Wing/ Wind Cries 
Mary 'ballad' style of leadwork - although I hasten to add that 
here the analogy ends!  I have again used longer sustained notes in 
the melody phrases in order to produce delicate vibrato 
controls.

	I have again multitracked all parts myself using computer 
hard drive recording and a few effects - thanks to Mr Abbs for the 
use of his Korg pedal.



	I hope you enjoy the tracks on my CD as much as I have 
enjoyed recording and producing them.


		- Paul C Smith





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