8/24/00:. YES!! It's TRUE!!! Sorry to all you Ashley Lovers
but he is taken by his one and only Shelly!!


8/23/00:. The rumours are true!! Ikaika signed on with
another "Making the Band" exiles who is
putting together their own four-man band,
called LMNT! ("Element," get it - like the four elements.)
the four member are : Ikaika Kahoano, Bryan Chan, Mike Miller,
and Matthew *un-known*, who used to play the lead role of
Ren in Footloose on broadway!


8/22/00:."This article is from a friend that lives in Hawaii" PLEASE read this article if u want
to know more about ikaika leaving the band and the TRUTH behind "Making the Band"

Here's another couple of articles from our local (Honolulu) paper.
One is an interview and another is a story
about reality TV. Very interesting!

Posted on: Sunday, August 20, 2000
'Iolani grad finds reality TV appearance 'not real'
Advertiser Staff

The Honolulu Advertiser's Mary Kaye Ritz made
a conference call
last Sunday to Ikaika Kaho`ano (who's back
East working on his
new band) with, his father, Kimo Kaho`ano, and his fiance, Malia
Yamamoto, here in Honolulu. The conversation
focused on Ikaika's
experiences on the "Making
the Band" reality TV show. Here are some
excerpts from that
rambling conversation:

The Advertiser: Living in a fishbowl, complete
scrutiny,
microphones in the bathrooms - how weird was
that?
Ikaika: It was hard to deal with at first. As
the show went on, to
save my sanity, I just blocked everything out.
Kimo: We thought we knew what was going to
happen, but we
didn't have a clue or a real understanding
what was really going
to happen to him. "OK, the camera's going to
follow them." But we
didn't really understand how much. (That even
included sending a
camera crew to the Islands when Kaho`aano was
here during a
filming break.)
Ikaika: I didn't think they'd come back to
Hawai`i with me, try to
locate me in Hawai`i. It wasn't too bad for
me, as long as they
were filming me. When they tried to get my
family and girlfriend
involved. . . they didn't sign up for that,
you know? I didn't appreciate that.
Advertiser: How real is this experience?
Ikaika: It's not real, because the whole time
you know the cameras are there. You think
differently; you say things differently,
things you wouldn't have said otherwise.
You're not reading lines from a script, but
had the cameras not been there, there would
have been so many things I would have done
differently. Like, I would've gotten into
a fight with Jacob (Underwood, another Band
member), but because the cameras were there, I
couldn't do it. I like Jacob now, but
when this was going on, I didn't.
Kimo: The last show, when they saw Ikaika
leave, people got very negative and upset
because they thought Ikaika was leaving
because of Haku (his
brother) and because of me (urging him to come
home). The only concern we have is for the
mental, the physical, health of my
son. That's all we were
concerned about. It wasn't just us calling him
home. We knew it was best for him to come home
at that point, because they had
taken things out of context, and it wasn't
looking good, and because Ikaika was the
most important thing to us. We don't care
about any money.
When it comes down to it, we care about our
son. That's it.
Advertiser: Malia, how real was the portrayal?
Did you feel you
were being accurately portrayed on the show?
Malia: I didn't really give them much to go
on, because I tried to avoid cameras and all
that. For the most part, it was accurate,
but I didn't like the way they'd allude to the
fact that I'd (supposedly) said Ikaika had to
choose between me and the band.
Ikaika: That never happened. She never once
told me to choose
between her and the band. They were telling me
to choose, it was coming to that.
Malia: Lou, from the very beginning, was
trying ...
Ikaika: (Excitedly) Yeah, from the very
beginning! Lou came up to me and asked me, "Do
you have a girlfriend?" He's like, "We're
going to have to do something about that. The
girls out there don't want to think you
have a girlfriend. They want to think you're
single." I was like,
"Whatever, bro."
Malia: At one point, Lou told him, if I
couldn't handle the cameras, why don't we
break up on TV.
Ikaika: He's like, "Why don't you stage a
breakup on TV?" He told me this off-camera, of
course. "Stage a breakup on TV, then
don't talk to each other for a month, then
when you go home, when the cameras are gone,
you get your cell phone and you can
call her whenever you want." That's exactly
what he told me. He's like, "You have to have
two lives. You have to have a private life
and a public life." I only have one life, and
it's mine. People know I
have a girlfriend and I don't care. I have a
girlfriend, and that's the truth. Deal with it.
Kimo: They did that on purpose. Their major
concern was their television show. They sent
Ikaika back to Hawaii, then they set
him up. All the boys were getting mad, then
they tell the boys
they don't know (what's going on with Ikaika).
Of course they know. They know exactly what's
going on. So, there were things
done - they may not have had a script, it's
the closest thing you
have to a script when you influence what's
going on.
Malia: Yeah, watching everything that went on,
it made me realize how much power the media
has, especially television.
They're making people think certain things.
People are watching this and making judgments,
but they don't really know the truth.
They have so much power, I question the
integrity of reality TV shows.
Advertiser: Did you know the truth, what it
was really like, when
you signed on?
Ikaika: Not at all. I thought it was going to
be a music group, they were going to videotape
us singing and practicing, getting
along. I figured I'd be with people of my mind-
set who wanted to work hard, to put a good
group together, people who knew as
much about music as I do. That's not what it
was about at all.
Malia: Ikaika had to see a psychologist at the
beginning.
Ikaika: There was a psychologist who told
us, "This wasn't going
to be easy. The cameras are going to be in
your face 24 hours a day."
Malia: It makes me think they had screened all
the guys' personalities. They kind of figured
you weren't going to (get along).
Ikaika: You're totally right, they did that.
When I went to the audition, they screened us
for television after they did this music
test. They put us in this little room and they
bombarded us with questions. They checked out
our personalities, as Malia was saying. They
planned it out. They planned out the scenario.
They're not stupid.
Kimo: They had a job, and the job was to put
together the show,
so they had to get personalities that would
sometimes conflict.
They were wrong, because if they had focused
on the music ...
Ikaika: ... the show would've been so much
better.
Advertiser: You were in six months of
seclusion, from when you
quit the show until it aired. That had to be a
difficult thing.
Ikaika: That was a tough time for me. Coming
home, having no idea what I'm going to do now.
I missed the semester, so I couldn't go back
to school. Plus, I was on national television,
and now people are wondering what I'm doing home.
Kimo: It wasn't easy for us. Being 5,000 miles
away, and thinking these guys could have
control over him that we didn't want them
to have. One of our efforts was to have Haku
travel to him in Orlando. . . . I got
tired of people asking. Ikaika did a better
job than anybody of not telling (the outcome).
He understood the gag they put him under.
One of the greatest things to happen to him
was landing on Rosie (O'Donnell's) show.
Because it really showed what Ikaika was
about. . . . I think a lot of people in Hawaii
are proud of the way he stood up for his
character, his relationship. He carried that
through this tough time. Then he
went back to do their promos. He didn't have
to do that, but he did. He's been more than
generous to them, and they have not been one-
half of that to him.
Kimo: Malia, this must have been tough for you
to deal with.
Malia: It wasn't that bad, but at first,
people were saying, "What a bitch she is. She
made Ikaika choose between her and the band,"
which, of course, I didn't. Things like that.
People would say horrible things. It was a
bummer.
Advertiser: Did you check out any of the fan
Web sites?
Malia: Actually ... (laughs).
Ikaika: Malia used to go on, and I'd catch
her. And I'd say, "Babes, stop looking at the
Web site." I'd suggest she didn't look at it.
(Malia would say) "Look at this girl. This
stupid girl is saying this and this about me."
Maybe you just shouldn't read it.
Kimo: Ikaika, now that you've been through all
of this, you understand what these kind of
reality TV shows, both on MTV and
other networks, are capable of bringing out.
Is it a truthful venue?
Ikaika: I think it's kind of a sick venue,
truthfully. I don't think it's really real at
all, in fact, it's kind of demented. . . .
I've got to give it to those guys who are
going through it now. They're going
through hell. They don't know it, but they are.
Kimo: They don't know they're being
manipulated and used, and
people all over the world are forming opinions
about them that might not be right. They're
young men, they've got a whole future
in front of them. How will this affect them
when they want to go back to reality, back to
a job, back to what they want to do?
Ikaika: The bottom line is, they're making a
TV show about music,
but it wasn't about music at all. If it was
about the music, there would've been a lot
more music involved.

Here's the accompanying article to the
interview w/Ikaika. The article was kinda
long, so I included only the parts on Ikaika.
If you'd like to read the whole article, you
can visit http://www.honululuadvertiser
and click on "Island Life."

Posted on: Sunday, August 20, 2000

Need for drama seems to alter what TV portrays
as real life By Mary Kaye Ritz TGIF Editor

Questions such as: How do the habitues of the
mini-dramas manage to live in the reality TV
fishbowl for an extended length of time? How
true to life is what we see; is there behind-
the-scenes manipulation of the players, or the
film? And on a human scale, what's the effect
on family and friends, who perhaps didn't sign
up for gag orders and other hassles many
reality show contracts require?
Take `Iolani graduate Ikaika Kaho`ano, who
signed up for the ABC-Bunim Murray
production "Making the Band," in which a group
of young performers competed for positions in
O-Town, a new boy band being groomed by Lou
Pearlman, the Orlando-based impresario
behind 'N Sync and the Backstreet Boys.
Kaho`ano, 22, who quit the production in
February, was prohibited by contract from
talking about his decision until Aug. 4, when
his choice was revealed on the air. That meant
keeping his jaws clamped shut for six months,
even as the show continued and folks who ran
into him here were asking, "Hey, bro, whattup?"
With the clarity of time and distance,
Kaho`ano is resigned about the experience
these days. "I know reality TV is not really
reality," said Kaho`ano, though he recalls
with resentment the lack of privacy during
shooting, with surveillance both visible (10
cameras in hallways alone) and
hidden in the house occupied by the eight
finalists who were the focus of most of the
show's season. "We were excommunicated
from the rest of the world: no newspaper, one
computer, one telephone. Even in the
bathrooms, they had microphones. The whole
house was bugged."
He likened the experience to being in prison,
and knew that it was just as hard on some of
the camera operators, who had to film
those heart-wrenching calls home to his
girlfriend, Malia Yamamoto.
"It was a very oppressive situation," said the
singer, who now is forming a new band with
other exiles from the TV show. "It was
their job to tape our stuff, but I could see
on the cameramen's faces it was hurting them
to film me. I made it hard for them
because I have so much heart."
Brislin predicted that Kaho`ano won't be the
last to find the O-Town-type experience
disruptive. "When you lose that sense of
privacy, you do lose some integrity," he
said. "You can see it's an abnormal
situation." So what possessed the UH student,
deep into pre-med studies, to sign on for such
a thing? It certainly wasn't for the money:
The band members received only living expenses
and a house in which to live. Performing is in
the family; his dad is a well-known radio
announcer; he and his brother Kamuela had put
out a CD, "Fruit From the Tree: `Ano." There
was the chance for national exposure.
But, he says now: "I didn't know what to
expect. I went into the whole thing blind."
Then, at the end of the wild ride, he faced
six months of seclusion. People would
ask, "What's going on?" and "Weren't you
on that show?" He couldn't answer. "Slipping
my jaws, they could've come after me with a
lawsuit," he said by phone from the East
Coast, where he's working on his new
band. "It was a hard thing for me to do. I
like to talk, I'm very truthful. It was hard
for me to not to say anything." Countering
arguments about how "real" reality TV might
be, (Lou) Pearlman describes it simply as "no
scripts . . . real circumstances." Then he
launched into a mind-bending, hair-splitting
peroration on the world "real." Nothing that
occurs outside real time can really be defined
as reality, Pearlman said. "It can't be as
real as when you're looking at them," he
said. "How can you see something on television
(and think it was real)? If it was real, (it)
wouldn't be on TV. It is reality, because
there are no scripts. But if you want it real,
don't watch television." Pearlman said
understands how difficult the process can be
for someone who signed on as an innocent in
the way of the media. "I think it is a tough
thing, because . . . you have the people in
front of the camera who at the beginning know
they're on TV," he said. "And then they forget
the cameras are running. You definitely will
forget the cameras are there after a while."
The producer said he isn't too worried about
how he comes off:
"If the TV captures it, they capture it. ...
Nobody ate any rat steaks. We didn't make
them do that." However, Ikaika counters that
Pearlman did try to distort reality offscreen,
by trying to convince the young man to break
up with his girlfriend on camera. Having a
girlfriend wasn't the image they wanted for
the handsome star; they wanted fans to believe
he was available. The peripheral players, such
as Ikaika's girlfriend, a 21-year-old
UH dance student, and his father, KORL radio
deejay Kimo Kaho`ano, knew that between
February and August, time marched on for the O-
Town wannabe-turned-didn't-wannabe. They saw
him struggle with the decision to leave, they
saw him weigh his options afterward: Go back
to school? Take a job at Manoa Summer Fun
(which he did for a short period)? Sign on with
other "Making the Band" exiles who were
putting together their own four-man band,
called LMNT? ("Element," get it - like the four
elements.) After some soul-searching, he did
opt for the latter,
but he still intends someday to become Dr.
Kaho`ano and to marry Malia.
Some good has come of Kaho`ano's experience. A
highlight was appearing on the Rosie O'Donnell
talk show. O'Donnell, who pretended to a crush
on the young man whose name she could never
quite pronounce, pestered him on-air to tell
her if he was going to make the show. "I told
her off-camera, in her ear, when I was hugging
her," he said. "Rosie was like, `Don't worry,
you're gonna be just fine. You got a lot of
heart, kid."
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