the complex sessions:
neil young and crazy horse

review by rob gonsalves

director
Jonathan Demme

producer
Gary Goetzman

cinematographer
Tak Fujimoto

music
Neil Young and Crazy Horse

editor
Andy Weir


cast

Neil Young
Ralph Molina
Frank 'Pancho' Sampedro
Billy Talbot


mpaa rating: none
running time: 27m
u.s. video release: 1994
video availability: VHS


other jonathan demme films
reviewed on this website:

- the manchurian candidate (2004)
- philadelphia
- the silence of the lambs
- stop making sense
- storefront hitchcock
- swimming to cambodia


Neil Young has many fans, but I'm not among them. I neither like nor dislike him (though I admired his fuzzbox soundtrack for Jim Jarmusch's Dead Man) -- he neither annoys nor pleases me, musically. He just exists. So I looked forward to seeing Jonathan Demme's footage of him and Crazy Horse as they perform in a studio setting. Would Demme turn lead into gold? Or was my love of Stop Making Sense and Storefront Hitchcock based significantly on my love of the music?

Well, Neil Young fans will probably love the tape. All others, particularly those who actively dislike Young but might be lured on the strength of Demme's participation, should probably pass: this is no Stop Making Sense. Young and Crazy Horse play four songs from their Sleeps with Angels album -- "My Heart" (Young on piano), "Prime of Life," "Change Your Mind," and the aptly titled "Piece of Crap," at the end of which Young wrecks his guitar strings.

Throughout, Young comes across as a self-absorbed furball. Roger Ebert, panning the 1996 Young-and-Crazy-Horse rockumentary Year of the Horse (directed by Jarmusch), ridiculed Young's habit of whomping around onstage like an autistic Cro-Magnon, and Young does the same thing here, making the time-honored Guitar Face all rock guitarists are legally required to display when churning out a masturbatory solo. The songs are ... well ... Neil Young. If I heard them on the radio I'd keep working on whatever I was working on and let the songs go in one ear and out the other. Seeing them performed by the humorless Godfather of Grunge is the annoying part. On the plus side, the video is only 27 minutes long. I watched it once and donated it to my local library.

Demme does what he can. This time he's got Tak Fujimoto (who shot Demme's Silence of the Lambs, and also The Sixth Sense more recently), as well as smooth editing by Andy Keir, but for the most part their combined efforts just made me wish those efforts had been expended on a musician who deserves them. Ani Difranco, say, or PJ Harvey -- maybe it's time for Demme to turn his camera to a female artist. Lacking that, there's always Robyn Hitchcock...




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