Pygmalion


1. Go to http://www.loggia.com/myth/galatea.html (this tells the shortened myth of Pygmalion)

a. Read the entire story - it will be necessary to answer later questions.

2. Go to http://www.loggia.com/myth/gallerygalatea.html (art based on the legend)

a. Write a paragraph comparing/contrasting the progression of events told by the artist. Pay particular attention to the position of the artist relative to his sculpture in the first two and the last paintings.

3. Go to http://www.accel-team.com/pygmalion/index.html (about self-fulfilling prophecy - when our false expectations are responded to by others and become true)

a. How was Hans the horse able to respond to detailed questions?

b. According to Robert Merton, when does this phenomenon occur?

4. Go to http://drama.eserver.org/plays/modern/pygmalion/sequel.html and read Shaw's idea about a sequel to Pygmalion.

a. Shaw's ideas about male/female relationships and superiority/inferiority vs. equality in a relationship make sense of Shaw's chosen ending for Pygmalion...how do you think differing values affected Ovid's tale, in which Venus grants the sculptor's wish and the artist and his creation live happily ever after?

5. Go to http://drama.eserver.org/plays/modern/pygmalion/preface.html

a. What is Shaw's complaint about the English language?

b. Why does he make Higgins, the hero of Pygmalion, a phoneticist?

c. What does such willingness to go against the tide of convention imply about the person willing to so defy the rules? (Think about the type of person he describes in Mr. Sweet)

d. How do such qualities impact the relationship between teacher and student in Pygmalion?

e. Is Higgin's character patterned after Sweet? Explain:

f. What does Shaw say is the purpose of art?

6. Go to http://drama.eserver.org/criticism/sources-of-idealism.html and read Shaw's essay on the sources of idealism and realism in the British family.

a. Where does Shaw suggest the idealists' ideals really come from?

b. What does the realist represent, and why does the idealist try to vilify and destroy him?

c. Shaw suggests a particular poet and a playwright are modern day realists...which two people does Shaw place in this category?