Geneva Facts (not my own work - extracted from Geneva websites)

Old arsenal

At the highest part of the Old Town, five cannons point their noses pacifically under the arcades of the Old Arsenal. Magnificent pieces of old Geneva artillery decorated with animals, vestiges of the battery that protected the city ramparts. A part was requisitioned by Napoleon; the few remaining cannons were taken by the Austrians when they liberated Geneva in 1813. It was only in 1923 that Austria returned the five cannons enthroned today in this building which dates from the beginning of the 17th century. Originally intended as a granary, it was turned into an arms depot and remained an arsenal until 1877.

The cannons are not the only interest of this building. Take a moment to see the remarkable mosaic frescoes of Alexandre Cingria, placed in 1949 and representing important periods in Geneva history. Among them: the arrival of Julius Caesar in 58 BC, the fairs of the Middle Ages and the welcoming of the Huguenot refugees during the Reformation. Under the eaves of the building are also several beautiful frescoes painted by Gustave de Beaumont between 1891 and 1893, which summarize the history of the city until the ratification of the Constitution in 1848. Today, the Old Arsenal serves as the headquarters of the State Archives, a magnificent collection that includes 14th century parchments and numerous documents penned by Calvin himself.

Hôtel de Ville (City Hall)
The walls have ears, they say. But no way to tell what they hear? Too bad, for the walls of the Hôtel de Ville could tell us much about a half millenium of the major and minor history of Geneva. For it is here, since the 15th century, that beats the political heart of the city. Within these walls many treaties have been signed, condemnations pronounced, international conferences held and illustrious visitors received: Charles Lindbergh, the Archbishop of Canterbury, Bourguiba, Pompidou, Paul VI and many more. It is still today the headquarters of the government of the Republic and Canton of Geneva.

It was here, in the Alabama room, that was held in 1864 the first Geneva Convention, from which emerged the International Red Cross. A famous mediation was carried on here in 1872 after the War of Secession, between the United States and England, concerning a British ship named Alabama. And it was here, too, that the first Assembly of the League of Nations was held, on November 15, 1920.  Witness to all events past and present, the Tour Baudet is the oldest part of the Hôtel de Ville. It dates from the 15th century and contains the hall of the Council of State, with its superb frescoes and woodwork. Other witness, famous for its originality, the large paved ramp, surrounded by a square tower. It permitted reaching the three floors without getting off ones’s horse, or litter, or sedan chair. An architectural masterpiece of the 16th century.

Monuments Brunswick
Madman or genius? At the very least, Charles d’Este-Guelph, Duke of Brunswick, was eccentric. Paranoid, with an acute persecution complex, he reinforced his bedroom, equipped his Beaujon palace in Paris with secret passageways. He was troubled, but also troubling. Distinguished linguist, outstanding horseman and musician, as well as an exceptional investor. He amassed a tremendous (and widely coveted) fortune. Born in 1804, the Duke of Brunswick was chased from his country in 1830 because of his indiscretions. Taking refuge in Paris, he later came to Geneva to pass the last three years of his life. He died in 1873, leaving the city a tidy sum of money.

A gesture of generosity and demonstration of confidence that the Geneva government would respect the terms of his will. One of these specified that it was to build «a mausoleum in an eminent and worthy location, executed according to the established concept by the finest artists of the time, without consideration of price.» Which was done, on superb site along the quais, in the Square des Alpes.  As the Duke had insisted, the Brunswick monument is an exact reproduction of the tomb of the Scaligeri family in Verona, Italy, a work of the 14th century. The central element, the sarcophagus, is decorated with eight haut-reliefs relating an event in the history of the Este-Guelph family, and 6 lateral panels showing scenes in the lives of different historic characters. A monument rather heavily loaded. And even, initially, overloaded with an equestrian statue of the Duke in bronze, which had to be moved and placed on a pedestal to the right of the monument.

A strange monument, for a strange man.

National Monument - Jardin Anglais
wpe6.jpg (4290 bytes)But who are these two young ladies on the esplanade of the Mont-Blanc bridge, proudly perched on a pedestal in their bronze attire? They carry a double-edged sword and shield, And their arms encircle each other’s waist as they stare fixedly at the lake and distant horizons. Answer: One is the Republic of Geneva (the one with the crenelated headgear); the other is Helvetia... Switzerland (with the crown of laurel leaves). They symbolize the attachment of Geneva to the Confederation on September 12, 1814. This, the national monument, was the work of sculptor Robert Dorer who, the story goes, picked two young Savoyard ladies as his models. Evidently he was not one to bear a grudge, since we know that for centuries Savoy was the enemy of Geneva.The inauguration of the monument, in September 1869, in the presence of General Dufour, was the occasion for many celebrations. After contemplating the monument, stroll a bit farther on into the magnificent Jardin Anglais.

wpe7.jpg (2629 bytes)Created in 1854 and constantly enlarged and beautified, it is one of the most charming and lively of Geneva parks. As you walk through, glance at the large bronze fountain with its superposed basins borne by naiads, the work of sculptor Alexis André in 1862; at the bandstand from the end of the 19th century; and at the busts of painters François Diday and Alexandre Calame, and the sculptor de Niederhausen.

And finally, don’t forget the star of the Jardin Anglais, the famous flowered clock.

Reformation Wall
wpe8.jpg (2977 bytes)John Calvin always refused to be honored. It’s why there is no monument devoted exclusively to his glory. The year 1909 marked the 400th anniversary of his birth, and the 350th of the foundation, in 1559, of the Academy of Geneva. It was the ideal occasion to erect a commemorative monument, dedicated not to one man, but to the entire Reform movement. And so began, that year, the construction of the Wall of the Reformers in the Parc des Bastions. The Monument is backed by a part of the ancient walls that surrounded the city until the middle of the 19th century.At the center of the wall, five meters high, are the four great figures of the movement: Guillaume Farel (1849-1565), one of the first to preach the Reform in Geneva; John Calvin (1509.1564), the «pope» of the reformers; Théodore de Bèze (1513-1605), first rector of the Academy; and John Knox (1513-1572), founder of Presbyterianism in Scotland.

wpe9.jpg (2916 bytes)Behind these statues stands the motto of the Reformation and of Geneva: «Post Tenebras Lux.» Here and there, the statues and bas-reliefs represent the great Protestant figures of the different Calvinist countries, and the crucial moments in the development of the movement. At the extremities, two essential dates: 1536, when the people of Geneva ratified the Edicts of Reformation and decreed compulsory public instruction. And 1602,when the Genevan repelled the «Escalade» attempted by the Duke of Savoy, thus assuring their religious and political independence. Martin Luther and Ulrich Zwingli, the great pioneers, also hold important places.Stroll 100 meters along the wall and you cover 150 years of the history of Protestantism. An instructive shortcut.

New solar and Laser clock
wpeA.jpg (2377 bytes)The Left Bank, with its Flowered Clock in the Jardin Anglais, has its symbol of the watchmaking industry, which was born in Geneva. The Right Bank, on the other hand, has been a bit left out. This gap was filled in June 1997, with the installation on the Quai Wilson, near the Perle du Lac, of a «monumental solar and laser clock.» The work of Hungarian artist Klara Kuchta and realized at the wpeB.jpg (1838 bytes)initiative of the Piaget company, one of the prestigious names of Swiss watchmaking, this clock constitutes a remarkable and harmonious marriage between high technology and ancestral tradition. Two ways of reading the time, two light sources; the sun and the laser.  The solar source, thanks to the linear shadow when there is sun, marks the time in a rather relaxed fashion and with pleasant imprecision. The other is diabolically and electronically exact, thanks to a laser activated point of light. This realization, of remarkable aesthetic quality, has a face of 6.40 meters in diameter. Of stainless steel and laminated glass, it lets 198 stars show through, while a beam of optical fibers makes them shine on a celestial map.
The Niton stones
wpeC.jpg (1816 bytes)As you go along the quais bordering the Jardins Anglais, looking in the direction of the jet d’eau, your gaze is sure to be attracted by two large stones emerging from the water – like fossilized icebergs! Survivors of the Big Bang? Meteorites gone astray? No, actually two erratic blocks, nicknamed Neiton and Neptune, brought there a million years ago during the glacial era. And left there when the ice melted, like two abandoned orphans. But they have not always been useless and have, in fact, aroused keen interest.  Not, perhaps, because of their beauty – they never did become a five-star tourist attraction or a favorite target of zooms and camcorders But still... During the Bronze Age they served as a place for the celebration of rites and sacrifices. And today as favorite roosting places for the gulls and ducks. Moreover, they beg the question, «What are those?» Which in turn, has prompted some young pranksters to dupe gullible tourists who, for a nominal sum, were boosted on the rocks «to better admire the rade»... and left there as desert islanders, sheepish and alone. But on a much more serious note: the largest of these Niton rocks was chosen by the famous General Dufour to represent the basis (altitude 373.6 meters above sea level) for the land survey of Switzerland and the establishment in 1864 of his famous 1:100,000 map. So, please, a bit of respect and tenderness for these objects which have, beyond any question... a soul.
Jet d’Eau (water fountain)
wpe1.jpg (4324 bytes)Paris has its Eiffel Tower, Copenhagen its little mermaid, New York its Statue of Liberty. And Geneva – its Jet d’Eau. Symbol of our city, this great exclamation point punctuates the Rade as it rises 140 meters over the water. Located downstream from the Rhône during the last century, it was originally a minor, non-touristic phenomenon. Every night and Sundays and holidays, a security valve released the water under high pressure to the sky when the craftsmen closed the faucets in their workshops connected to the Coulouvrenière hydraulic factory. The idea of transforming this into a tourist attraction was revolutionary. Misunderstood at first by many people, who feared it would spoil the beauty of the site, this simple idea very quickly became the symbol of Geneva. A liquid monument, the Jet d’Eau was promoted as a tourist attraction in 1891, when Geneva’s Administrative Council proposed to move it to the Rade. It was not until 1947, however, that it was provided with an autonomous pumping station. Hurling 500 liters of water a second 140 meters into the air requires two groups of motorized pumps, which turn at 1500 rpm and have a pressure of 16 bars. As it leaves the propulsion nozzle (which creates a hollow cylinder 16 cm in diameter and 2 cm thick) the water attains a speed of 200 km an hour. Since 1930, the jet d’eau is lighted in the evening. Eight 13,500 watt projectors on the quai des Eaux-Vives now light the column and its summit.

The Jet d’Eau operates from the beginning of March (with the opening of the Salon de l’Automobile) until the second Sunday of October, generally from 9:30 in the morning until 11:15 at night. It is turned off in the event of high winds (over 15 km/hour for the bise or over 8 km/h for the Joran or the wind from the Jura) to prevent the spray from soaking passersby or sailors.

Promenade de la Treille
wpe2.jpg (1961 bytes)George Brassens sang, "Les amoureux qui se bécotent sur les bancs public ont des p’tites gueules bien sympathiques..." (Lovers who bill and coo on public park benches have pleasant little mugs.) And even more pleasant when they do it on the famous bench of the Promenade de la Treille. Famous because, taking its cue from the length of the kisses exchanged there, the bench goes on and on. With its 120 meters, it holds the title to the world’s longest wooden bench. This promenade was created in the 16th century, first as an observation post the defense of the city, with artillery pieces taking an active part. Then, from the beginning of the 18th century, as a promenade, far more generously wooded and peaceful. The choice of the chestnut trees to shade and beautify dates from 1721. The trees are aligned in two rows, from one end to the other of the Promenade. At one end is the «official» chestnut tree of Geneva, which you can spot it by its slight lean. According to a tradition which continues to this day, the blossoming of its first bud marks the official start of springtime in Geneva. Each year since 1818, this date is recorded on a small board, conserved at the Town Hall.  Strolling along the Promenade, you come across the statue of Pictet de Rochemont. A tribute to this able negotiator who, after contributing to the attachment of Geneva to Switzerland, was the delegate of the Geneva Republic to the Congress of Vienna in 1814. He fixed the geographic limits of the canton and pushed through the acceptance of Swiss neutrality, measures ratified by the Treaty of Paris in 1815.
United Nations
wpe3.jpg (2647 bytes)When you pass the gate of the Palais des Nations, you enter international land. A land in which the majority of the world’s nations are represented. A land without frontiers that each year welcomes 20,000 delegates from these nations, and in which 3000 civil servants work toward the same mission: peace, security and the dignity of man. In this gigantic building is the largest center of the United nations after New York. Without delving into the distant origins of Geneva’s international vocation, it is not by accident that President Wilson chose this city as the headquarters for the League of Nations, instituted in 1919. It was to welcome this institution that the Palais des Nations was built between 1929 and 1937. In 1946, the UN took over from the League. Its numerous authorities and institutions required the construction, in 1968, of a new wing for the building.The Office of the United Nations in Geneva is one of the most important conference centers in the world, with some 7000 sessions held each year. A visit to the Palais permits you to see certain conference rooms, notably the Council Room, decorated with superb frescoes and the Assembly Room, more vast than the Opera of Paris.  Not to be missed are the Museum of the League of Nations and the Rockefeller Library, one of the largest international libraries in the world, with one million volumes and 15 million documents. You can also see the 150 projects that were pre-sented for the construction of the League of Nations.
International Committee for the Red Cross and Red Crescent
wpe4.jpg (3138 bytes)It was with a man’s cry of horror and a feeling of revolt that the C.I.C.R. (International Committee of the Red Cross and Red Crescent) was born. We are in 1859. Henry Dunant, son of a family of Geneva notables, tried to reach Napoleon III, to have him intercede in a personal matter. He found him at Solferino, the day after the most murderous battle of history. A vision of horror, a feeling of impotence before 40,000 wounded in desperate need of help, of care – a shock. Dunant returned to Geneva and wrote a deeply moving book: «A souvenir of Solferino.» In it, he launched the idea of a corps of voluntary male nurses to care for the wounded in wartime. These men would be recognized and respected through an international agreement. The book was addressed in 1862 to all key persons and governments of the European countries.  Gustave Moynier, president of the Société Genevoise d’Utilité Publique (Geneva Society of Public Utility) was the first to support this appeal. He joined Dunant and three other members to create the Comité International de Secours aux Blessées en cas de Guerre (International Committee of Help for the Wounded in Case of War). On August 22, 1864, the First Convention of Geneva was accepted and signed by 16 nations. The foundation of the Red Cross was in place. The C.I.C.R., headquartered in the building of the former Hotel Carlton, is present today in 50 countries of the world. Its mission, based on the Geneva Conventions of 1949: «to assure protection and assistance to victims of international and non-international armed conflicts, and internal troubles and tensions.» An impressive activity, both in its effectiveness... and discretion.  All this thanks, at its origin, to the courage, compassion and tenacity of a man, awarded the Nobel Peace Prize in 1901.
The Alpin Garden
wpe5.jpg (2423 bytes)The address, near Geneva, of a meeting place? 7, chemin du Jardin Alpin in Meyrin? But make no mistake. We mean a meeting with nature, with the arts and artists. Developed at the beginning of the 20th century at the initiative of a Meyrin businessman and taken over by the community in 1960, this garden offers a variety of pleasures. The pleasure of strolling along the shaded paths, and encountering 3,600 different kinds of plants. Rock gardens, watercourses, a pool with aquatic plants, pergolas, plus a park with goats, chicken and ducks, make up this space of freshness and greenery. Not forgetting a magnificent and original rose garden... in the form of a rose. The pleasure, too, of a visit to the Villa of the Jardin Alpin, known for its exhibitions of contemporary art. Inaugurated in February 1984, it adopted the mission of opening its doors to all artistic techniques: painting, sculpture, engraving, photography, weaving, etc. An original approach in the Canton of Geneva, which has already permitted over 100 local and international artists, known or unknown, to present their work. This same pleasure, you’ll feel it too in the garden’s glass factory, run by Artmeyrinois, an association of art lovers, whose goal is to promote a whole range of disciplines, from painting to sculpture, the dance and the theater... Several artists, moreover, have been able to expose their talents there and thus succeeded in making a name for themselves. A pleasure also to attend the numerous open air festivals and concerts that Artmeyrinois organizes in summer. Nature, art, music, dance – the Jardin Alpin is certainly a place to meet, with pleasure.
Calvin
wpe6.jpg (2914 bytes)«Mr. and Mrs. Calvin have the joy to announce the birth of their son, John, on July 10, 1509.’’ This honorable family of the intellectual bourgeoisie, residing in Noyon on the Oise, had not the faintest idea of the extraordinary destiny reserved for their child.

A brilliant boy, he studied the humanities in Paris and the law in Orléans. It was the period when, under the impetus of the effusive Martin Luther, the Reform church was rapidly gaining new ground, but at the cost of terrible persecutions by the Catholics. In 1528, Bern adopted the Reformation and delegated Guillaume Farel to preach in Geneva. Fascinated by theology, Calvin adopted the evangelists’ theses and, at the age of 24, decided to consecrate his life to them. He fled the persecutions and, like many refugees from France, Italy, England and Holland, arrived in Geneva in 1536, the year that the city adopted the Reformation.  He found Guillaume Farel and began to exercise his rigorous and inflexible influence – far too restrictive for some. The latter, known as the ‘‘Libertines,’’ demanded and obtained the departure of Calvin. He left Geneva two years after his arrival, found refuge in Strasbourg and married there. Very quickly, the new Church felt the void left by his absence. Geneva needed a leader with incontestable and uncontested authority. And so he returned to the city in September 1541, never to leave it again. Not until, exhausted by an incredibly full and active life, he died in 1564 at the age of 54. The work he undertook, with Farel, Bèze and Knox at his side, was phenomenal. He established a juridical code, reorganized the Church, installed an austere and disciplined theocratic regime, created in 1559 the College and Academy. He made Geneva into a veritable Rome of the Reformation.

Place du Bourg du Four

wpe7.jpg (2957 bytes)Among the top 20 charms of Geneva– the Place du Bourg du Four in the heart of the Old Town, rates a prominent place. A place where it’s fun to stroll and soak up the ambiance of serenity and camaraderie. Where Genevans gather around a beautiful 18th century flowered fountain, or on the terrace of a picturesque bistro.Authentic crossroads, the Bourg du Four has always been a meeting place. In Roman times, it was here that the markets were held. Here, too, the Genevans came for their drinking water, transported by aqueduct from the Voirons mountains, 20 kilometers away. They met in the Middle Ages at the famous Geneva fairs. They gathered around Calvin during the Reform. From the middle of the 16th century, to accommodate the Protestant exiles fleeing persecution, the houses around the place were raised, and new ones were built in the courts and gardens. People meet here today, as they will tomorrow. A sweep of the eye reveals several magnificent specimens of 16th century architecture, as well as handsome constructions of the 17th and 18th. Note, for example, the 18th century facade of the Palais de Justice, which shelters several, still older buildings. These originally belonged to a convent of the Order of St. Clare. During the Reformation, it was converted to a hospital, which it remained until 1857. A multitude of memories dwell in this place. Memories of illustrious men who once lived here, like the painter Gustave Courbet, or orchestra conductor Hugo de Senger. And remembrances of old inns, such as the Pomme d’Or (Golden Apple), Cheval Noir (Black Horse) and the Coquille d’Or (Golden Shell).

Grand Théâtre
wpe8.jpg (2099 bytes)Unlike Brussels, London, Paris or Vienna, Geneva had no opera house before 1879. There was the Théâtre de Neuve, built in 1782, but it was conceived more for theater than for concerts or operas. In any case, it was hardly adequate to satisfy the Genevans’ growing taste for the lyric art.So the city fathers commissioned architect Jacques-Elisée Goss who, smitten by the architecture of the Opéra Garnier in Paris, dreamed of reproducing it here on a smaller scale. But the decision-makers considered the project too grandiose and costly. At which point, thank Heaven, the Duke of Brunswick’s legacy arrived. So on October 4, 1879 the Grand Théâtre was inaugurated with a presentation of Rossini’s William Tell. And from that moment, it became the focal point of the musical life of Geneva. This was due in no small part to the major role played by orchestra leader Hugo de Senger. The greatest composers came here to have their works performed. May 1st 1951 marked a tragic event. Rehearsing the last act of Richard Wagner’s Walkyrie, in which Brunhilde is encircled by flames, the director unleashed a cylinder of compressed air. Suddenly a flame three meters high shot into the air, setting the stage and the rest of the theater on fire. In a few hours, everything was reduced to ashes. Only the foyer and facade walls escaped destruction.  After restoration, the Grand Théâtre reopened its doors on December 10, 1962. It was larger, more comfortable, better equipped and decorated, notably with a magnificent ceiling ornament and a spectacular stage curtain by Jacek Stryjenski. Since then, one musical season has followed another, with an ever-richer and more varied repertoire.
Victoria Hall
wpe9.jpg (1954 bytes)An inventory in 1987 established a list of 2000 names of artists, orchestras and choruses that have performed in Victoria Hall since its inauguration in 1894. And that list continues to grow. What more prestigious calling card for this Genevan temple of music! A temple that has witnessed a parade of the greatest orchestra conductors, orchestras from the entire world, the jazz elite... and the most outstanding popular stars. At the origin of this anthology of talent was Sir Barton, Consul in Geneva of Her Most Gracious Majesty, Queen Victoria. Not satisfied at having created a brass band, the Harmonie Nautique, he decided to construct a concert hall in which it could perform. A beautiful hall with 1850 seats, exceptional acoustics and an equally exceptional decor in the purest rococo style. And on the ceiling, a large medallion painted by Ernest Bieler. No sooner said than (almost) done. On October 18 1891, the first stone of the building was placed. Architects John and Marc Camoletti chose for its exterior the «Beaux Arts» style that held sway at the end of the 19th century. Catastrophe! On September 16, 1984 a fire swept through the building, damaging a large part of the hall and its decoration. Three years were necessary to restore its splendor. The pieces of the decor that were spared served to reproduce those that were destroyed. The central ceiling medallion, however, could not be restored. A contemporary artist, Dominique Appia, painted a new one which renders homage, notably, to Ernest Ansermet, who created the Orchestre de la Suisse Romande in 1918. Today, Victoria Hall is devoted essentially to classical music.
The Calvin auditory
wpeA.jpg (3233 bytes)People crowded into this little chapel in the heart of the city, near the St. Pierre Cathedral. It was the 16th century. Reformers and reformed, exiles, communities of every language – French, Dutch, German, Italian and, especially, English – came together to pray. But also to follow the theological teachings of John Calvin and Théodore de Bèze, the great names of the Reformation. It was here that many pastors were formed. And here, too, that Geneva’s first «university,» the Academie, was born under Calvin’s impetus.   In this chapel, between 1556 and 1558, John Knox exercised his influence on the English-speaking community. Another illustrious figure in the Reform movement, Knox had fled to Geneva, exiled from Scotland under the oppressive regime of Mary Tudor – «Bloody Mary.» And finally, it was here that a certain Miles Coverdale directed the preparation of the first bible in English, known as the «Geneva Bible.» This ancient chapel, which has become known as the Calvin Auditory, was constructed in the 15th century, on the site of other religious edifices. It is in Gothic style, very sober, even austere.Protestant services are held here, still today. It receives members of the Church of Scotland, the Dutch Church and the Reformed Italian Church. Focal point of the Reformation, it holds an important place in the opulent destiny of Geneva.
Geneva Tourism

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