| Old arsenal At the
highest part of the Old Town, five cannons point their noses pacifically under the arcades
of the Old Arsenal. Magnificent pieces of old Geneva artillery decorated with animals,
vestiges of the battery that protected the city ramparts. A part was requisitioned by
Napoleon; the few remaining cannons were taken by the Austrians when they liberated Geneva
in 1813. It was only in 1923 that Austria returned the five cannons enthroned today in
this building which dates from the beginning of the 17th century. Originally intended as a
granary, it was turned into an arms depot and remained an arsenal until 1877. |
The cannons are not
the only interest of this building. Take a moment to see the remarkable mosaic frescoes of
Alexandre Cingria, placed in 1949 and representing important periods in Geneva history.
Among them: the arrival of Julius Caesar in 58 BC, the fairs of the Middle Ages and the
welcoming of the Huguenot refugees during the Reformation. Under the eaves of the building
are also several beautiful frescoes painted by Gustave de Beaumont between 1891 and 1893,
which summarize the history of the city until the ratification of the Constitution in
1848. Today, the Old Arsenal serves as the headquarters of the State Archives, a
magnificent collection that includes 14th century parchments and numerous documents penned
by Calvin himself. |
| Hôtel de Ville (City
Hall) |
| The walls have ears, they say. But no way
to tell what they hear? Too bad, for the walls of the Hôtel de Ville could tell us much
about a half millenium of the major and minor history of Geneva. For it is here, since the
15th century, that beats the political heart of the city. Within these walls many treaties
have been signed, condemnations pronounced, international conferences held and illustrious
visitors received: Charles Lindbergh, the Archbishop of Canterbury, Bourguiba, Pompidou,
Paul VI and many more. It is still today the headquarters of the government of the
Republic and Canton of Geneva. It was
here, in the Alabama room, that was held in 1864 the first Geneva Convention, from which
emerged the International Red Cross. A famous mediation was carried on here in 1872 after
the War of Secession, between the United States and England, concerning a British ship
named Alabama. And it was here, too, that the first Assembly of the League of Nations was
held, on November 15, 1920. Witness to all events past and present, the Tour Baudet
is the oldest part of the Hôtel de Ville. It dates from the 15th century and contains the
hall of the Council of State, with its superb frescoes and woodwork. Other witness, famous
for its originality, the large paved ramp, surrounded by a square tower. It permitted
reaching the three floors without getting off oness horse, or litter, or sedan
chair. An architectural masterpiece of the 16th century. |
|
| Monuments Brunswick |
| Madman or genius? At the very least,
Charles dEste-Guelph, Duke of Brunswick, was eccentric. Paranoid, with an acute
persecution complex, he reinforced his bedroom, equipped his Beaujon palace in Paris with
secret passageways. He was troubled, but also troubling. Distinguished linguist,
outstanding horseman and musician, as well as an exceptional investor. He amassed a
tremendous (and widely coveted) fortune. Born in 1804, the Duke of Brunswick was chased
from his country in 1830 because of his indiscretions. Taking refuge in Paris, he later
came to Geneva to pass the last three years of his life. He died in 1873, leaving the city
a tidy sum of money. A gesture of
generosity and demonstration of confidence that the Geneva government would respect the
terms of his will. One of these specified that it was to build «a mausoleum in an eminent
and worthy location, executed according to the established concept by the finest artists
of the time, without consideration of price.» Which was done, on superb site along the
quais, in the Square des Alpes. As the Duke had insisted, the Brunswick monument is
an exact reproduction of the tomb of the Scaligeri family in Verona, Italy, a work of the
14th century. The central element, the sarcophagus, is decorated with eight haut-reliefs
relating an event in the history of the Este-Guelph family, and 6 lateral panels showing
scenes in the lives of different historic characters. A monument rather heavily loaded.
And even, initially, overloaded with an equestrian statue of the Duke in bronze, which had
to be moved and placed on a pedestal to the right of the monument.
A strange monument, for a strange man. |
|
| National Monument -
Jardin Anglais |
But who are these two young ladies on the esplanade of the Mont-Blanc
bridge, proudly perched on a pedestal in their bronze attire? They carry a double-edged
sword and shield, And their arms encircle each others waist as they stare fixedly at
the lake and distant horizons. Answer: One is the Republic of Geneva (the one with the
crenelated headgear); the other is Helvetia... Switzerland (with the crown of laurel
leaves). They symbolize the attachment of Geneva to the Confederation on September 12,
1814. This, the national monument, was the work of sculptor Robert Dorer who, the story
goes, picked two young Savoyard ladies as his models. Evidently he was not one to bear a
grudge, since we know that for centuries Savoy was the enemy of Geneva.The inauguration of
the monument, in September 1869, in the presence of General Dufour, was the occasion for
many celebrations. After contemplating the monument,
stroll a bit farther on into the magnificent Jardin Anglais. Created in 1854 and constantly enlarged and beautified, it is one of
the most charming and lively of Geneva parks. As you walk through, glance at the large
bronze fountain with its superposed basins borne by naiads, the work of sculptor Alexis
André in 1862; at the bandstand from the end of the 19th century; and at the busts of
painters François Diday and Alexandre Calame, and the sculptor de Niederhausen.
And finally, dont forget the star of the Jardin
Anglais, the famous flowered clock. |
|
| Reformation Wall |
John Calvin always refused to be honored. Its why there is no
monument devoted exclusively to his glory. The year 1909 marked the 400th anniversary of
his birth, and the 350th of the foundation, in 1559, of the Academy of Geneva. It was the
ideal occasion to erect a commemorative monument, dedicated not to one man, but to the
entire Reform movement. And so began, that year, the construction of the Wall of the
Reformers in the Parc des Bastions. The Monument is backed by a part of the ancient walls
that surrounded the city until the middle of the 19th century.At the center of the wall,
five meters high, are the four great figures of the movement: Guillaume Farel (1849-1565),
one of the first to preach the Reform in Geneva; John Calvin (1509.1564), the «pope» of
the reformers; Théodore de Bèze (1513-1605), first rector of the Academy; and John Knox
(1513-1572), founder of Presbyterianism in Scotland. Behind these statues stands the motto of the Reformation and of
Geneva: «Post Tenebras Lux.» Here and there, the statues and bas-reliefs represent the
great Protestant figures of the different Calvinist countries, and the crucial moments in
the development of the movement. At the extremities, two essential dates: 1536, when the
people of Geneva ratified the Edicts of Reformation and decreed compulsory public
instruction. And 1602,when the Genevan repelled the «Escalade» attempted by the Duke of
Savoy, thus assuring their religious and political independence. Martin Luther and Ulrich
Zwingli, the great pioneers, also hold important places.Stroll 100 meters along the wall
and you cover 150 years of the history of Protestantism. An instructive shortcut.
|
|
| New solar
and Laser clock |
The Left Bank, with its Flowered Clock in
the Jardin Anglais, has its symbol of the watchmaking industry, which was born in Geneva.
The Right Bank, on the other hand, has been a bit left out. This gap was filled in June
1997, with the installation on the Quai Wilson, near the Perle du Lac, of a «monumental
solar and laser clock.» The work of Hungarian artist
Klara Kuchta and realized at the initiative of
the Piaget company, one of the prestigious names of Swiss watchmaking, this clock
constitutes a remarkable and harmonious marriage between high technology and ancestral
tradition. Two ways of reading the time, two light sources; the sun and the laser.
The solar source, thanks to the linear shadow when there is sun, marks the time in a
rather relaxed fashion and with pleasant imprecision. The other is diabolically and
electronically exact, thanks to a laser activated point of light. This realization, of
remarkable aesthetic quality, has a face of 6.40 meters in diameter. Of stainless steel
and laminated glass, it lets 198 stars show through, while a beam of optical fibers makes
them shine on a celestial map. |
|
| The Niton
stones |
As you go along the quais bordering the
Jardins Anglais, looking in the direction of the jet deau, your gaze is sure to be
attracted by two large stones emerging from the water like fossilized icebergs!
Survivors of the Big Bang? Meteorites gone astray? No, actually two erratic blocks,
nicknamed Neiton and Neptune, brought there a million years ago during the glacial era.
And left there when the ice melted, like two abandoned orphans. But they have not always
been useless and have, in fact, aroused keen interest. Not, perhaps, because of
their beauty they never did become a five-star tourist attraction or a favorite
target of zooms and camcorders But still... During the Bronze Age they served as a place
for the celebration of rites and sacrifices. And today as favorite roosting places for the
gulls and ducks. Moreover, they beg the question, «What are those?» Which in turn, has
prompted some young pranksters to dupe gullible tourists who, for a nominal sum, were
boosted on the rocks «to better admire the rade»... and left there as desert islanders,
sheepish and alone. But on a much more serious note: the largest of these Niton rocks was
chosen by the famous General Dufour to represent the basis (altitude 373.6 meters above
sea level) for the land survey of Switzerland and the establishment in 1864 of his famous
1:100,000 map. So, please, a bit of respect and tenderness for these objects which have,
beyond any question... a soul. |
|
| Jet
dEau (water fountain) |
Paris has its Eiffel Tower, Copenhagen its
little mermaid, New York its Statue of Liberty. And Geneva its Jet dEau.
Symbol of our city, this great exclamation point punctuates the Rade as it rises 140
meters over the water. Located downstream from the Rhône
during the last century, it was originally a minor, non-touristic phenomenon. Every night
and Sundays and holidays, a security valve released the water under high pressure to the
sky when the craftsmen closed the faucets in their workshops connected to the
Coulouvrenière hydraulic factory. The idea of transforming this into a tourist attraction
was revolutionary. Misunderstood at first by many people, who feared it would spoil the
beauty of the site, this simple idea very quickly became the symbol of Geneva. A liquid
monument, the Jet dEau was promoted as a tourist attraction in 1891, when
Genevas Administrative Council proposed to move it to the Rade. It was not until
1947, however, that it was provided with an autonomous pumping station. Hurling 500 liters
of water a second 140 meters into the air requires two groups of motorized pumps, which
turn at 1500 rpm and have a pressure of 16 bars. As it leaves the propulsion nozzle (which
creates a hollow cylinder 16 cm in diameter and 2 cm thick) the water attains a speed of
200 km an hour. Since 1930, the jet deau is lighted in the evening. Eight 13,500
watt projectors on the quai des Eaux-Vives now light the column and its summit.The Jet dEau operates from the beginning of March (with the
opening of the Salon de lAutomobile) until the second Sunday of October, generally
from 9:30 in the morning until 11:15 at night. It is turned off in the event of high winds
(over 15 km/hour for the bise or over 8 km/h for the Joran or the wind from the Jura) to
prevent the spray from soaking passersby or sailors. |
|
| Promenade
de la Treille |
George Brassens sang, "Les amoureux qui
se bécotent sur les bancs public ont des ptites gueules bien sympathiques..."
(Lovers who bill and coo on public park benches have pleasant little mugs.) And even more
pleasant when they do it on the famous bench of the Promenade de la Treille. Famous
because, taking its cue from the length of the kisses exchanged there, the bench goes on
and on. With its 120 meters, it holds the title to the worlds longest wooden bench.
This promenade was created in the 16th century, first as an observation post the defense
of the city, with artillery pieces taking an active part. Then, from the beginning of the
18th century, as a promenade, far more generously wooded and peaceful. The choice of the
chestnut trees to shade and beautify dates from 1721. The trees are aligned in two rows,
from one end to the other of the Promenade. At one end is the «official» chestnut tree
of Geneva, which you can spot it by its slight lean. According to a tradition which
continues to this day, the blossoming of its first bud marks the official start of
springtime in Geneva. Each year since 1818, this date is recorded on a small board,
conserved at the Town Hall. Strolling along the Promenade, you come across the
statue of Pictet de Rochemont. A tribute to this able negotiator who, after contributing
to the attachment of Geneva to Switzerland, was the delegate of the Geneva Republic to the
Congress of Vienna in 1814. He fixed the geographic limits of the canton and pushed
through the acceptance of Swiss neutrality, measures ratified by the Treaty of Paris in
1815. |
|
| United Nations |
When you pass the gate of the Palais des Nations, you enter
international land. A land in which the majority of the worlds nations are
represented. A land without frontiers that each year welcomes 20,000 delegates from these
nations, and in which 3000 civil servants work toward the same mission: peace, security
and the dignity of man. In this gigantic building is the largest center of the United
nations after New York. Without delving into the distant origins of Genevas
international vocation, it is not by accident that President Wilson chose this city as the
headquarters for the League of Nations, instituted in 1919. It was to welcome this
institution that the Palais des Nations was built between 1929 and 1937. In 1946, the UN
took over from the League. Its numerous authorities and institutions required the
construction, in 1968, of a new wing for the building.The Office of the United Nations in
Geneva is one of the most important conference centers in the world, with some 7000
sessions held each year. A visit to the Palais permits you to see certain conference
rooms, notably the Council Room, decorated with superb frescoes and the Assembly Room,
more vast than the Opera of Paris. Not to be missed are the Museum of the League of
Nations and the Rockefeller Library, one of the largest international libraries in the
world, with one million volumes and 15 million documents. You can also see the 150
projects that were pre-sented for the construction of the League of Nations. |
|
| International
Committee for the Red Cross and Red Crescent |
It was with a mans cry of horror and a feeling of revolt that
the C.I.C.R. (International Committee of the Red Cross and Red Crescent) was born. We are
in 1859. Henry Dunant, son of a family of Geneva notables, tried to reach Napoleon III, to
have him intercede in a personal matter. He found him at Solferino, the day after the most
murderous battle of history. A vision of horror, a feeling of impotence before 40,000
wounded in desperate need of help, of care a shock. Dunant returned to Geneva and
wrote a deeply moving book: «A souvenir of Solferino.» In it, he launched the idea of a
corps of voluntary male nurses to care for the wounded in wartime. These men would be
recognized and respected through an international agreement. The book was addressed in
1862 to all key persons and governments of the European countries. Gustave Moynier,
president of the Société Genevoise dUtilité Publique (Geneva Society of Public
Utility) was the first to support this appeal. He joined Dunant and three other members to
create the Comité International de Secours aux Blessées en cas de Guerre (International
Committee of Help for the Wounded in Case of War). On August 22, 1864, the First
Convention of Geneva was accepted and signed by 16 nations. The foundation of the Red
Cross was in place. The C.I.C.R., headquartered in the building of the former Hotel
Carlton, is present today in 50 countries of the world. Its mission, based on the Geneva
Conventions of 1949: «to assure protection and assistance to victims of international and
non-international armed conflicts, and internal troubles and tensions.» An impressive
activity, both in its effectiveness... and discretion. All this thanks, at its
origin, to the courage, compassion and tenacity of a man, awarded the Nobel Peace Prize in
1901. |
|
| The Alpin Garden |
The address, near Geneva, of a meeting place? 7, chemin du Jardin
Alpin in Meyrin? But make no mistake. We mean a meeting with nature, with the arts and
artists. Developed at the beginning of the 20th century
at the initiative of a Meyrin businessman and taken over by the community in 1960, this
garden offers a variety of pleasures. The pleasure of strolling along the shaded paths,
and encountering 3,600 different kinds of plants. Rock gardens, watercourses, a pool with
aquatic plants, pergolas, plus a park with goats, chicken and ducks, make up this space of
freshness and greenery. Not forgetting a magnificent and original rose garden... in the
form of a rose. The pleasure, too, of a visit to the Villa of the Jardin Alpin, known for
its exhibitions of contemporary art. Inaugurated in February 1984, it adopted the mission
of opening its doors to all artistic techniques: painting, sculpture, engraving,
photography, weaving, etc. An original approach in the Canton of Geneva, which has already
permitted over 100 local and international artists, known or unknown, to present their
work. This same pleasure, youll feel it too in the gardens glass factory, run
by Artmeyrinois, an association of art lovers, whose goal is to promote a whole range of
disciplines, from painting to sculpture, the dance and the theater... Several artists,
moreover, have been able to expose their talents there and thus succeeded in making a name
for themselves. A pleasure also to attend the numerous open air festivals and concerts
that Artmeyrinois organizes in summer. Nature, art, music, dance the Jardin Alpin
is certainly a place to meet, with pleasure. |
|
| Calvin |
«Mr. and Mrs. Calvin have the joy to announce the birth of their son,
John, on July 10, 1509. This honorable family of the intellectual bourgeoisie,
residing in Noyon on the Oise, had not the faintest idea of the extraordinary destiny
reserved for their child. A brilliant
boy, he studied the humanities in Paris and the law in Orléans. It was the period when,
under the impetus of the effusive Martin Luther, the Reform church was rapidly gaining new
ground, but at the cost of terrible persecutions by the Catholics. In 1528, Bern adopted
the Reformation and delegated Guillaume Farel to preach in Geneva. Fascinated by theology,
Calvin adopted the evangelists theses and, at the age of 24, decided to consecrate
his life to them. He fled the persecutions and, like many refugees from France, Italy,
England and Holland, arrived in Geneva in 1536, the year that the city adopted the
Reformation. He found Guillaume Farel and began to exercise his rigorous and
inflexible influence far too restrictive for some. The latter, known as the
Libertines, demanded and obtained the departure of Calvin. He left
Geneva two years after his arrival, found refuge in Strasbourg and married there. Very
quickly, the new Church felt the void left by his absence. Geneva needed a leader with
incontestable and uncontested authority. And so he returned to the city in September 1541,
never to leave it again. Not until, exhausted by an incredibly full and active life, he
died in 1564 at the age of 54. The work he undertook, with Farel, Bèze and Knox at his
side, was phenomenal. He established a juridical code, reorganized the Church, installed
an austere and disciplined theocratic regime, created in 1559 the College and Academy. He
made Geneva into a veritable Rome of the Reformation. |
|
| Place du Bourg du Four |
Among the top 20 charms of Geneva the Place du Bourg du Four in
the heart of the Old Town, rates a prominent place. A place where its fun to stroll
and soak up the ambiance of serenity and camaraderie. Where Genevans gather around a
beautiful 18th century flowered fountain, or on the terrace of a picturesque
bistro.Authentic crossroads, the Bourg du Four has always been a meeting place. In Roman
times, it was here that the markets were held. Here, too, the Genevans came for their
drinking water, transported by aqueduct from the Voirons mountains, 20 kilometers away.
They met in the Middle Ages at the famous Geneva fairs. They gathered around Calvin during
the Reform. From the middle of the 16th century, to accommodate the Protestant exiles
fleeing persecution, the houses around the place were raised, and new ones were built in
the courts and gardens. People meet here today, as they will tomorrow. A sweep of the eye
reveals several magnificent specimens of 16th century architecture, as well as handsome
constructions of the 17th and 18th. Note, for example, the 18th century facade of the
Palais de Justice, which shelters several, still older buildings. These originally
belonged to a convent of the Order of St. Clare. During the Reformation, it was converted
to a hospital, which it remained until 1857. A multitude of memories dwell in this place.
Memories of illustrious men who once lived here, like the painter Gustave Courbet, or
orchestra conductor Hugo de Senger. And remembrances of old inns, such as the Pomme
dOr (Golden Apple), Cheval Noir (Black Horse) and the Coquille dOr (Golden
Shell).
|
|
| Grand Théâtre |
Unlike Brussels, London, Paris or Vienna, Geneva had no opera house
before 1879. There was the Théâtre de Neuve, built in 1782, but it was conceived more
for theater than for concerts or operas. In any case, it was hardly adequate to satisfy
the Genevans growing taste for the lyric art.So the city fathers commissioned
architect Jacques-Elisée Goss who, smitten by the architecture of the Opéra Garnier in
Paris, dreamed of reproducing it here on a smaller scale. But the decision-makers
considered the project too grandiose and costly. At which point, thank Heaven, the Duke of
Brunswicks legacy arrived. So on October 4, 1879 the Grand Théâtre was inaugurated
with a presentation of Rossinis William Tell. And from that moment, it became the
focal point of the musical life of Geneva. This was due in no small part to the major role
played by orchestra leader Hugo de Senger. The greatest composers came here to have their
works performed. May 1st 1951 marked a tragic event. Rehearsing the last act of Richard
Wagners Walkyrie, in which Brunhilde is encircled by flames, the director unleashed
a cylinder of compressed air. Suddenly a flame three meters high shot into the air,
setting the stage and the rest of the theater on fire. In a few hours, everything was
reduced to ashes. Only the foyer and facade walls escaped destruction. After
restoration, the Grand Théâtre reopened its doors on December 10, 1962. It was larger,
more comfortable, better equipped and decorated, notably with a magnificent ceiling
ornament and a spectacular stage curtain by Jacek Stryjenski. Since then, one musical
season has followed another, with an ever-richer and more varied repertoire. |
|
| Victoria Hall |
An inventory in 1987 established a list of 2000 names of artists,
orchestras and choruses that have performed in Victoria Hall since its inauguration in
1894. And that list continues to grow. What more prestigious calling card for this Genevan
temple of music! A temple that has witnessed a parade of the greatest orchestra
conductors, orchestras from the entire world, the jazz elite... and the most outstanding
popular stars. At the origin of this anthology of talent was Sir Barton, Consul in Geneva
of Her Most Gracious Majesty, Queen Victoria. Not satisfied at having created a brass
band, the Harmonie Nautique, he decided to construct a concert hall in which it could
perform. A beautiful hall with 1850 seats, exceptional acoustics and an equally
exceptional decor in the purest rococo style. And on the ceiling, a large medallion
painted by Ernest Bieler. No sooner said than (almost) done. On October 18 1891, the first
stone of the building was placed. Architects John and Marc Camoletti chose for its
exterior the «Beaux Arts» style that held sway at the end of the 19th century.
Catastrophe! On September 16, 1984 a fire swept through the building, damaging a large
part of the hall and its decoration. Three years were necessary to restore its splendor.
The pieces of the decor that were spared served to reproduce those that were destroyed.
The central ceiling medallion, however, could not be restored. A contemporary artist,
Dominique Appia, painted a new one which renders homage, notably, to Ernest Ansermet, who
created the Orchestre de la Suisse Romande in 1918. Today, Victoria Hall is devoted
essentially to classical music. |
|
| The Calvin auditory |
People crowded into this little chapel in the heart of the city, near
the St. Pierre Cathedral. It was the 16th century. Reformers
and reformed, exiles, communities of every language French, Dutch, German, Italian
and, especially, English came together to pray. But also to follow the theological
teachings of John Calvin and Théodore de Bèze, the great names of the Reformation. It
was here that many pastors were formed. And here, too, that Genevas first
«university,» the Academie, was born under Calvins impetus. In this chapel,
between 1556 and 1558, John Knox exercised his influence on the English-speaking
community. Another illustrious figure in the Reform movement, Knox had fled to Geneva,
exiled from Scotland under the oppressive regime of Mary Tudor «Bloody Mary.» And
finally, it was here that a certain Miles Coverdale directed the preparation of the first
bible in English, known as the «Geneva Bible.» This ancient chapel, which has become
known as the Calvin Auditory, was constructed in the 15th century, on the site of other
religious edifices. It is in Gothic style, very sober, even austere.Protestant services
are held here, still today. It receives members of the Church of Scotland, the Dutch
Church and the Reformed Italian Church. Focal point of the Reformation, it holds an
important place in the opulent destiny of Geneva. |
|
Geneva Tourism
18, rue du Mont-Blanc
CH-1201 Geneva
Phone (+4122) 909 70 00
Fax (+4122) 909 70 11
Open:
Monday - Saturday, 09.00 am till 6.00 pm
Sunday, 09.00 am till 6.00 pm (only during summer)
|