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Cash Money Recors Vs No limit Records

This has been the topic of disscussion on every down south Message board and numerous places in the south like Texas these days. There are many angles people come from and try to write on the subject here are some of them. No limits Fans_ They basically think NL has more talent because of the roster. They block off all of the underhand shit P does and they usually focus outside the musical disscussion. They basically think there is no bad NL album. Most NL supporters these days have every album past Ghetto D and they basically own Juvi's 400 degreez. They like to take stances like Cash Money is getting pimped. Or they won't be around for long and the ridiculus shit like they are tryin ta be a No Limit. Most basically don't have a lot of knowledge on the underground shit(especially in the south in New Orleans) so who really can blaim em I can. Most No Limit fans do not make alot of sense when they are retaliating in it all.

CMR fans: There are 2 types of Cash Money fans the real and the fakers. The real ones think, feel and know that No Limit has gone too far in biting off of them(Cash Money) and hasn't given any props. They also tend to think that Cash Money has more talent then No Limit's 30 rappers. Basically this is where I'm coming from CMR are the Originators, NL are the leachers. The fakes just basically own Juviniles shit and they know nothing about Cash money before 95.

To examin rosters No Limit is up first. They really don't have alot to shove out anymore on the gangsta side of things thier style is just soft now. The best artist have roots in New Orleans underground sceane and they are: Mia X, Mac, Fiend, Mystikal, Kane and Abel,and Soulja SLim. All of these artist have average(Mia X) to excellent(Mac Fiend) albums out. What about P, C and Silkk you say, in thier mind they are basically from the west they are not that good. They were great in thier prime but the money went especially to thier heads. They may have spent an early portion of thier lifes in New Orleans but defenitly not enough to have a musical grasp on it like a PNC or Jubilee. C used to be hard but when life or death came out he basically lost that hardness even though Life Or death was decent. Only the old No Limit fans know what I'm talking bout when I talk about The old C on Tru to da Game and The First Tru anywayz. Serv ON is an above average artist and the rest are basically scrubs like Gambino Family, Ghetto Commission, Prime Suspects, and Steady Mobbin things like that.