CHILD'S PLAY V BRIDE OF CHUCKY 2 SCREENPLAY BY: Tammy C. (Aka Sunna Knights) Phone: (514) 697-0917 ADDRESS: 11 GEORGIA POINTE-CLAIRE QUEBEC H9R-5V7 ________________________ FADE IN: INT. ANDY BARCLAY'S HOUSE THE KITCHEN. NIGHT. We see FIFTEEN-YEAR-OLD DANGER BARCLAY sitting at the KITCHEN TABLE, she is home alone and sees the walls mmoving. She then slowly gets up, takes a knife, and stabs it in the wall. FADE TO BLACK: UNIVERSIAL STUDIOS PRESENTS (Their little THEME) The screen goes black - a funky eerie beat... Then- (The screen is still black as the ORIGINAL music from the FIRST CHILD'S PLAY movie plays) UNIVERSIAL PICTURES PRESENTS A DAVID KIRSCHNER PODUCTION A TOM HOLLAND FILM It shows at first, a scene from CHILD'S PLAY 3 and how they are making CHUCKY from THAT film. Then suddenly everything pauses as if something went seriously wrong: The screen goes white... And then-- CHUCKY (In his GOOD-GUY DOLL VOICE) Let's COUNT. (He slashes his way through five line's in the WHITE screen; then on the fifth one he makes a huge 5 and blood drips out. The CHILD'S PLAY LOGO appears. He laughs insanely in his normal CHUCKY VOICE) As the camera fades back to the CHILD'S PLAY 3 FLASHBACK where they are gathering up the WAX, EERIE MUSIC starts to play, then the camera fades into a CHILD'S PLAY 2 secquence, in which CHUCKY'S head is all burnt and just being placed down for the audience to get a good view. They start polishing him and making him all new again. As they are doing that, we hear a roar of THUNDER, and then suddenly... As lightning flashes it goes to some CREDITS: CUT TO: STARRING TERI PASCHALIDIAS CUT TO - FLASH McFEARSON who is sitting in the walls building a house of cards. TAMMY CORIZIS In the back of THESE CREDITS, it shows DANGER BARCLAY now just sitting on her dock watching the deep dark water underneath. DANNY DeVITO In the back of THESE CREDITS, it shows DAVID at work standing over the GOOD GUY MACHINE, making the REINCARNATION of CHUCKY, of course, without him even knowing... Then - CUT TO more CREDITS: CATHERINE HICKS MIKE SARANDON CO-STARRING BRAD DOURIF AS THE VOICE OF CHUCKY & "CHUCKY'S CLONE" The camera gets a shot of CHUCKY as the GOOD GUY DOLL, being repaired... THEN CUT TO-- DANGE RBARCLAY swinging open her front door, she goes inside her house as the door slams shut behind her. It goes to the CASTING CREW-- CASTING BY RICHARD PAGANO & SHARON BIALY Then cut to- ASSOCIATE PRODUCER LAURA MOSKOWITZ Then cut to- COSTUME DESIGNER APRIL FERRY Then as that starts to fade out it shows DANGER sadly sitting on a chair. She and the EIGHT-YEAR-OLD son of JESSICA, ANDY'S GIRLFRIEND, appear to be in MID- CONVERSATION. We are still-- INT. ANDY BARCLAY'S HOUSE. THE KITCHEN. NIGHT. More CREDITS show up on the screen. MUSIC BY JOE RENZETTI EDITED BY EDWARD WARSCHILKA & ROY E. PETERSON PRODUCTION DESIGNER DANIEL A. LAMINO DIRECTOR OF PHOTOGRAPHY BILL BUTLER. A.S.C. EXECUTIVE PRODUCER BARRIE M. OSBORNE ORIGINAL STORY BY DON MANCINI SCREENPLAY BY TAMMY CORIZIS BASSED ON THE ORIGINAL CHARACTERS AND SCREENPLAY CREATED BY DON MANCINI RICHARD How can you like... (He makes a weird face) That GUY down the street? DANGER He's just... Well, damn hot! That's all, besides DICK, you wouldn't understand. You're too young. RICHARD I don't get it, one minute you're all BITCHY, and then when you see this LUCAS guy you go completely SPACEY! DANGER Unfortunately he HATES me. He treats me like shit. RICHARD Such as life huh? Wanna play VIDEO GAMES? DANGER shrugs as if there was nothing else to do- Then we CUT TO- THE NEXT DAY- INT. GOOD GUY DOLL FACTORY. BLACKNESS - AT FIRST- Then two men carrying a particular looking GOOD GUY DOLL come into our view. One is ahead of the other and they pass SECURITY at the door, the man at the door salutes them as they go in. Once inside... HARALD Finally! Now all we gotta do, is package this GOOD GUY up and send it to - Who was DAVID talking about again? VINCENT Um... (Trying to remember) I think it was ANDY'S KID, you know DANGER BARCLAY? HARALD Oh yeah! I always liked the KID, I believe she has a BIRTHDAY coming up and DAVIE wants to give this DOLL to her as a gift, so what does he do? He sends us out, we find one, bring it back, make it all nice and shiny, no one will ever know. VINCENT Okay, let's just hurry up and wrap it. I have to go to the bloody BATHROOM. HARALD So what the fuck is stopping you? Do you have one of those BLATTER PROBLEMS where you KNOW you have to go to the BATHROOM but then your PEE PEE'S tellin' ya, "no VINCENT, I'm sorry I'm not ready to come out yet"? Then you wait and you wait and- VINCENT (Interrupting) No, I just don't like using the OUT HOUSES. And DON'T talk about my PEE PEE. HARALD (Sarcastic attitude) Oh right sorry I forgot, your PEE might get offended and you'll WET your pants like a little GIRL. VINCENT Ah, shut the fuck up. TILTING DOWN, CHUCKY'S eyes get a close up and a clue of what's going on around him- He then knew from then on that he was back... CUT TO: TWO HOURS LATER-- VINCENT is in the BATHROOM going on with his BUSINESS ect... CHUCKY is seen sneaking around into the BATHROOM with a knife in his hand and is laughing evilly, yet quietly to himself. Inside the BATHROOM, it was extremely cramped and CHUCKY could see his next MURDER VICTIM perfectly. Especially with the size of THIS guy! The camera pans to VINCENT, pulling down his fly and taking a MAJOR dumpster. As he flushed, the sound echoed throughout the ENTIRE area. CHUCKY continued to MOVE ON and slowly approached VINCENT, he stabbed him in the back several times and then laughed insanely-- CHUCKY The CHUCK is back and there's GONNA be TROUBLE. On the other side is VINCENT crammed into the remaining space lying there completely covered in BLOOD. He is obviously DEAD. As we hear CHUCKY'S insane laughter, we- FADE TO BLACK: OPEN IN ON: INT. AN OFFICE BUILDING - DAY. The camera pulls up on a series of shots of traffic as well as horns which are loudly honking it then pans up to the GOOD GUY DOLL FACTORY. Where ANDY BARCLAY and his PARTNER DAVID appear to be at a MEETING. The PRESIDENT of the GOOD GUY FACTORY spoke. PRESIDENT Why the hell should WE here in SAN FRANCISCO live in FEAR of this "KILLER DOLL" BARCLAY? ANDY Well, it's just my experiences with them but- DAVID elbows ANDY. He then starts whistling - But immediately stops. PRESIDENT (CON'D) A LOT of people LIKE the GOOD GUY SHOW, and A LOT of people out here in SAN FRANCISCO will obviously WANT a GOOD GUY DOLL, namely your daughter, am I right? ANDY (Sighs) Oh I KNOW, but couldn't we put something ELSE from the SHOW on the MARKET? Like... READ-A-LONG BOOKS and stuff? PRESIDENT I'm afraid not MR. BARCLAY,we're making BIG BUCKS off of these things, and there are NO such things as KILLER DOLLS. DAVID hands ANDY a GOOD GUY DOLL all packaged up. It appears to be-- CHUCKY. CHUCKY (V.O.) (Speaking in his mind) If I have to see ONE MORE fucking GOOD GUY DOLL, I am going to BLOW CHUNKS. DAVID And JUST to make sure ANDY'S over-come his FEAR SIR, I made him this here GOOD GUY DOLL, JUST for his daughter's SWEET SIXTEEN. ANDY (Sarcastic attitude) Oh joy. DAVID It's a FREE GIFT and besides, you're the one that's always going on about how much your daughter would KILL to have one of these. DANGER will LOVE it. ANDY (Hesitates as he takes the GOOD GUY DOLL) Well I- DAVID Ah come on, from ME to YOU, with LOVE. The two men laugh, as we do we- SMASH CUT TO- INT. DANGER BARCLAY'S HOUSE - NIGHT. A CRACK of THUNDER roars in the sky causing DANGER to jerk up, on her shelf sits her GOOD GUY DOLL, she keeps looking at it, but it's NOT CHUCKY. DANGER takes the GOOD GUY DOLL and rubs her eyes to focus better as she walks out of her ROOM, we are now- INT. THE HALLWAY. DANGER comes out of a dark corner and looks into ANDY'S ROOM he isn't home yet. DANGER (Scared - Nervous tone) ANDY...? We hear another CRACK of THUNDER followed by lightning which lights up the whole house. DANGER continues to walk, as she does she holds her GOOD GUY DOLL shaking. EERIE MUSIC heats up as she makes her way into the DARK KITCHEN, there she sees a face form in the wall and gasps in horror and grabs a knife. The DOOR bursts open- DANGER gasps in horror as-- AND BARCLAY steps in all wet and dripping, in his hand he holds the PACKAGED UP GOOD GUY DOLL. He turns the KITCHEN LIGHTS on and DANGER quickly jerks back. ANDY What are YOU doing up? DANGER I'm afraid of THUNDER, you know THAT. ANDY What's wih the knife? DANGER (Stuttering) Uh KNIFE? What KNIFE?! (She hides the knife behind her back) ANDY I must of been seeing things, okay why haven't you even CHANGED for BED yet? DANGER wore her long brown shoulder length hair in ponytail which she wore in her black hat, a blue jean jacket, an army tank top, and blue jeans. DANGER So, I ALWAYS sleep in my clothes. ANDY Where'd you get THAT GOOD GUY DOLL? DANGER Oh um, JESSICA bought it for me as a BIRTHDAY GIFT. ANDY Then I guess that ruins MY BIRTHDAY SURPRISE. Oh well, I'll take it back in the morning. DANGER I- I had this NIGHTMARE about a guy named CHARLES LEE RAY- It's silent - The PHONE suddenly rings, ANDY picks it up. ANDY Hello? (Silence on the other END) Hello...? We hear the pitter patter of RAIN outside hitting the ROOF of the HOUSE it's so SILENT. ANDY shrugs as hangs up the PHONE. ANDY (CON'D) Hmm, must of been a WRONG NUMBER. Well since you CAN'T sleep watch some TV, I on the other hand, am EXHAUSTED. ANDY walks up the stairs, the camera follows him- As he does, the walls move toward his direction. DANGER gasps. CUT TO: INT. THE LIVING ROOM - 2:30 AM. DANGER BARCLAY is asleep on the couch with her knife in her hand, the TV is off, the THUNDERSTORM continues. The camera pans to her GOOD GUY DOLL sitting on a small table, it is just the ORDINARY GOOD GUY DOLL- QUICK CAMERA SWITCH TO - CHUCKY We see JUST his legs as he walks by the TABLE. We then see his ENTIRE GOOD GUY FORM as he angrily approaches the GOOD GUY DOLL and grabs it by its hair. GOOD GUY DOLL I LIKED TO BE HUGGED... CHUCKY (Goes behind the GOOD GUY'S ear and immitates the DOLL) I liked to be stabbed... (He then says in his normal voice) Oh REALLY? Okay! (Stabs the GOOD GUY DOLL) CHUCKY takes the DOLL and drags it upside down all the way outside we are now- EXT./ INT. DANGER'S BACKYARD. We see DANGER'S GERMAN SHEPPARD BOWSER wake up and come out of his DOG HOUSE, he makes his way to the DOCK following CHUCKY'S trail. CHUCKY is on the dock and picks up a nearby shovel, he breaks the GOOD GUY'S face and then throws it into the OCEAN WATER, he laughs like a lunatic until the camera switches to- BOWSER. CHUCKY turns around face to face with this vicious dog and gasps. The camera then goes to- INT. DANGER BARCLAY'S LIVING ROOM - STILL NIGHT. Where the camera focuses on DANGER as she awakes to the sound of THUNDER. She is sweating and scared, she quickly takes a drink of her WATER then calms down - she then hears the front door swing open- As she gets up to investigate, CHUCKY takes his RIGHTFUL position on the shelf and assumes his GOOD GUL DOLL position to act and look natural- CHUCKY hears DANGER slam her front door, as she entered the LIVING ROOM she saw her GOOD GUY sitting there and took it, she hugged CHUCKY and fell asleep on the couch and had a DREAM... Or more of a FLASHBACK. CHARLES LEE RAY is running down the street. MIKE NORRIS I GOT HIM! I GOT THE STRANGLE! WARP ACTION! GET TO IT! MIKE'S PARTNER drives after CHARLES LEE RAY. The camera gets a shot of DANGER tossing and turning, it then goes back to her DREAM: MIKE'S PARTNER takes off, CHARLES LEE RAY is now running into our view. MIKE and CHARLES LEE RAY shoot at each other, MIKE shoots at a car window breaking it. CHARLES LEE RAY looks to make sure it's safe to run off, when he does, MIKE spots him and starts shooting again. Quickly taking action, CHARLES LEE RAY leaps over a car and falls to the cold hard ground. He then shoots twice, ducks down, then runs off. MIKE shoots at CHARLES, sending him to the ground- As CHARLES LEE RAY'S friend EDDIE turns- SMASH CUT TO- EXT. THE TOY STORE. In which CHARLES LEE RAY runs to, he uses his GUN to break open the lock. The alarms are ringing like crazy. Then CUT TO- CHARLES LEE RAY and MIKE NORRIS shooting at each other, we are now- INT. THE TOY STORE. CHARLES LEE RAY falls to the ground landing on some GOOD GUY DOLL boxes. He had been shot. DANGER awakens with a start. We are now... INT. ANDY BARCLAY'S HOUSE. THE PRESENT. DANGER (To herself) What a NIGHTMARE. When DANGER turns around her GOOD GUY is sitting up straight and they turn face to face. CHUCKY (In his GOOD GUY VOICE) Hi, I'm FINIGHAN, and I'm your FRIEND 'til the end, HI DI HO! HA, HA, HA! DANGER gasps at first, then calms down. DANGER (Soft scared tone) Shit... CUT TO: INT. ANDY BARCLAY'S HOUSE. MORNING. DANGER is at the kitchen table eating SCRAMBLED EGGS, she appears to be poking at it. DANGER wore her black tank top, blue jean jacket, blue jeans, and she wore her long brown hair in a ponytail which was in her black hat. Across the table sat CHUCKY, lifeless. ANDY (O.S.) DANGER, I'd like to know what the hell you were doing outside last night. You better not have been sneaking food to that damn dog of yours. The camera stays with DANGER as she continues to poke at her food. DANGER Why would I go outside? You know the OCEAN freaks me out at night, and the backyard is a god damn BURIAL GROUND. Besides, BOWSER had already had that STAKE earlier remember? ANDY comes into our view as he places a glass of ORANGE JUICE on the table and takes a seat at the far end, away from the GOOD GUY DOLL. ANDY Then how come I saw MUDDY FOOTPRINTS this morning leading into the LIVING ROOM? And you fell asleep on the couch you HAVE to confess about THAT. DANGER ANDY, I swear! I did NOT go outside. ANDY Then how the hell did those FOOTPRINTS get there? DANGER Maybe we had a BURGLAR? ANDY A BURGLAR? Yeah, right, a BURGLAR wouldn't just leave a mess for me to have to clean up, wouldn't they take something? Nothing's missing I already checked, besides that other GOOD GUY DOLL I was gonna take back. DANGER Maybe JESSICA came and took it back, she probably didn't wanna disturb us and snuk in, she does have a KEY, so... There you go, she probably figured that you'd buy me a GOOD GUY and took the one back she had given me, to give to DICK. ANDY Hmmm, well if she did then it sure saves me a hell of a lot of trouble, the one DAVID made for you probably works better, you should call him and thank him, I have to get going to work, and DANGER, eat your breakfast this time, I don't want to have to see you in the god damn HOSPITAL. ANDY takes his coat and exits, he walks over the MUDDY FOOTPRINTS, when DANGER hears the door slam shut, the camera goes back to her as she takes her PLATE and throws her breakfast in the GARBAGE. We then hear something coming from the LIVING ROOM. The TV was playing loudly and the GOOD GUY THEME SONG could be heard. GOOD GUY THEME (O.S.) WHEN YOU'RE SAD OR FEELING BLUE A GOOD GUY'S ALWAYS THERE FOR YOU- The camera watches DANGER as she makes her way to the phone and calls DAVID.