<xmp> <body> </xmp>

................................................................................................ Photo by Holly Northrop:"Polaroid:#257"



The Poetry Of...
Lynn Strongin.....................................................................


MOON IN MIRROR

Shaker Box, Broom, Clock
A Cycle


1.

Hollyhock


It takes you ten minutes these days to remember the word "Hollyhock."
After being sick six ways to Sunday,
you have clear eyes.
I see the bruised blue vein where the IV was in yesterday
infusing scarlet chemicals
for hours
against lungs filled with tumors which took me back to the planetarium.

Kate, all you wanted to return to, like Dickinson, was your carved paper box
for poems.
A Hinge of paper
a shelf of sand.

You spoke the purest tongue: Almost Elizabethan.
Lost horses dotting your horizon
like stray figures......wandered out of the Globe theatre
from Shakespeare's time:
"Holly" "Hock" Hock a holly, trade in a blue flame
while shepherds guard above their questionmarks of canes
into the present age
taking by the throat
the grain
that carved the note
dissonant
dissident.
If it takes you ten hours to remember the word for the flower "Hollyhock"
I'll cock my ear
I'll be listening
listening.

------------


2.

Shaker Box, Broom, Clock


.."How did a sect so small make objects so sublime?" (Adam Gopnik, "New
Yorker, February" "The Shining Tree of Life" 2006)

Nob on clock....faces
the cult of Box & Broom
Docent

Trifles make perfections but perfection is no small thing:

capsized with that step-daughter of cancers, the lung
which the doctors shrug
"I told you so"
you flee Hurricane Rita to arrive at a sister's in Austin
one lung left
one child grown
one canister of portable oxygen.

the drumbeat repetition of the heart
objects that look like objects
rollcall of ordinary mornings
The knock of eggs boiling in a pot
A last long echo of the childhood
makes you shudder:
abused, outcast, girl-child by the barn:
echoes
sketched by a Seer
whom you studied: Blake's drawing:

The practicality of it all:
the improbablity of your cruel
spill
you could share with no one:
Copper tacks prevent rust

an underlying hysteria
preventing your taking your life
but taking poetry by the throat rather
and stroking those mystical gorge-feathers into song.

-----------------


3.

Bringing the Tower-Ravens in


in crystalline February in London could bode
bad fortune is shining over us, and around to all sides like shaken silk:
over our poet's imagination.....in the ozone & oxygen:
it shimmers in..........cold clear Lenten light of London.
the raven master has had to bring
the ravens in
in mirrory freeze.

Tragedy may come overnight upsetting the whole applecart
red pippins spileld like coal down the cellar-chute

What is raven, what his cold clock ?

A birth
that unpeeling when memoires of the half-known
...............surface chill and
.............. the eye, the mind scrapes like visors...ice from
Brueghel's teal.

Lady Luck is down on us. Ill fortune is shining over us
it shimmers in.........cold clear Lenten light of London.
the raven master has had to bring
the two, the pair of rosin-gloosy, pitchpine noir
ravens in
like copper nails rusting
from the roof of the tower of London
and cage them.

-------------------



*this marvelous sequence, MOON IN MIRROR, to be continued in June's Blue House.


To enjoy more of Lynn's work, visit~
LYNN STRONGIN: American Poet




Main Page

This site sponsered by

<xmp> <body>