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Idlewild
http://www.idlewild.co.uk
styles: indie rock, alternative rock
others: Black Flag, Minor Threat
Hope is Important
Odeon, 1999
rating: 8.0
reviewer: mph
Pay no attention to the packaging of this record – it’ll just throw you off.
Draped in a musty-brown color with a particularly mysterious, old-looking
picture on the cover, you would think Idlewild were yet another bunch of twee
and/or miserable Scotts like Belle & Sebastian or Arab Strap.
As you place the
rather hideous looking brown CD into your hi-fi/walkman you would expect to be
lulled with gentle acoustics and ever so slightly depressing imagery as you
await the imminent arrival of track one. But then the savage hardcore punk
opener “You’ve Lost Your Way” tears your naïve preconceptions into tiny little
pieces with it’s razor-sharp guitars and barking vocals, coming on like a junior
Black Flag or Minor Threat, but with a greater sense of melody. Idlewild ain’t
no bunch of moping depressives – they’re here to make noise and jump about while
shouting cryptic lyrics.
Although it received mixed responses on its release, I
have not forgotten just how good this album is. It’s one of those records that
just grabs you, slowly becoming more and more infectious over time. The band
wear their influences quite blatantly on their sleeves.
The abstract lyrics and
song titles combined with a distinct US garage rock sound (particularly on the
tracks “When I Argue…” and “Paint Nothing”) hint at an REM influence, circa-Murmur.
And on the raw grunge-y thrills of “A Film For The Future” and “You Don’t Have
The Heart”, and the quirky lo-fi sounds of “I’m A Message” and “Close The Door”;
bands like the Pixies, Mudhoney, Sugar and Sonic Youth all spring to mind. The
aforementioned “You’ve Lost Your Way”, “4 People Do Good” and the catchy-as-hell
“Everyone Says You’re So Fragile”, suggest a schooling in ‘80s American punk.
At
times, however, Idlewild do manage to truly transcend their inspirations and
create music which sounds truly original -- specifically, the heart-warming
strum-along of “I’m Happy To Be Here Tonight”, the ominous atmospherics of “Safe
And Sound” and especially the devastating closer “Low Light”, which slowly
builds up a feel of impending doom, eventually subsiding only for it to explode
in an orgy of white noise which seems to go on for ages; pummeling the listener
into a sweet submission.
Sometimes obscure, sometimes incredibly catchy, but
always an enjoyable listen; Hope Is Important remains, for me at least,
one of the best debut albums of the ‘90s.
1. You've Lost Your Way
2. Film for the Future
3. Paint Nothing
4. When I Argue I See Shapes
5. 4 People Do Good
6. I'm Happy to Be Here Tonight
7. Everyone Says You're So Fragile
8. I'm a Message
9. You Don't Have the Heart
10. Close the Door
11. Safe and Sound
12. Low Light

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