STONE ROSES
BACK
"THE STONE ROSES"
SILVERTONE RECORDS 1989
<TAKEN FROM Q
MAGAZINE>
THEY BEGAN AS
LEATHER-TROUSERED MANCUNIAN GOTHS, AND THEIR BARREN NAME ALWAYS SEEMED
INAPPROPRIATE FOR LEADERS OF THE LOVED-UP CHEMICAL GENERATION. THEY ENDED, AFTER
A DAFT FIVE- YEAR HIATUS, IN A WELTER OF DISAGREEMENTS, ACCUSATIONS AND THE
HUMILIATING REVELATION THAT SINGER IAN BRROWN COULDN'T CARRY A TUNE IN A BUCKET.BUT
FOR A BRIEF SPELL IN-BETWEEN, THOUGH, THE STONE ROSES SEEMED TO RULE THE WORLD.
IT REMAINS ONE OF MODERN POP'S MORE CURIOUS STORIES. FOUR DOUR LADS, GRINDING
OUT SUB-PEAR OF DESTINY, CLODHOPPING INDIE-ROCK, FALL IN LOVE WITH MDMA AND GET
FLUID, FUNKY AND FANTASTIC. THEY WRITE THESE MERCURIAL, TIMELESS ANTHEMS AND
BECOME SPOKESMEN FOR THEIR GENERATION ALONG THE WAY. COULD IT REALLY HAVE BEEN
SO EASY? IT COULD, IT WAS, AND 10 YEARS AFTER ITS INITIAL RELEASE, THE STONE
ROSES' EPONYMOUS DEBUT ALBUM STILL SOUNDS TREMENDOUS. THESE FEBRILE, SPECTRAL
SONGS HAVE AGED WELL. I WANNA BE ADORED REMAINS NIGH-ON PERFECT, ITS PETULANT
LYRICAL DEMAND FOR ADULATION LIFTED MY GARY "MANI" MOUNFIELD'S PORTENTOUS
BASSLINE, JOHN SQUIRE'S GOLDEN GUITAR SHIMMER AND ALAN "RENI" WREN'S -
GROUNDBREAKING, BACK THEN - FUNKY DRUMMER SHUFFLE. WATERFALL REMAINS IRIDESCENT,
SQUIRE PULLING OFF INSPIRED ARABESQUE SOLOS, AND THIS IS THE ONE IS THE BEST
SONG THE BYRDS NEVER WROTE. TELLINGLY, BYE BYE BADMAN AND ELIZABETH MY DEAR
PROVED THAT THE ROSES WEREN'T TOO LAZY AND BLISSED-OUT TO FORMULATE THEIR OWN
IDIOSYNCRATIC BUT LAUDABLY RADICAL POLITICAL AGENDA. THIS WAS PURE POP ALCHEMY
INDEED. THERE ARE BONUS SINGLES, ODDITEES AND VIDEOS THROWN INTO THE REISSUE
PACKAGE, BUT IT'S THE ORIGINAL DISC WHICH STILL FASCINATES. THE STONE ROSES
COULDN'T HOPE TO TOP THIS DEBUT, AND OF COURSE THEY NEVER DID. LOOKING BACK A
DECADE ON , IT REMAINS CLEAR THAT HERE WAS A BAND - AND AN ALBUM - IN A MILLION.
BUY IT FROM
HERE