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The Werkmare drummer descends into the crowd
"Um, I need that drumstick back, it's my ride home!
"





The Merchandise Rush Begins
All the tapes, CDs and photo sets don't go on sale til after the show... hence the crowd all attacking at once.
They're out on display during the whole 5 hour gig, they just can't be bought til the end. Why? Who knows!






The Extasy Records Train
Yoshiki's empire continues to grow...
did you hear the current prime minister likes X Japan? His wife says she'd catch him humming bits of songs around the house.






The Extasy Records Train, Again
Witha few chicks from the show inside
.





The Extasy Records Train Leaves the Station
See the yellow path? It's got raised bumps, like a Lego brick. EVERY sidewalk and subway station in Japan has one -- it was originally designed to guide the blind, but it also works if you're only drunk!

July 8
Sunday

The Piass and Werkmare

now playing: Death's Symbolic (1995?)

A couple weeks ago, Cameron emailed me and suggested reserving tickets for the Mad Family Tour show in Roppongi, which was 8 visual bands, all on Anarchist Records. That show was today.

I was gonna meet him there, but got there late, but as it turned out we bumped into each other just as he was coming out of the station. On the way to Y2K (the club hosting the event) we both shared our mutual distaste for Roppongi, which has a large concentration of foreigners, and a Las Vegasy sleaziness in the air. There's a thousand dance clubs in the area, and half the populous is in 24-hour-rave mode, looking only to get drunk or laid, wearing club gear and acting snobby. The station attendant I asked directions wasn't especially helpful (most are, but you could tell this guy spends a lot of time fielding stupid questions from drunk foreigners). Even the convenience store people were stand-offish; no smiles or sing-songy voices or anything. The invisible layer of sleaze-grime covered everything.

So we get to the club, pick up and pay for the tickets we reserved ahead of time (there was a good chance the place could've sold out). Then we hung out outside for an hour, because we had gotten there early, and the stupid club called people in in groups of ten. ("Numbers One through Ten... Numbers Eleven through Twenty... Numbers Twenty-One through Thirty..." etc. I was number 224, Cam was 221. After the guy hit 100, we went in (and got away with it because we're foreigners).

Cameron and 500 Lucky ladies
Actually, in this shot, Cam is glaring at this pervert dude (just off-camera) who was blatantly videotaping the jrock-ily dressed crowd of girls -- and the girls seemed aware of it but either enjoyed it or were too scared to do anything. So that's when I brought out MY camera!

Armed with our Y500 drink tickets (the show was Y2500 + Y500 for the drink ticket) we went to the bar. Cam orders his typical whisky... and he ends up owing another Y200 on top of the Y500 drink ticket! And the drink was tiny as hell! I get y beer, and it turns out I still owe another Y100 on top of the drink ticket... nothing on the menu was Y500... so why Y500 drink tickets? Just to make more work and confusion for everyone I guess.

Fortunately, a few of the acts were good; Werkmare was heavy, and so was The Piass... though I was surprised to see, after all the photos I've seen of them in magazines, that they band was kinda ugly! But they played a really cool show. A third band called Velvet Eden was very Malice-Mizery and kinda cool except for the Mana-esque singer who came out wearing a shirt and jacket on top and only leather panties and a garter belt below... I later saw him on the street, talking to some fans, dressed the same way, which didn't seem legal. They also wore big bat wings on stage, which, after the initial "ooh, bat wings!" goofiness, was kinda cool. The singer also talked a lot, and had the audience either mesmerized or laughing hysterically at his jokes.

Another band, only 4 months old or so, was called... well, I can't remember now but they were all 16 or 17, and apparently the guitarist was regarded as being exceptionally cute. The songs had no riffs, and the beats were and vocals weren't quite spot-on. So the songs weren't so good, but I don't think it mattered to the girls in the audience that surged forward. Apparently being the same age as your fans is a great way to start out, the lucky bastards.

Another band, whose name I didn't catch, did a very tight and catchy Limp Biskity set of hip-hoppy/funk metal. They were really good, but I just hate that style of metal! But they did it really well -- the guitarist was especially bouncy on stage -- and if they get signed and become famous the pessimist in me wouldn't be surprised. They were a little visual, but closer to some sort of sci-fi thing going (silver suits instead of black and purple!)

Each band did three or four songs, and the last song was always a 15-min sing-along type of deal... "1... 2... 1, 2, 3, Yeah!" The Piass made it slightly different by having each member of the band shout the "1... 2... 1, 2, 3, Yeah!", but having every band go on for at least five minutes with whatever repetitive riff they had was just a bit overkily. The crowd (300 20-year-old girls, 2 Japanese guys, and me and Cameron) seemed to enjoy though. Some intense headbanging going on for sure, I'll give those girls that much.

After the last band finished (the drummer ended the set by diving into the crowd, then diving into his drumset, and he must've hurt himself, because my god, he juts belly-flopped right onto the toms and went head-first into the snare, it was really funny), all the bands that had played came out on stage -- a few still in makeup, but some without. They then all sang and danced (Macarena-esquely) to some punk-sounding song called "Anarchy" -- that seemed to be the title anyway. It was cool in a look-how-much-fun-all-the-bands-are-having-together kind of way, although only the popular bands' members looked like they were having a good time.

All the Bands On the Stage
"Hangar 18... go!
"

After that, the bands all sold their merchandise; photo sets (which are apparently just 4x6 photographs -- nothing special like a postcard or nuthin') went for Y500 - Y1000, demo tapes for Y1000, and actual albums sold for Y3000. I passed on the Piass stuff, but picked up a couple of Werkmare demo tapes, mostly because the guitarist and drummer were hanging out behind the merch table and I wanted to say I enjoyed the show. Got one of the tapes autographed, too.

The whole shebang went from 6 to 11, and I took the Oedo line (which is new) home; the train cars, coolly enough were plastered with Extasy Records advertising -- a fact not missed by some of the girls from the concert.

And back home in Noborito, I hit the Yoshinoya-ish ("fast-food noodles and donburi") place (the only open past 11pm) and grabbed some gyudon, but only after breaking the ticket-machine into which customers are supposed to place orders. (You insert money, hit the item of your choice, a ticket and your change comes out, you hand the ticket to the guy behind the counter, and get your grub 60 seconds later. It's a lot like buying a train ticket.)

The Werkforce that I listened too was cool, but the Y1000 tape only had 2 songs, like the Y500 demo tape. Whadda whadda fucka?! Boo! Also, I hate using Kayo's tape machine, so from now on it's CDs or nuthin'!

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