"I look up at the girl on the screen...The girl's skin has blackened in the sun, and the face contracted as it mummified. She was kidnapped, raped, murdered. Jaime [Bailleres, photographer] explains that the newspaper refused to publish this photograph. I tell myself that a photograph is worth a thousand words. I tell myself photographs lie. I tell myself there are lies, damned lies, and statistics. I tell myself I am still sleeping. But she stares at me. The skin is smooth, almost carved and sanded, but much too dark. And the screams are simply too deafening."
....... - Charles Bowden, Harper's Magazine


"Nada Que Ver" (Nothing to See) was originally the name of a photography exhibit put on by Juarez street photographers, some of whom have photographed over 500 murders in the city. The phrase evokes a central theme in the media representations of these murders: invisibility, unknowability, uncertainties, mystery.

In this way, the hyper-visible, marked sites of gender, race, and class write through and on these images, bodily traces of the invisible, almost mythic murders.

the numbers:
"Official" numbers from various media sources, showing the uncertainties and un-see-ability of these cases.

"Through a Lens Darkly," a story in the Dallas Observer, features a web-only photo essay on the works of photographer Jaime Bailleres, and information on the "Nada Que Ver" exhibit.



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