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Varanasi
Diary Vol 1 ( 5 March 2006)
By
Dr
Manoj K C
A tribute to human labour

A rickshaw wallah solicits customers in central Lucknow
Our trip to Varanasi was a spiritually enriching experience
. But some thing very earthy still lingers with us after the trip and it is the
sight of the rickshaw wallahs of Lucknow and Varanasi. While in Lucknow there is
a mix of cycle rickshaws and auto rickshaws, in Varnasi it is the domination of
the former.
In Varanasi on the way to the famous river ghats , it is steady flow of
rickshaws like a stream right from early morning. It is a wonder how these man
hauled machines make their way through the crowded streets.
Perhaps some of the finest moments we cherish in the course of our journey can
be attributed to these machines... our early morning ride form our hotel in
Varanasi to the railway station and then through the crowded market place of
Charbagh in Lucknow and even when we had sizeable luggage on our final trip to
the Lucknow railway station .. it was right there and the luggage perfectly
fitted behind the seat in its open boot.
And they never overcharged .. leaving us wonder if they could meet the expenses
with such paltry sum..
Most of these poor human souls are impoverished and do not own their rickshaws
and ride them on lease. Cities like Delhi are planning to ease out their
miserable existence. In Jaipur organizations have come forward to raise micro
credit so that these daily wage earners can own their own machines.
So in Varanasi and Lucknow they will continue to be the cities' life line. I
would prefer to call their presence a tribute to human labour.
Varanasi
Diary Vol 2 ( 12 March 2006)
By
Dr
Manoj K C
In the land of Buddha

Buddha idol in the main shrine at Sarnath, radiating a contagious calm.
Our first visit on arrival in Varanasi was the Buddhist
town of Sarnath, located about ten kilometers north of Varanasi.
As you approach the place you get the feel of a quiet reclusive town with
Buddhist monks moving about. Its importance in that it is the first place
visited by Buddha after his enlightenment at Bodh -Gaya and he gave his
first sermon enunciating the gist of Buddhism to his five disciples, here at the
deer park.
Just walk among the remnants of the old Buddhist temples and monasteries ravaged
by the Mughal invasion and around the awe inspiring Stupa ( Pillar ) built by
emperor Ashoka in the third century BC. But the central attraction is the
Mulagandha Kuti Vihara, the shrine built by the Srilankan Buddhists in 1931 as
an exact replica of the original shrine destroyed by the invasion.
Entering the shrine you appreciate the broadness of this tolerant religion-or
rather philosophy. Just walk around gazing at the frescos on the wall depicting
the whole life of the Enlightened or spend moments in sheer oblivion if front
the Buddha idol- with that feminine grace and ethereal halo.
You can find people of all hues, from the different parts of the world here..
with varied approach to this
idol.. some marveling at the sculpture.. some cursory visitors and then a group
of deeply religious people standing in reverence and mediating, all under the
watchful eyes of a monk with the detachment of a Zen Buddhist Guru but stepping
in at the right moment to assert. So when a white lady leaves her juice can on
the floor of the shrine he politely but firmly asks her to pick it up to which
she obliges with apology.
Perhaps it this tolerance which makes this religion or rather philosophy
great and thrive.
Varanasi
Diary Vol 3 ( 15 March 2006)
By
Dr
Manoj K C
Pillar of
faith

The Dharma Chakra Stupa erected by emperor Ashoka is over
2300 years old and has with stood all the ravages of time. The memorial believed
to encase the mortal remains of Buddha is the most imposing structure in
Sarnath.
Surrounded by the ruins of monasteries and shrines, this stupa stands as
metaphor for the relevance of Buddhist tenets to our troubled times.
Varanasi
Diary Vol 4 ( 21 March 2006)
By
Dr
Manoj K C
Palace of opulence

Ornate balcony of the Ramnagar palace that faces the Ganga, basked in evening sun.
On our
way back from Sarnath we dropped in at the famous Ramnagar fort, now undergoing
hectic renovation works. This was the palace from where the king of Varanasi
once ruled. The palace has a wide courtyard where the Ram Lila celebrations are
held.
Inside
the fort you are impressed by the a vast selection of antique glassware, silk
costumes, chandeliers, palanquins and automobiles of the royal days on display.
What stands apart are the infinite collection of firearms on display leaving you
wonder whether the royalty was obsessed with wars to test out these wares.
As you
decide to walk out in disgust, you find an entrance leading to the balcony. The
tract goes all down beneath, giving the feel that you are approaching water.
Then suddenly you are in for that surprise
- a
balcony so ornate that you end up envying the gentry who were fortunate about a
couple of centuries ago to watch
the unpolluted Ganges in all its splendor from this vantage point. This terrace
has minor enclosures which enabled the royalty of different grades to watch the
sun setting over the mighty river.
At
distance form here one can spot the Rajghat bridge spanning the Ganges and down
stream are the famous holy river ghats.
Varanasi
Diary Vol 5 ( 23 March 2006)
By
Dr
Manoj K C
Juxtaposition
of two times

Another splendid view from the balcony of
the Ramnagar palace. A minaret of the balcony is virtually juxtaposed with the
mighty Rajghat bridge at a distance, spanning the Ganga river. A
rendezvous of tradition and modernity, but this time in perfect harmony.
Varanasi Diary Vol 6 ( 13 April 2006)
By
Dr
Manoj K C
Kashi,
the eternal city

The bustling Dashashwamedh ghat, the main ghat in Varnasi, in the early hours of the day.
Finally
we are entering the holiest city in India, Kashi or the luminous city or the
city of eternal bliss.
Bound by
the rivers Varuna and Assi, the Ganga forms a crescent in Varanasi, where the
ghats or the stony embankments have been erected.
It is
the only place where people come eagerly to die, for death here brings in
salvation with out intermediaries. Nearly forty thousand bodies are cremated on
ghats every year. In the final farewells elsewhere, the toll is taken by
Chithragupta, accountable to the lord of death,Yama.
But
death in Kashi assures direct access to the Rudra
- he descends on you, whispers the Tharaka mantra in your ear to ensure
instant salvation from the cycle of births and rebirths.
A
city divided deeply on caste lines, the tension between the upper caste priests,
the Pandas and the low caste Dhoms or the chandhalas engaged in burial, dates
back to centuries and is still palpable. Perhaps it is said that only three
areas are free of casteist domain in Kashi -music, wrestling and of course,
prostitution.
So, yes
Kashi is the city of death, but its is the city of life as well.A city bustling
with life yet so proximal to death. It is perhaps this contradiction that endows
this place with an eternal charm.
Well,
then what is the logic of instant moksha coming to those who die here?
The best
answer to this query has come form a couplet by Kabir Das , the Sufi saint poet
who lived in Kashi in the sixteenth century.
My whole
life was wasted in Kashi,
So when
death neared, I walked to Magahar.
sang the
poet.
Magahar
is a stinking Village near Kashi, which is famous for its leather and it is
believed that those who die in Magahar will be reborn as donkeys.
Moksha
if death in Kashi and rebirth as a wretched animal if you die in Magahar, and
the poet preferred the latter.
Perhaps
the saint intended not to denigrate Kashi but to drive home the point that
moksha comes by one's deeds( Karma) and not his place of death.
Varanasi
Diary Vol 7 ( 28 April 2006)
By
Dr
Manoj K C
Polluted yet pristine

A son performing early morning prayers in the Ganga at Varanasi, watched by his concerned mother. Perhaps it is the faith of millions of people like them that keeps this place going.
For the
believers the waters of Ganga in Varanasi is elixir or amruth,
which brings purity to the living and salvation to the dead. This is in
spite of the heavy pollution levels of its
waters. Despite more than two dozen sewers opening to the river and the remains
of the holy ablutions and the burnt bodies floating down the waters, devotees
find a holy dip here a birth's summation.
The
hundreds of pandas( priests) seated below the bamboo umbrellas on the ghats
perform the parikarmas for the kin of the devotees. If you are not fortunate
enough to die in Varanasi, the soul could be appeased by performing tharpan for
your beloved one here.
But our
experience in Varanasi showed that the spiritual pollution is far higher than
the pollution of the Ganga waters. This was evidenced by our visit to the Golden
temple of the Kashi Vishwanath.
It is
one of the high security shrines in the country were the devotees are let in
only after mandatory frisking. No cameras or mobile phones are allowed inside.
At the gate itself we were accosted by a young priest , who identified himself
as Raju panda. He led us through the narrow alleys of the temple shrine
narrating the legends connected to each place and telling us how fortunate we
were on our visit to this auspicious place.
At every
point of worship we were accorded special audience to the main priest there, who
virtually tempted us with blessings if we paid a higher amount. Before the
Annapoorna devi or the goddess of plenteous food, a panda unfolded a five
hundred rupee note before us, which he had received from another devotee, making
us known that it was the minimum change to get the blessings delivered. Frustrated
and suffocated we felt like fleeing the confines of the place which looked more
like an auction house.
Back to
our place we kept wondering about all these queries.
Does God
approve of a mediator for His devotees to reach him?
Could He
preaching egalitarianism, ever approve of these categorization based on lucre,
with in this holy shrine?
Are all
the deprived who seek the blessings with no material offerings condemned to go
back burdened with their sins?
Later
when the boat man Narayan who ferried us across the Ganga commented that the
Pandas or the priests are the most corrupting influence in Varanasi, we could
not think to differ with him." Give one lakh rupees to a priest to
propitiate the gods for you and he won't be satisfied and give ten lakh to him
and then also he won't be satisfied . There is no limit to the greed of the
priest folk here..", he added. His words were seething with anger towards
the a class who hoodwink the unsuspecting devotees in the name of the esoteric,
while people like him has to toil all day to eke out a living.
Varanasi
Diary Vol 8 ( 7 May 2006)
By
Dr
Manoj K C
Grandeur of the ghats

Manmandir ghat with its ornate architecture, on the banks of the Ganga.
The Ghats or the stony embankments that lead to the Ganga
are the facade of Varansi. From the Adi Keshava ghat in the north to the Asi
ghat in the south, there are in total eighty four ghats , each dedicated to a
caste, community or princely state. Kings form far south like the Vijayanagar
-kingdom came here to construct ghats so they could die in this sacred land. Some
of them like the main Dashashwamedh ghat are well maintained while others like
the Tulsi ghat dedicated to the sixteen century poet saint, Tulsi Das are
crumbling. Each ghat has a presiding deity in its name, thus Dashashwamedh ghat
has Lord Brahma as its deity. Two of the ghats- Harishchandra and
Manikarnika ghats are the cremation grounds. While it is inauspicious to have
the cremation fields with in the city limits, not so in Varanasi, where the
whole city of Lord Shiva is considered a Mahasmashan or the great
cremation ground for the corpse of the entire universe.
Among the various ghats one that stands out for its architectural grandeur is
the Manmandir ghat built in the eighteenth century for the Raja of Jaipur.
We asked our boat man cum guide, Narayan, who ferried us across the Ganga, if it
is possible to construct a new ghat as we are into sponsorship and corporate
culture, these days." Not possible." he said. " there is hardly
any space left.."
Varanasi
Diary Vol 9 ( 19 May 2006)
By
Dr
Manoj K C
Death demystified

Funeral pyres burning at the Harishcandra ghat where tormented souls are released from the ceaseless cycle of deaths and rebirths.
One of
the oft repeated quotes from the Katopanishad is the dialogue between Yama, the
lord of death and the young Nachikethas, yearning to learn the secret of death.
The lord
offers the youngster, sons and grandsons who would live up to a hundred years
and all the affluence that a life can afford. "But spare me from divulging the
secret of death," tells the lord.
But
Nachikethas is not at all impressed.He asks the lord to take back all the
endowments." How can we mortals rejoice
in these ephemerals with the face of death looming
large over us?".. he asks.
Varanasi
is a place were death is demystified. No more toll taking by the Lord of death,
Yama and his account keeper, Chitragupta. No uncertainty regarding what waits in
line for you in the cycle of deaths and rebirths.After a brief period of torment
inflicted by Lord Shiva's faithful attendant, Kalabhairav, the Lord himself
descends on you to whisper the " Tharaka manthra" the prayer of
crossing for the dead in your ear and you attain instant moksha or deliverance
from the samsara cycle.
There
are two cremation ghats in Varanasi, Harishcandra ghat and the Manikarnika ghat.
Of the two, the
more auspicious one is the Manikarnika ghat. Here the fire that lights the pyres
is believed to be form the Manikarnika kund, dug by Lord Vishnu with his discus,
at the time of creation.
When
Lord Shiva rejoiced , his earring fell in to the kund and hence this name.
The
other ghat is the public ghat called the Harishchandra ghat, where the fire is maintained form the time of King
Harishcandra. King Harishcandra served as a chandala under the Dhom King
Veerabahu.At these cremation grounds the corpses are dipped in the Ganga in a
ceremonial bath and pyres and made according to the size of the body.
The fire
for cremation is the right of the Dhomes or the untouchable guardians of these
ghats and they charge from few hundreds to thousands, depending on the capacity
of the deceased.
On our
way back from the ghats, we encountered a funeral procession. A small frail body
was being carried on a make shift bamboo frame, with the ceremonial chants.
There were grim faces around but no one was obviously grieving. When your dear
ones attain moksha and travel to the other world, there is no room for any
grief.
Death is
not a matter to be mourned in Varanasi.
Varanasi
Diary Vol 10 ( 29 May 2006)
By
Dr
Manoj K C
Obeisance to mother Ganga

The evening Ganga arathi at the Dashashwamedh ghat, where hundreds have gathered to pay obeisance to Goddess Ganga.
Every
morning and evening, in a spiritually charged atmosphere devotees and visitors
gather at the Dashashwamedh ghat in Varanasi to participate in the divine Ganga
arathi, conducted under the aegis of a non - governmental organization, Ganga
Seva Nidhi, to promote peace, prosperity, harmony and above all to create
environmental awareness. Venerating mother Ganga as a goddess, arathi is
performed and bhajans rendered. The ceremony holds a mesmerizing charm over its participants. We
took part in the evening arathi on two successive days and found the experience
spiritually enriching.
The
Ganga Seva Nidhi is committed to keep the city and the Ghats clean and eco-
friendly and has vowed to promote three gahts- Dashashwamedh, Prayag and the Dr.
Rajendraprsad ghats as the ideal ones.
In this
land were religious tourism is the main stay of the local population, efforts by
an organization to preserve the ecological balance are really praise worthy.
Varanasi
Diary Vol 11 ( 12 June 2006)
By
Dr
Manoj K C
Ganga at dusk.

A hectic day has come to an end at the ghats. After a day's brisk business the boatmen are busy mooring their boats to the shore.
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