Theatre of ancient Greece

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The Greek theatre' (AE theater) or Greek drama is a theatrical tradition that flourished in ancient Greece between c. 550 and c. 220 BC. Athens, the political and military power in Greece during this era, was the centre of ancient Greek theatre. Tragedy (late 6th century BC), comedy (~486 BC), and satyr plays were some of the theatrical forms to emerge in the world. Greek theatre and plays have had a lasting impact on Western drama and culture.

The origin of western theatre is to be found in ancient Greece. It developed from a state festival in Athens, honoring the god Dionysus. The Athenian city-state exported the festival to its numerous allies in order to promote a common identity.

The drama performances were important to the Athenians - this is made clear by the creation of a tragedy competition and festival in City Dionysia. This was organized possibly to foster loyalty among the tribes of Attica (recently created by Cleisthenes). The festival was created roughly around 508 B.C.

After the Great Destruction by the Persians in 480 BC, the town and acropolis were rebuilt, and theatre became formalized and an even more major part of Athenian culture and civic pride. This century is normally regarded as the Golden Age of Greek drama. The centrepiece of the annual Dionysia, which took place once in winter and once in spring, was a competition between three tragic playwrights at the Theatre of Dionysus. Each submitted three tragedies, plus a satyr play (a comic, burlesque version of a mythological subject). Beginning in a first competition in 486 BC, each playwright also submitted a comedy.

Aristotle claimed that Aeschylus added the second actor, and that Sophocles added the third actor. Apparently the Greek playwrights never put more than three actors on stage, except in very small roles (such as Pylades in Electra). No women appeared on stage; female roles were played by men. Violence was also never shown on stage. When somebody was about to die, they would take that person to the back to "kill" them and bring them back "dead." The other people near the stage were the chorus which consisted of about 4-8 people.

Although there were many playwrights in this era, only the work of four playwrights has survived in the form of complete plays. All are from Athens. These playwrights are the tragedians Aeschylus, Sophocles, and Euripides, and the comic writer Aristophanes. Their plays, along with some literary sources such as Aristotle, are the basis of what is known about Greek theatre. Because of this, there is much that remains unknown about the theatre in other Greek City-States.

There were several scenic elements commonly used in Greek theatre:

  • machina, a crane that gave the impression of a flying actor (thus, deus ex machina).
  • ekkyklema, a wheeled wagon used to bring dead characters into view for the audience
  • trap doors, or similar openings in the ground to lift people onto the stage
  • Phallic props were used for satyr plays, symbolizing fertility in honor of Dionysus.