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TONE
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The tone is the defining point of an individual's "playing
personality". What is generally considered to be a good tone is clear, dark, and rich in "color". "Bright" sounds are shrill annoying and generally unwelcomed by the non-flautists sitting around you in orchestra or band. The key to good tone is breath support and embouchure setting.
Follow the diagrams for a better look...
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This picture taken from The
Gilbert Legacy shows the correct embouchure, not too tight, and not in the common "smile" form. This embouchure makes playing fast passages with a good tone quite easy. |
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This picture shows the incorrect "smile"
embouchure. This embouchure isn't as flexible, making passages that skip between octaves quickly rather difficult to play. It will also produce either a harsh or airy tone, depending on other variables such as breath support (there are those words again!) and air speed. |