MARS IN LEO WHERE the fire of Mars burns brightly, he obliterates
minor distinctions. The Sun is, himself, fire; in fact, Mars is but the fiery part of the
Sun, so that Leo is as favorable to the development of Mars as even Aries; indeed, more
so. For the solar influence tends to balance, breadth, and fullest development in the
fiery impulses; Aries is, as it were, too martial to be the highest good for Mars.
We shall find as a rule, therefore, people with less passionate intensity of action,
but with wider sympathies, than we found in Aries. Of course, in some cases Saturn's
influence may override this; one cannot expect a person intensely narrow and selfish to
act in accordance with sentiments better illustrated by Jupiter. Yet, all things
considered, his method will be broader than had Mars been in Aries.
In the horoscope of General Boulanger, Mars is very strong; but the square of Saturn in
Scorpio produces a certain restraint which proved fatal. This square should not have
worked so badly had Mars been in Aries and Saturn in Capricornus.
George Eliot has a most noble and beautiful Mars, trine to the Sun and Venus; it lent
force and fire to a rather cramped and disappointed ego. (Her Saturn is sextile to the
Moon and square to Uranus and Neptune, implying melancholy). Hence the brilliance and
color of her work is objective; the expression is more genial than that which it
expresses.
Lily Langtry has Mars in the tenth house very powerful, but squared by Uranus. It is
not the important complex. A certain amount of scandal is implied; but the dominant
position and generous Zodiacal situation of Mars tend to make this innocuous. The scandal
is so big that it becomes a negligible factor.
Lord Brougham, again, a man of a most acrid and vitriolic spirit, had Mars in Leo to
thank for his breadth of action. He could not (luckily for him) express himself in mean
ways.
William Blake is an example of the other side of the picture. Here we find the most
tremendous development of the higher faculties, but no adequate and equal disposition of
Mars, which, besides being in this exuberant and generous sign, is squared by Mercury.
Hence his failure to realize practically his immense conceptions. {333}
Herbert Spencer, on the other hand, has a grand Mars with Saturn trine and the Sun
Square. Here is great wisdom combined with great activity, steadily forcing the idea upon
a reluctant world, by open and honest methods, and indomitable courage, pluck, and
perseverance. The square of the Sun implies opposition, and gives some threat to the
health.
Another great-hearted and successful man was General Grant, whose generous action at
Appomattox is altogether characteristic of this Mars in Leo position. Lord Lytton is a
similar case of great success won by geniality of action.
The warmth and persuasiveness of the eloquence of Cicero may also be put down to the
Leonine position of Mars which is approaching conjunction with Mercury. The square of
Jupiter and Saturn accounts for the polemical character of much of his writings and
speeches; but this has nothing to do with the method, which remains as a model of grace
and vigor.
Caesar Borgia, by contrast, has Mars in conjunction with Saturn, in opposition to
Jupiter, and square to Uranus, with no help but the sextile of the Sun and the
semi-sextile of Venus. This tends to mask the Leo influence; however, we still see it to
some extent in the range of his action; in the pride and splendour with which he
worked.
Edward VI of England, on the other hand, has Mars approaching an opposition to the
Moon, square to Jupiter, and in conjunction with Uranus, with only the trine of Neptune to
counter balance these misfortunes; and yet we see the Leo influence on Mars still peeping
through in the shape of those qualities which make kings lovable. And as he was the
best-loved king, save Coeur-de-Lion and Henry the Fifth, that every ruled England, so was
James II the most hated. Here Mars was rising, alone in the horoscope without any
important aspects. There is no complex of importance in the whole heaven; Mars was
therefore free to rule the life; and here we must argue that Leo only brought obstinacy
and haughtiness into the method. The Sun, lord of Leo, is in Scorpio, badly aspected by a
conjunction of Neptune and a square of the Moon; and, as Leo is rising, the influence is
all the more evil.
The vivid warmth and generosity of Turner's method of painting is also very
characteristic, though, happily, of this position. Here Mars is square to the conjunction
of Jupiter and Venus, and this {334} appears to have given the force and directness which
is the wonder of his technique.
Benjamin Disraeli is a great example of this Leo effect on Mars. His eccentricities
were all of a gorgeous order; and he made them part of his career, of his method of
influencing his contemporaries. Mars being also lord of the Ascendant, of course made this
tendency inevitable.
Lord Wolseley is a case of the exuberance of this position of Mars. He was too
good-natured and too popular to become a Napoleon. Neptune, too, is in opposition, which
would tend to thwart the material benefits of Mars.
The strength of the Mars of Madame Steinheil is enormous. It is not only semi-sextile
to Uranus and sextile to the Moon, but also trine to the Sun, Neptune, Mercury and Venus
on the one hand, and to Saturn on the other. Here is a tremendous complex of eight
planets, which stamps her with the very hall-mark of success. But the Leo influence still
shines in her method; whatever she might do, she would give a sunny smile, and "get
away with it."
One is at first heartily surprised to find Robespierre in this long list. But a little
investigation soon clears away the difficulty. Mars is in the sixth house, conjoined with
Neptune, and square to the Sun. The trine of Jupiter seems here merely to make him
effective. Now, Saturn rising and lord of the Ascendant is, with his aspects, the key to
the horoscope, and there is no relation between him and Mars. So we see that, after all,
the method of the man was totally distinct from his purpose. And what was that method? Leo
all over! Big, frank, open talk, generous sentiments, noble aspirations, the phraseology
of a Mazzini or a Lincoln! It is an admirable illustration of the "mask" in
astrology. Had Saturn and Uranus aspected Mars, all these sentiments would have been
genuine.
Rosa Bonheur is excellent for our purpose. Mars rising, trine with Saturn, is a great
influence upon her for masculinity and force. But see how Leo operates to make this
generous and frank and noble. In Aries, we should have had a person of far more push and
with no qualities so lovable. For one does not class her as a "mannish woman,"
but as a great-hearted, loyal comrade and friend.
Much geniality is evident in the method of the late J. Pierpont Morgan. He was indeed
the Napoleon of finance; there was nothing {335} underhanded, sly or treacherous about his
ways; and he was interested in many things beyond his business. The conjunction of Jupiter
accentuates this tendency.
Similarly genial, but not so effective, is the Mars of W. B. Yeats. Here Neptune is
trine, and Venus square, neither of great help to the practical side of Mars. It is an
admirable picture of the easy openness of his method, both in art and in life. With Saturn
trine, instead of Neptune, he might have been as austere as Blake, and as successful as
Maeterlinck.
The glow and riot of Swinburne's early verse is also to be attributed to this position
of Mars. Once again we must insist that we refer to the actual technique, not to the
matter or the manner. With Jupiter conjoined, Mercury and Venus trine, and Neptune in
opposition, we can well explain the rhythms with which he enriched the English
language.
For the benefit of those who are not in possession of Raphael's Ephemeris, or who are
not able to interpret the symbols contained therein, the years when Mars is in the sign
Leo are as follows:
From August 24th through October 10th 1840
August 5th " September 20th 1842
July 16th " August 31st 1844
June 28th " August 13th 1846
June 7th " July 25th 1848
May 15th " July 5th 1850
October 24th 1851 " February 3rd 1852
April 6th " June 11th 1852
September 23rd " November 16th 1853
March 23rd " April 27th 1854
September 1st " October 19th 1855
August 12th " September 27th 1857
July 24th " September 8th 1859
July 5th " August 20th 1861
June 16th " August 2nd 1863
May 24th " July 13th 1865
November 26th " December 7th 1866 {336}
From April 26th through June 21st 1867
October 2nd " December 5th 1868
February 1st " May 22nd 1869
September 9th " October 28th 1870
August 19th " October 5th 1872
July 31st " September 15th 1874
July 12th " August 27th 1876
June 23rd " August 9th 1878
June 2st " July 20th 1880
May 8th " June 30th 1882
October 15th 1883 " June 4th 1884
September 17th " November 8th 1885
August 27th " October 13th 1887
August 7th " September 22nd 1889
July 20th " September 4th 1891
June 30th " August 15th 1893
June 11th " July 28th 1895
May 18th " July 8th 1897
October 31st 1898 " January 15th 1899
April 15th " June 15th 1899
September 27th " November 22nd 1900
March 2nd " May 10th 1901
September 5th " October 23rd 1902
August 15th " October 1st 1904
July 28th " September 12th 1906
July 8th " August 23rd 1908
June 19th " August 5th 1910
May 28th " July 16th 1912
May 2nd " June 25th 1914
October 8th 1915 " May 28th 1916
September 12th " November 1st 1917
August 23rd " October 9th 1919
August 3rd " September 18th 1921
July 16th " August 31st 1923
June 26th " August 12th 1925
June 6th " July 24th 1927
May 13th " July 3rd 1929 {337} |