American
Romanticism
1800-1860
Romanticism is "a journey away from the
corruption of civilization and thelimits of rational thought and toward
the integrity of nature and the freedom of the imagination."
The Romantic Sensibility:
- Romanticism is
the valuing of feelings and intuition over reason.
- Began in Germany in the late 1700s, were it
heavily influenced the arts until the nineteenth century
- began in part as a reaction against rationalism,
which tried to reason away the problems in society
- Life in the City:
- in permanent tenements, building might
house four hundred families
- city streets were littered with horse
droppings--even with the carcasses of deceased animals
- disease was so common place, in 1832,
a cholera epidemic killed as many as 100 people per day in Manhattan
- there were 20,000 homeless children on
the streets of New York, most of whom died before they were twenty
- crime and violence were a part of life
- the Romantic mind saw poetry as the highest
and most sublime embodiment of the imagination--in America, this took
the form of finding an experience in nature, away from the horrors
of the industrialized world
Characteristics of American
Romanticism
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- values feeling and intuition
over reason
- places faith in inner experience
and the power of the imagination
- despises the artificiality of
civilization and seeks unspoiled nature
- prefers youthful innocence to
educated sophistication
- champions individual freedom
and the worth of the individual
- contemplates nature's beaurt
as a path to spiritual and moral development
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- looks backward to the wisdom
of the past and distrusts progress
- finds beauty and truth in exotic
locales, the supernatural realm, and the inner world
of the imagination
- sees poetry as the highest expression
of the imagination
- finds inspiration in myth, legend,
and folk culture
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Romantic Escapism: From Dull Realities to
the Oversoul
- Romantics wanted to find a higher truth, or
meaning in life above the "dull realities"
- two principal schools of thought existed in
achieving this escape:
- the "natural" escape
- finding exotic settings of the past
(ancient Rome, Greece, and even pre-colonial America)
- in a world far removed from the "grimy
and noisy industrial" age, sometimes a supernatural realm,
such as Nirvana, Utopia, or Xanadu
- the Romantic, who views the modern
world as inherently ugly and lifeless, attempts to escaped
into a perfect world
- often, this other world can be seen
as an escape into human imagination, an exploration of the
human mind
- the contemplation of the natural world
- the Romantic sees a commonplace
object or event, such as a flower, tree, or rock in a pastoral
setting
- the literal sight brings contemplation,
which leads to deeper "vision"; hopefully, this
is an "insight" into the human soul, and awakening
of the mental landscape
The American Wilderness and the Romantic Hero
- American literature faced the opposition of
the sophisticate, civilized world
- Europe was settled and orderly, while America
was unmapped, and boundless
- Europe lent itself easily to the ordered role
of the Rationalist Hero, while America invited the Romantic Hero
- America gave the Romantics a literal "geography"
for the imagination
- The American Romantic Hero was a "country
bumpkin"
- The American Romantic Hero took strength from
innocence; he was not corrupted by the sins of the industrialized
society; his fortune was an adventure waiting to unfold, and not a
destiny to be accomplished within the social confines of the industrial
world
- Paul Bunyan
- Johnny Appleseed
- Rip Van Winkle
Characteristics of the American Romantic
Hero
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- is young, or possesses youthful qualities
- is innocent and pure of purpose
- 'has a sense of honor based not on society's
rules, bu on some higher principle
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- has a knowledge of people and of life
based on deep, intuitive understanding, not on formal learning
- loves nature and avoids town life
- quests for some higher truth in the natural
world
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The American Fireside Poets
- While novelists sought to create a new, unique
American Voice, the poets sought to disprove the stereotype of Americans
as rustics
- the Fireside Poets tried to use European Conventions
to show this point
The Fireside Poets
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- Henry Wadsworth Longfellow
- John Greenleaf Whittier
- Oliver Wendel Holmes
- James Russell Lowell
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- called the "Fireside Poets"
because their poems were often read aloud the the fireside as
family entertainment
- also were called the "Schoolroom
Poets," because their poems were memorized in American
classrooms for many years
- While looking to literature of the past
for convention, used topics such as love, patriotism, nature,
family, God, and religion
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