| Plot Synopsis : In
the middle of the 19th century, the era of Shogun
rule in Japan is nearing its end. Corruption in
the government and warring between the factions
vying for power have facilitated the rise of
powerful Ninja clans, making use of lethal skills
and mystic arts to attain their goals. But not
all ninjas are evil--some are noble men, but are
also apt to be manipulated by the clans they
serve.
In this world, we are introduced to Jiro, a
young child found by the river and raised by a
kind woman and her daughter. However, the only
family Jiro has known is murdered, and Jiro is
chased from the village as a parent-killer. Jiro
is left with nothing but the dagger he found by
the body of his foster mother--the Dagger of
Kamui. Taken in by Tenkai, the head of a powerful
ninja clan and a an evil Buddhist monk, Jiro is
first allowed to take vengeance on his family's
apparent killer, and then trained in the ways of
the ninja by Tenkai and his minions. However, as
he reaches maturity, Jiro realizes what kind of
organization he has been taken in by, and vows to
stop them in their apparent plan to take control
of Japan. Jiro flees the ninja and begins seeking
not only a way to combat Tenkai and his minions,
but the truth about himself and his parents.
Hounded by Tenkai's underlings and tormented by
fate, Jiro begins his quest armed only with the
mysterious Dagger of Kamui and a legend about
Kamui, a mystical mountain somehow connected to
both the dagger and Jiro's past.
Jiro's journey takes him through the islands
of Japan, across the sea to the wild west of
America, and back again. Along the way he
encounters many memorable characters, including
Oyuki, a female ninja with a connection to Jiro's
past and Jim, a slave that Jiro takes in. But in
the end, it will come down to whether Jiro has
what it takes to stop Tenkai, his plans, and his
manipulations of Jiro's life.
Review :
The Dagger of Kamui is
one of the true classics of anime. On top of
that, I would go so far as to say it is the
ultimate ninja movie. It deserves this
distinction not because of the number of limbs
hacked off (not to say that there aren't any),
nor due to the amazing feats of stealth performed
by the too-cool-for-words hero and his
adversaries (don't worry, there are some of
those, too), but because it gives the ninja a
human face. The characters in this movie have
depth and motivations beyond just cutting up the
bad guys (or good guys)--they are more real than
the stereotypical heroes and villains, and the
lines between good and evil are blurry enough to
make things interesting. I won't go so far as to
say the characters and plot of the Dagger of
Kamui are thought provoking, but they are at the
very least complex and well thought out--you may
have to watch twice, or at least pay very close
attention, to get everything.
The plot of this one is quite a bit different
from most ninja movies; it may be detailed, but
that's not to be confused with convoluted, with
random twists and turns--the story is based in
reality, intricate, and laced together quite
well. It does hinge quite heavily on coincidence,
but the whole story has an air of fate and
mysticism to it that makes it seem believable.
Along the same lines was the use of magic in the
story: there was never really anything that you
would call magic per se, but there are a number
of characters who use illusions (very
artistically rendered ones, at that) that seem
supernatural, at least in the way they're
presented to the viewer, although whether they
actually were is open to some interpretation. In
any case, I thought it worked quite well by
maintaining a recognizable reality, but allowing
for a hint of mysticism on occasion.
The plot as a whole has a very epic quality to
it, which is another reason that this deserves
the crown among ninja movies. The story isn't
artificially epic--the fate of the world isn't at
stake (though the future of Japan is), and there
are no demon invasions to be found. What there is
is a sense of greater purpose missing from many
heroic stories, and a sense of the grand scale
that the world of the last century had to its
occupants. Speaking of which, it's quite strange
to think of a ninja hanging out in the wild west,
but the periods were in fact simultaneous, and
this is probably your only chance to see it
happen (with a serious face, anyway). The movie
also has the length and pacing of a proper
Japanese-style epic--it is quite long, and the
pace is pretty leisurely, particularly by ninja
movie standards. The slow pace will definitely
put off some people, but as long as you're
patient enough to let the story unfold, you'll be
treated to a grand tale. Keep in mind also that
this is still the era of Japanese honor and stoic
silence--an awkward pause or thoughtful silence
can be a legitimate replacement for dialogue.
Don't take all this to mean that the Dagger of
Kamui is devoid of action--it most certainly
isn't. In fact, this movie has some of the most
beautifully rendered violence of any movie I've
seen. That may seem like a contradiction in
terms, but most of the action scenes--which
definitely don't shy away from ninja movie
gore--are animated in a style that seems almost
like a dance or some kind of semi-abstract art
(particularly the illusory battles mentioned
above). That may be a slight exaggeration, but
suffice it to say that the action scenes are done
in a stylized, "arty" manner, while
they still manage to look like action--they
aren't totally robbed of their gore or realism.
At the least, this movie has, without question,
some of the coolest throwing stars of all time.
If you don't go for gory action, you might be
pleasantly surprised by what this movie has to
offer, and if that is your thing, you might well
like what you see, too. Basically, the blend of
action and art seems to succeed on both levels,
which is rarely achieved. Action aside, the
animation as a whole is very well done,
particularly for a movie this old, with lots of
artistic flourish (look at the flashing of the
blade in the opening chase sequence, for
example). Again, battles aside, the art also has
a distinct look to it, and the character designs
are distinct and stylized. The backgrounds are
subtle, but quite well done, and there are a few
distant battle scenes that are worth a long look.
Although there is a dubbed version (two in
fact), AnimEigo only released a subtitled one,
and that's all I've seen. The acting is quite low
key for the most part, but is well done, and keep
in mind that not saying anything (even in
animation) is meaningful at times, particularly
in 19th century Japan. All of the main characters
are acted very well, and the voices are distinct
without being exaggerated. Note also that the man
behind Jiro's voice is well known for his live
action roles, and this was the only time he ever
did animation. The music is worth a mention; much
of the movie is quite quiet, but the background
music is very unusual. A combination between a
sort of tribal chanting, heavy drums, and a more
modern beat. Though different from the swelling
orchestral themes you'd expect to go with an epic
story of this scale, it fits quite well with the
visual style of the action, and the silence in
the remainder is well suited to the mood of the
production. The end theme, a semi-modern,
semi-folk song, is very pretty as well, and worth
watching the credits for.
To sum all that up, the Dagger of Kamui is not
only an anime classic, but probably the greatest
ninja epic ever filmed, and a fine movie in its
own right. The characters and plot are deep and
intricate, and the story is told on a grand scale
that is rarely successful in movies of its kin.
The art and animation are equally well done.
Don't come looking for mindless action, and be
prepared for the length and slow pace, but if you
like Japanese history, ninja movies, or just a
great story, you will almost certainly enjoy this
movie.
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Production Notes : An older but
very high budget theatrical movie produced by the
great Haruki Kadokawa. Note that, although the
movie was filmed in TV aspect ratio, it was in
fact a theatrical release. The lack of
letterboxing isn't due to some oversight at
AnimEigo.
Note also that this is one of AnimEigo's first
releases, but there seems to be two other
versions of it floating around, each by a
different company. One is a full-length dubbed
version called "The Blade of Kamui".
The other is a different dubbed version released
under the name "The Sword of Kamui"
which apparently had about an hour of the movie
cut out and somehow added an alien invasion to
the plot. I have seen neither, but I'd guess that
the latter ranks among the greatest anime
travesties of all time (though I do have to
wonder what kind of creative dubbing they
employed to get aliens into 19th century
Japan...).
Rates :
-5- I have trouble imagining a
better ninja movie.
Genre :
Historical Ninja Epic (Drama)
In It :
Sword Fights
Artistic Bloodletting
Surreal Illusions
Mass Combat
Chases (a great opening sequence)
Tragedy
Break Down :
Has mature themes, but probably wouldn't rate
more than a PG-13, based mostly on the violence.
Violence:
3--Not gratuitous, but still quite violent.
Nudity:
2--A couple of brief scenes.
Sex/mature themes:
1--Implied romance only.
Language:
1--Not noteworthy.
Availability :
Translated by AnimEigo
Available on subtitled VHS and subtitled LD,
probably released on DVD.
AnimeNation and RightStuf
probably both have this video if you want to buy
it.
Cast :
Jiro: Hiroyuki Sanada
Tenkai: Gentaroo Ishida
Oyuki: Mami Koyama
Hanzoo Tokachi: Takashi Sotoyama
Captain Drasnic: Takashi Ebata
Tarouza: Michio Hasama
Oyaruru: Masako Ikeda
Chiomapp: Mitsuko Horie
Chico (Julie): Yuriko Yamamoto
Shouzan Andoo: Ichiroo Nagai
Sanpei: Takeshi Aono
Koozunosuke Oguri: Hidekatsu Shibata
Mark Twain: Iemasa Oyumi
Elder: Shiroo Amakusa
Sam: Kazuyuki Sogabe
Shingo: Kaneto Shiozawa
Uraka: Naoki Sugimoto
Genjuuroo Fujibayashi: Mikiko Terashima
Iga Chief: Kooichi Kitamura
Indian Chief: Yasuo Muramatsu
Tooami no Magoroku: Yasuroo Tanaka
Tsuyu: Yoshie Asai
Sayuri: Tomiko Suzuki
Jakal: Ryooichi Tanaka
Kinsaku: Masato Hirano
Magohachi: Kazumi Tanaka
Goldgun: Kazuo Oka
With: Fukunaga Eiichi, Hiroshi Endoo, Hiroko
Emori, Hidehiro Kikuchi, Jun Takeyanagi,
Yuuichi Kanemaru, Naoko Taniguchi
Okinba: Ryuudoo Uzaki
Shinban no Kikusa: Eitetsu Hayashi (Special
Apperances)
Crew :
Screenplay: Mamoru Mazaki
Director: Taroo Rin
Art Director: Takemura Kurao
Music: Ryuudoo Uzaki, Eitetsu Hayashi
End theme sung by Noriko Watanabe.
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