copyright 1999
Other than the obvious, how else can you benefit from belonging to a critique group? Well it really depends on the members in your group.
Publishing Hurdles
I've belonged to groups where all we did was tell each other what was wrong with the material, but really didn't focus on much else. Still another group, compiled of authors working on several different genres, we did a lot of back-patting, but because we were green, and weren't reading each others genres, there really wasn't much growth. Still another group, again compiled of different genres, we concentrated on the mechanics, and also the characters. Yet, in all these groups, I gained a new perspective on the art of creative writing. Everyone brought with them a story to tell regarding their own struggles up the publishing ladder - whether they were published or not. By exchanging "war stories" we were able to help each other over yet another publishing hurdle. For example, one member wanted to write a romance set during the American Revolution. Another member had heard that particular era was not popular with editors or readers right then. Still another member wanted to write a Love and Laughter, but confusing rumors circulated as to what L&L was looking for. One critique partner was able to put her in touch with two published L&L authors, which helped answer her questions.
Brainstorming
My absolute favorite critique group use, especially when you have some very creative brains in your group. With brainstorming, a writer can bring in a plot outline, a synopsis or a character snapshot and ask the group questions- With everyone throwing out suggestions, sparking ideas off one another, the writer's plot problems can be solved before she's knee-deep in the story. Use a tape recorder for these sessions. I've had experiences where one member saw something wasn't working in my material, made a suggestion that sparked yet another idea off another group member. The brainstorming session became wild with ideas, and if I hadn't had my tape recorder going, I probably would have lost much of it.
Tough Skin
Learning to "take it on the chin" and keep writing is one of the requirements for being a published writer. It prepares you for criticism from your editor or agent. Or readers.
Believe in Yourself
The object of critique is not to change or modify each other's voice or writing style. Be aware of the urge to try and manipulate one another into your own style. Each writer is unique and it is to your individual credit to learn from each other's style. The most valuable part of any critique group will be your exposure to different styles. Some writers write real plot-driven stories, other write action-paced stories. Some do real introspection, others character-driven stories. It is to your benefit to be open and learn from your critique partners. But always remain true to yourself.