CRITIQUE CHECK LIST
by Kim Kozlowski
Copyright 1999
1. Manuscript should be in exact format, as if ready for submission to an editor.
- A) Margins 1" for synopsis, 1-1/4" all around for manuscript.
- B) Paper 20lb bond
- C) Type face (Courier, Times Roman) is 12 font, dark and legible
- D) Manuscript is double-spaced
- E) Title appears in top left comer of every page
- F) Author's name and page number appears in top right of every page
- G) Pages are consecutively numbered
- H) Right margin is unjustified
- I) Paragraphs indented
- J) Three stars or equivalent separates transposition scenes
2. Telling the story
- A) Did author s first sentence "hook" you? (Grab the reader by the throat with a startling statement).
- B) Does story open in the middle of an action scene? (Thrust reader into the middle of what is happening now! Explain how character got there later.)
- C) Is at least one main character introduced, before any minor characters? (The first character you read must be a major, not minor.)
- D) Did author provide a sense of time, of place? (As opposed to a white - sterile setting. Think imagery. Use 5 senses.)
- E) If author used a prologue, was it necessary to be presented that way or could the facts have been sifted through the story?
- F) Did author use a lot of flashback material in the first chapter? (Bad news-flashbacks slow reader down. Go forward!)
- G) Do you have a sense of the hero and heroine's goals, motivations and conflicts early in the story? (Are you still guessing at the end of chapter one?)
- H) Has author revealed the answer to story teasers and secrets too soon? (If you know the secrets and how the protagonist is going to react, why read further?)
- I) Conflicts: Are they strong enough? Believable? Conquerable? (Can they be solved simply by talking it out?)
- J) Are character s likable? Believable?
- K) Does each chapter end with a strong hook? (If reader can put book down, they may not pick it up again. The trick is to keep them reading.)
- L) Every scene should divulge new information to the reader.
- M) Chapter 3 hook is very crucial, especially when sending a partial to an editor.
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