The Coastal Connection

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Volume 11 Issue 10                           RWA® Chapter 108         November/December, 2003

 

 

 


 FCRW’s 2003 Board of Directors                                     

President: Kat McMahon (407) 857-8644

Vice-President: Pamela Cross (904) 824-4333

Secretary: Shannon Juliao (904) 321-0419

Treasurer: Donna Owens (904) 215-6036

PAL: Vickie King (904) 260-6401

Membership: Cheri Anne Brodeur (352) 384-0790

Newsletter: Cheri Clark (386) 758-7935

Historian: Tara Greenbaum (904) 220-7664

 

From The Editor

By Cheri Clark

 

Thanks to all of you for your support with the newsletter. I couldn’t do it without you. Last year I received the Membership Service Award for my newsletter work. I was honored, and now embarrassed that I haven’t lived up to the recognition. It’s been a rough year, yet you’ve been patient and understanding.

 

Heather Waters also deserves credit for the creative presentation of the newsletter on the website. Thanks, Heather, for making me look good. J

I promise next year will be better.

 

I wish you and yours a safe and joyful holiday season.

 

                                                Cheri

 

HAPPY BIRTHDAY FROM FCRW!

November birthday:

29th   Rebecca Andrews

December

4 Marge Smith

6 Laura Barone

8 Julie Smith

10 JoAnn Faust

13 Barbara Whitaker

15 Janene Eberle

 

HUGS AND KISSES

 

KISSES to Alesia Holliday for the sale of her first romance novel to Dorchester. AMERICAN IDLE, will be a September 2004 release. Congratulations!

 

KISSES to Judy Peters, whose debut novel, A Father’s Hope, was the top selling book for Wings for the month of October!

 

KISSES to Elizabeth Sinclair on the recent interest by Writer’s Digest in The Dreaded Synopsis. Our fingers are crossed for you! Also, she’s been invited to submit a single-title mystery to Zebra. Good luck!

 

KISSES to Sue Sweet. Her feature at the Romance Studio won Feature of the Month for October, making her eligible for Feature of the Year!

 

HUGS and condolences to: Cheri Clark on the death of her mother; to Donna Owens on the death of her close friend.

 

HUGS to Sue Sweet, who’s recovering from illness.

 

Please send your HUGS & KISSES and other member news to Cheri Clark by, December 21,2003 for the January issue of the newsletter.

 

MESSAGES FROM THE PRESIDENT(S):

Dear FCRW,

This is your last Presidential message from me. ( Please sit down and stop cheering!!!!! ) 

I'd like to take this opportunity to welcome our incoming board,  I know FCRW is in for a great year with Marge at the helm and Heather as her co-pilot.  I would also like to thank E.J. Miller for stepping in a secretary as I know she will do a terrific job.  To round out the executive board we have Pam sliding into the treasurer's position and Dolores as Membership Chair.  FCRW is lucky to have these dedicated and hard working individuals in what are often challenging endeavors.

I know everyone joins me in thanking Shannon for all her hard work as secretary this year, and we appreciate her stepping into the position of hospitality chair.  

We all wish Donna the best  in what has been an emotionally trying year for our beloved "Scrooge."  Her four long years (or did it just feel like 4 years of trying to pry each nickel.......)  will not be forgotten,  we certainly owe her a debt for keeping us in line.

Cheri Ann  alias the "other Cheri,"  is taking a break as well from the duties of membership chair and I'd like to thank her for helping out with the workshop speakers in addition to her other duties.

Our President elect Marge has informed me that as past President my new role with FCRW is "Board Advisor," but she just keeps smiling when I ask her why she gave me this duct tape???????  Just kidding.

Best Wishes for a Happy Turkey Day and Holidays to everyone,

Signing off,

Kat

 

Dear Members,

 

     It won't be long before the Holidays are upon us and then, soon after, a new year will begin for FCRW. With the advent of the new year, the incoming 2004 Board is looking forward to some exciting events for the chapter.  Here's just a few:

 

*More guest speakers
*Monthly, informative workshops that, over the year, will take writers from basics to         submission
*A membership drive to increase our numbers and in doing so, increase dues revenue     and make it possible to do even more for the members.
*Promote The Beacon with booksellers to encourage published authors to enter
*Begin a PRO program to benefit all our unpublished authors
*Create a yearly Member Appreciation Day that will consist of bringing in a guest speaker and making the day free for any member of FCRW.

 

     That's just the tip of the iceberg, ladies. The incoming Board is very excited about the year ahead, and we hope that you will be, too.  Make sure you come to the January meeting and bring a writing friend.

 

Good writing!

 

Marge

 

Marge Smith
2004 President-Elect

 

 

 

 

The following article first appeared in the October 2003 MRW Connections, the newsletter of the Midwest Romance Writers.

 

 

Top Ten Ways to Ensure a Rejection Letter

                     By Nancy Parra

 

10.    Begin without a hook. 

 

Example: "It was a dark and stormy night." Just try beginning your story with a description of the weather. The editor is sure to say, "So?"  It is better to start with dialogue or action. For instance: "Gees it's a dark and stormy night," Ashleigh Farone muttered as she got out of her car and raced through the rain toward the saloon.

 

9.    Start with action that goes no where.

 

Ex. Ashleigh discovered the door was closed and she would have to go home.  She didn't know why she ran to the saloon.  She meant to go to the Simpson's down the street. (The saloon is never mentioned again.) (But you said to start with action. isn't that action?)  So, why did she go to the saloon?  Wouldn't it be better if she were going into the saloon for a purpose such as to confront the hero?

 

8.    Forget to tell your reader what motivates your characters.

 

Ex.  Hero Jake Brand opened the door, took one look at Ashleigh's rain soaked shirt, and closed the door in her face. The reader thinks, what a jerk.  Better:  Jake Brand watched Ashleigh run through the rain toward

his saloon.  He glanced at the clock.  It was four a.m.   What the heck

did she want?  He had told her just that afternoon that he would not be seduced into giving up the lawsuit.  He opened the door.  She stopped, her wet tee shirt clinging dramatically to her generous curves.  She wasn't wearing a bra.  It was more than he could take.  He slammed the door in her face.  (A side note on motivating your male characters. This is a quote from my fifteen-year-old son who is a certified genius. "Mom, guys often see things that aren't there and tend to overlook things that are there." - That little truth sets up all kinds of miscommunication and conflicts, doesn't it?)

 

 

7.    Ignore grammar.  After all you aced all your English classes,

you know what you're doing.

 

Ex.  You start as many sentences as possible with the words And and But because these make wonderful transitions.  And --putting lots of mini sentences in hyphens-shows you have voice not to mention that it allows you to keep your thirty word sentences because they are all broken up - right?.

 

6.    Change points of view often.  Always put in the cat's POV for

added interest.

 

Jake's cat licked its paw with pleasure and eyed Jake as he banged his head against the door.  Humans were the most interesting of creatures.

 

 

5.    Count on spell check to be insure your spelling correctly.

(Ensure?  You're?)

 

Ex. Ashleigh got back into her car and slammed the door.  She wiped the rain off her face and muttered to herself, "That Jake Brand is one mane, low glass sun of a gun."

 

4.    Underline and italicize as much as possible for effect.

 

I should have sent my lawyer out here.  Why if I weren't such a nice person, I wouldn't be sitting in my car soaking wet.  See if I try to help Mr. High and Mighty ever again.  Ashleigh's thoughts raced as she slammed her car into gear. Stupid Jerk.

 

 

3.    Have your characters fight as often as possible to establish conflict.

 

Ex. "Your tie is blue." Ashleigh's tone dripped disdain.  "I hate blue ties.  The last jerk I dated owned a blue tie and I swore I would never get close to a man in a blue tie again." 

"Then I'll be sure and wear a blue tie everyday." Jake countered.  Blue happened to be his favorite color.  This was never going to work out. "I suppose you hate peanut butter too." "I do." "Figures.  It's all I'll eat."

 

 

2.    Ensure your characters make love by page 75, after all this is a

romance and sex is the most important thing to the reader.

 

Ex.  Ashleigh got up and left the witness stand in the middle of her questioning.  Jake was so hot; she simply couldn't take it any more. They met in the middle of the courtroom.  Jake put his brawny arms around her, drawing her close.  They locked lips in a heated and sexually charged embrace.  Ignoring the judge's gavel bangs and the stunned looks from their lawyers the couple left to find the closest closet where they could have a quickie.  There would be time for regrets and the rest of the trial later.  Right now, they had to scratch the itch that had been festering between them since the moment they met.

 

And finally, the number one way to rake in a rejection letter is.

 

1.    Send out your story. 

 

Rejection letters may be awful, but they are a rite of passage.  They help you see your work through another's eyes.  They are proof that you are actively writing and pursuing a career as an author.  Yes, they hurt.  But keep in mind, if you never got a rejection it means you never let anyone, who could actually buy your book, read it.  Celebrate your rejections because they are a badge of courage. By taking a chance that you might get rejected you are one step closer to realizing your dream. One step closer to that all-important call when the rejection turns into celebration and you become published.

 

If you don't think any of these examples pertain to you, look again. Examples of each of these Top Tens appeared in entries from the last contest I judged. So, remember, polish, polish, polish.

 

 

After writing 22 manuscripts, Nancy J. Parra has collected over 600 rejections letters.  One of which she got in the mail this week.  A multi-published author, Nancy keeps collecting rejections as proof that she is willing to take chances and reach for that unreachable star. Watch for "Loving Lana," the third in the Morgan Brother's series from Avalon Books, due out in Oct. 2.

 

 

 

 

Get your copy of FIRST CHAPTERS!

FIRST CHAPTERS, by Elizabeth Sinclair, is a step-by-step instructional booklet on writing the first chapter of your novel and including all the elements that an editor looks for before she requests the full manuscript. It covers: hooks, inserting background info judiciously, forming the reader-questions that keep them reading and much more. A bonus section explains the difference between  cover and query letters, when to use which, and how to write them. $7.95 including postage
Order at www.elizabethsinclair.com

 

NEW OFFICERS FOR 2004!

 

 

President -- Marge Smith

VP -- Heather Waters

Treasurer -- Pamela Cross

Secretary -- EJ Miller

Membership Chair -- Dolores Wilson

 

 

NEXT MEETING:

 

Saturday

November 8, 2003

11:00 - 3:00

meeting, lunch, and workshop

Hops Restaurant

9826 San Jose Blvd.
Jacksonville, FL

 


BREAKING IN, OUT or UP!  Part 4

Tidbits Worth Mentioning:

When I originally mentioned the "breaking up" section of this workshop, I meant to speak about writers staying sane. The coordinator thought I meant severing professional relationships, so I went with that. But we do still need to remember that we can stay sane in our insane business.

I've done several articles that I hope you'll find helpful on this. They can be found on my website (www.vickihinze.com) in the Writers' Aids section or in the archives on the Aids4Writers group at Yahoo.

Articles that might be of greatest interest:
Fear and Doubt
Keys to Success
Is it Worth It?
What to do when you get "the Call"
So Close but No Sale, Switching Gears
Common Mechanical Pitfalls

The series on Why We Need a Plan
The series on Agent/Editor Relations

There are additional articles on these topics posted in both places. If
you're seeking something specific and can't locate it, email me at:
vickihinze@vickihinze.com or through the Aids4Writers program at
yahoogroups.com. Odds are decent I've done an article/workshop/seminar on the topic at some time and I'll do what I can to help.

This concludes my notes on this workshop. I hope sharing this information has been of use to you, and I wish you all much success and many . . .

Blessings,
Vicki


Vicki Hinze
c2003

 

©2003 Vicki Hinze (from Aids4Writers)


FIRST COAST ROMANCE WRITERS, INC.

PO BOX 32465

JACKSONVILLE, FL 32237

 www.fcrw.net

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE COASTAL CONNECTION

Published nine times per year by the First Coast Romance Writers, Inc. Other RWA® chapters may reprint articles if proper credit is given to the chapter and the author. Article contribution is welcome and may be edited for length. Copy deadline is the 20th of the month preceding publication. Mail or e-mail: Cheri Clark, Editor, The Coastal Connection, PO BOX 847, Wellborn, FL 32094-0847 clark_n@bellsouth.net . Publication herein of market news, etc. does not imply endorsement, recommendation, or warranty.

 

FCRW is a nonprofit organization that meets the second Saturday of each month (or as noted in the newsletter) to exchange writing tips, marketing news, and to provide support and encouragement to members. Yearly membership dues of $15.00 will be pro-rated, payable each July. FCRW members must be in good standing of Romance Writers of America, Inc. The chapter’s focus is, and will remain, on writing romance fiction. Both published and unpublished writers are welcome.