1. Minutes, Spring 1997, VHS, ~10 mins.
    Takes place in high school in between classes. A student follows a girl he has a crush on. A tribute to "chase-sequences" and the beginning sequence of a film, called "Seconds." My first edited work using two VCR's. Made for final class assignment during last year of high school.

    Watch trailer, HERE

2. About A Girl, Fall 1997, Hi8, ~10 mins.

    Two friends take a break from classes by shooting pool at a local Mexican Pool Hall. During the game, they ruminate about some girl one of them has a crush on. This was edited using a more sophisticated Sony Hi-8 Linear Editing Deck.

    Full-length film now available, HERE

3. Give Me My Slippers Or Give Me Death, Spring 1998, Super8, ~10 mins
    Another rumination of the infinitude that dormitories and solitude allow where ones desires, ambition and needs collide. An attempt to draw out an epical, universal universe that I was in (college). My first film ever, edited using a nifty Super 8 editor.

    Full-length film now available, HERE

4. Cellmates, Fall 1998, Hi-8, ~5 mins.
    Two roommates try to put up with their living differences. One smokes and one suffers. An assignment for Film History class which had to be done in style of silent films.

    Full-length film now available, HERE

5. It Looks Like America, Smells Nothing Like It, Fall 1998, Hi-8, ~10 mins.
    Made up of found footage from the Philippines I found that has me operating behind my dad's Minolta 8mm Camcorder before leaving for America, intercut with present footage. I question the past, my memory and my talent as a filmmaker to make something that I vaguely remember and subjective into something palpable.
6. NonSynch, Fall 1998, Hi-8, ~15 mins.

    Two people, a young man and a young woman attempt to meet each other in a deliberate and constructed narrative that makes their meeting impossible. A rumination of the Empire State as I knew it - a paradise with a bite of loneliness, solitude, romance, tragedy, cruelty, indifference and confrontations. Edited using a Sony SVHS Linear Editing System. (Screened at Long Island Institute Film Festival in 2000, The Millenium and The Pioneer Theater in NYC.)

    Full-length film now available, HERE

7. Constance/Connie, Spring 1999, Hi-8, ~13 mins.
    Another assignment for Film History class. This time, the talkies and color were introduced in the movies. In that respect, Connie and I attempted to make another "Breathless" moment in cinema history. What we got is a documentary of a day in the life of Connie Brady. She wakes up, makes coffee, smokes cigarettes, cleans up, dresses and finally escapes her apartment to see what the city has to offer her. She goes to a modeling agency and finds out that the photo she has of herself is not "professional."

    Quicktime movie now available, HERE

8. The Messenger, Fall 1999, Kodak Double-X 16mm, ~5 mins.

    Continuing on the nonsynchronousity of "Nonsynch," the film is a short stuttering tale of a messenger trying to deliver a package during New Years Day 2000, while the occupants are fast asleep and hung over. The coffemaker brewing, the electric buzzer buzzing, memories fading, future escaping, man and woman on the couch in a spoon-like position and a messenger stuck out in the cold between two bridges with no other place to go but inside. An attempt to render the alien landscape of the morning after, before and for ever. My first synched-sound film, edited on an Avid McExpress, including a crew and professional actors. (Screened at Pioneer Theater's "Film Slam.")

    Quicktime movie now available, HERE

9. R.A.D., Winter 2000, Hi-8, ~7 mins.
    On-the-side project of my ex-roommates, Renee, Andrea and Danielle. Shows them at home, mostly working, being silly, reflective and even serious. Edited on Hi-8 linear decks & shot on Canon ES6000.
10. Night Child, Spring 2000, Kodak Tri-X 16mm, ~5 mins.

    A student befriends a strange young woman and accompanies her for a day. He introduces her to his friend who happens to lend her his bike. The love-triangle happens in the film for an instant and then dissappears to the night. Edited on a 6-Plate 16mm Steinbeck. (Screened at Pioneer Theater's "Film Slam.")

    Full-length film now available, HERE

11. Self-Portrait, Spring 2000, Kodak Tri-X 16mm, ~3 mins.
    Short piece illustrating the mechanics and possibilties of rendering myself as puppet and master, smoker and smoke. One film roll-long and edited in-camera.
12. Cynthia's Cell, Spring 2001, Kodak Tri-x 16mm, ~3 mins.

    A girl and her cellphone while out in the city one day. A simple Vertovian-like film, using superimpositions in exploring the city's connections and organism. One film roll- long, digitally transferred and edited using Final Cut Pro.

    Trailer availaible, HERE

13. Misdierec+ion, Fall 2000 - Spring 2001, MiniDV, ~20 mins.

    Senior thesis project. Click here for further description. Summary: Students are explored here, not as students; classrooms are visited between classes; videogames are homework; subways are platforms; airplanes are conditional horizons of traffic, etc. Also an exploration of video itself - its many forms and future. A kind of making of a video, except in the opposite direction. The subject really tries, maybe too vaguely, to lose a head and thus sense of direction. Sort of like what the Lumiere Brothers discovered, anticipation of cinema - pre cinema. Edited on Final Cut Pro. (Screened at Pratt's Memorial Hall and Pioneer Theater's "Film Slam.")

    Full-length film now available, HERE

OTHER WORK AS AN EDITOR/CAMERAMAN
1. Ocidentes by Mauricio Vasconcelos, Summer 2001, MiniDV, ~33 mins.

    A video in 4 parts about a poet's journey into the night. Begins at "rush hour" and ends at dawn.

    Quicktime video available, HERE

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©1997-2001, CSB Productions