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1. Minutes,
Spring 1997, VHS, ~10 mins.
Watch trailer, HERE
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| 2. About
A Girl,
Fall 1997, Hi8, ~10 mins. Two friends take a break from classes by shooting pool at a local Mexican Pool Hall. During the game, they ruminate about some girl one of them has a crush on. This was edited using a more sophisticated Sony Hi-8 Linear Editing Deck. Full-length film now available, HERE
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3. Give Me
My Slippers Or Give Me Death,
Spring 1998, Super8, ~10 mins
Full-length film now available, HERE
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4. Cellmates,
Fall 1998, Hi-8, ~5 mins.
Full-length film now available, HERE
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5. It Looks
Like America, Smells Nothing Like It, Fall 1998, Hi-8, ~10
mins.
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| 6. NonSynch,
Fall 1998, Hi-8, ~15 mins. Two people, a young man and a young woman attempt to meet each other in a deliberate and constructed narrative that makes their meeting impossible. A rumination of the Empire State as I knew it - a paradise with a bite of loneliness, solitude, romance, tragedy, cruelty, indifference and confrontations. Edited using a Sony SVHS Linear Editing System. (Screened at Long Island Institute Film Festival in 2000, The Millenium and The Pioneer Theater in NYC.) Full-length film now available, HERE
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7. Constance/Connie,
Spring 1999, Hi-8, ~13 mins.
Quicktime movie now available, HERE |
| 8. The Messenger,
Fall 1999, Kodak Double-X 16mm, ~5 mins. Continuing on the
nonsynchronousity of "Nonsynch," the film is a short stuttering tale
of a messenger trying to deliver a package during New Years Day 2000,
while the occupants are fast asleep and hung over. The coffemaker brewing,
the electric buzzer buzzing, memories fading, future escaping, man and
woman on the couch in a spoon-like position and a messenger stuck out
in the cold between two bridges with no other place to go but inside.
An attempt to render the alien landscape of the morning after, before
and for ever. My first synched-sound film, edited on an Avid McExpress,
including a crew and professional actors. (Screened at Pioneer Theater's
"Film Slam.")
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9.
R.A.D., Winter 2000, Hi-8, ~7 mins.
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| 10. Night
Child, Spring 2000, Kodak Tri-X 16mm, ~5 mins. A student befriends
a strange young woman and accompanies her for a day. He introduces her
to his friend who happens to lend her his bike. The love-triangle happens
in the film for an instant and then dissappears to the night. Edited
on a 6-Plate 16mm Steinbeck. (Screened at Pioneer Theater's "Film Slam.")
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11. Self-Portrait,
Spring 2000, Kodak Tri-X 16mm, ~3 mins.
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| 12. Cynthia's
Cell, Spring 2001, Kodak Tri-x 16mm, ~3 mins. A girl and her cellphone while out in the city one day. A simple Vertovian-like film, using superimpositions in exploring the city's connections and organism. One film roll- long, digitally transferred and edited using Final Cut Pro. Trailer availaible, HERE
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| 13. Misdierec+ion,
Fall 2000 - Spring 2001, MiniDV, ~20 mins.
Senior thesis project. Click here
for further description. Summary: Students are explored here, not as students;
classrooms are visited between classes; videogames are homework; subways
are platforms; airplanes are conditional horizons of traffic, etc. Also
an exploration of video itself - its many forms and future. A kind of
making of a video, except in the opposite direction. The subject really
tries, maybe too vaguely, to lose a head and thus sense of direction.
Sort of like what the Lumiere Brothers discovered, anticipation of cinema
- pre cinema. Edited on Final Cut Pro. (Screened at Pratt's Memorial Hall
and Pioneer Theater's "Film Slam.")
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| OTHER WORK AS AN EDITOR/CAMERAMAN |
| 1. Ocidentes
by Mauricio Vasconcelos, Summer 2001, MiniDV, ~33 mins. A video in 4 parts
about a poet's journey into the night. Begins at "rush hour"
and ends at dawn.
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| <<
©1997-2001, CSB Productions |