Competition:
Gosford Park, In the Bedroom, Moulin Rouge, Lord of
the Rings
Other Winners: Best Actor: Denzel
Washington, Training Day Best Actress: Halle Berry, Monster's Ball Best Supporting Actor: Jim Broadbent,
Iris Best Supporting Actress: Jennifer Connelly, A
Beautiful Mind Best Director: Ron Howard, A Beautiful Mind
Cast:
Russell Crowe, Jennifer Connelly, Ed Harris, Christopher Plummer,
Paul Bettany, Adam Goldberg
Storyline:
Based on the true life story of
mathematician, John Forbes Nash Jr., this film explores the horrors of
schizophrenia from the perspective of one man who is suffering from it.
Did it
deserve to win:
To sum it up in a nutshell
- YES! Ron Howard brings to the screen his best film to date, offering
Russell Crowe an opportunity to deliver a first rate performance, so much
more challenging than the one which brought him Oscar glory the previous
year.
Baz Luhrmann delivered the
goods with his outrageous musical, Moulin Rouge. In the Bedroom was
a first-rate acting piece, but a slowly-paced drama that promoters
disguised as an 'edge of your seat' thriller. Lord of the Rings was
the special effect 'tour de force' of the year, and hit with its harshest
critics -- the fans of the book. And Godford Park was the best work
in several years for Hollywood old timer, Robert
Altman.
Critique:
I don't want to say much
about A Beautiful Mind, because I really don't want to ruin it for someone
who hasn't seen it. The film contains a twist that is (in my humble
opinion) on par with The Sixth Sense and The Usual Suspects, in that it
completely bewilders an unsuspecting viewer.
I was not a big fan of
Gladiator, and was a little disappointed when Russell Crowe won the Best
Actor prize for what I felt was just a well disguised action piece.
I really like Russell Crowe as an actor, and his work in LA Confidential
and The Insider are proof that he is one of the great actors of his
day. Where I felt the Gladiator was evidence of his selling out, A
Beautiful Mind seemed like the ultimate redemption.
Meanwhile, Ron Howard had
spent the past twenty years trying to shed his Opie/Richie TV persona,
working as a serious director. His first big hit, Splash, in 1984,
got him noticed, and his work over the years, which included Parenthood,
Backdraft, and finally, Apollo 13, a Best Picture nominee in 1995,
demonstrated that he was a director on the way up.
Behind
the Scenes: A Beautiful
Mind received 8 Academy Award nominations, and won four of them. It's a miracle
that it won any at all, considering that it was embroiled in one of the
nastiest Oscar races in history. Campaigning and strategizing is
nothing new, but Oscar watchers uncovered some truly distasteful warring
going on between the nominated parties.
As
far as Oscar worthy films go, by November of 2001, it was shaping up to be
a rather dull year. There had been a lot of disappointments released
already, and the only clear front runner was Moulin Rouge, which in
another year, might not have even been considered.
By
January, with all films out on the table, it became clear that three
December releases, A Beautiful Mind, Lord of the Rings and In the Bedroom, had the best shot
at the Best Picture slot.
In the Bedroom was a small budget acting
piece that offered Sissy Spacek and Marissa Tomei the best parts they had
in years, and made a star of Tom Wilkinson. When it seemed obvious
that the film was going to be an Oscar contender, and when it was slated
for wide release, promoters created TV spots that had it looking like a
action packed thriller. Lesson number one in promoting a film:
Know your audience. Theatre goers left the film in disgust. In
the Bedroom was not for the popcorn set, and the hype for the film (it was
a darling of many critics) was just a bit much.
Meanwhile,
A Beautiful Mind, despite closing in on three hours in length, was a huge hit. It
did well in limited release, and word of mouth gave it enough juice to
rise to the top when it was released to multiple theatres. With so
many people talking about this film, it seemed evident that it would not
only get nominated, but that it would get the Best Picture prize as
well.
A
major snag in the campaign for A Beautiful Mind occurred in January when
reports came out talking about the films inaccurate depiction of the main
character. Apparently the film failed to mention Nash's homosexual
exploits, among other things. Oscar watchers recalled the incident
with Hurricane in 1999, where it failed to get a Best Picture nomination,
when it was determined in the eleventh hour, that its portrayal of
Hurricane Carter's life was not completely correct. (Of course they
failed to mention that Hurricane was not a great film to begin
with.)
A
Beautiful Mind survived the bad press, but more was to come. For the
first time, the Internet reared its ugly head in the Oscar race, all in
the name of the 'Louella Parson's wannabe', Matt Druge. The Matt
Drudge Report brought up more nasty gossip, including supposed anti Semitic
remarks made by the film's subject.
Ron
Howard worked over time, and was even able to convince the normally
reclusive Russell Crowe, to hit the campaign trail, where they found
themselves continually defending their film, and setting the record
straight. During this time, it was leaked out that the source of
their troubles, wasn't just Matt Drudge, but might also have been the promoters of In the
Bedroom and Moulin Rouge. Ouch!
Crowe
got into further hot water at the British Academy Awards, when he showed
his temper at the show's producer, who cut some key moments from his
speech for the telecast. Crowe had to apologize personally, and
publicly (in countless interviews), while Oscar watchers once again shook
their head.
In
the end, the elderly John Nash, the film's subject matter, was the ultimate
victim of the smear campaign, but he handled it all with a great deal of
dignity. Ron Howard and his crew supported him and refused to stoop
to the levels that it was thought that the competition had stooped to.
While
In the Bedroom and Moulin Rouge suffered, by losing in key areas -
including the Best Actress race, what emerged was a brilliant tribute to
black actors, when for the first time, the Best Actor and Best Actress
prizes were awarded to African Americans. Halle Berry became the
first black woman to win the Best Actress Oscar, and Denzel Washington
followed the evening honorary award recipient, Sidney Potier, by claiming
the Best Actor prize.
The
epic makes its triumphant return to Academy favor!
Russell
Crowe plays the awkward, but brilliant, John Forbes Nash, in 1950's
Harvard.
Josh
Lucas plays school mate, Hansen, who seems like Nash's nemesis, yet turns
out to be his greatest supporter.
Russell
shows his passion for math, writing various formulas on any available
window.
His
genius is noticed by the US Military who hires him to crack a code or two.
Despite
his quirky behavior, Nash lands a teaching job at Harvard.
Best
Supporting Actress, Jennifer Connelly, is one of the smarter pupils in
Nash's class.
Ed
Harris shows up as a mysterious governement agent who seeks Nash's help in
cracking more crazy codes.
Crowe
and Connelly venture out on a date.
When
his life begins to fall apart, Nash feels compelled to rely upon the
sinister Ed Harris.
As his life becomes a
complicated nightmare, Nash finds comfort in the arms of his dutiful wife.
Judd
Hirsch plays the aging Harvard professor who is intrigued by Na
Also in 2001:
April 30:
Chandra Levy, goes missing, and US Rep Gary Condit is implicated.
The search for her body is finally halted, and his career goes up in
flames.
June 11:
Timothy McVeigh is finally executed, and America closes the book on the
Oklahoma bombing.
June 29:
Former Yugoslav President Slobodan Milosevic arrives in The Hague to
stand trial on war crimes charges.
September 11:
The day that will live in infamy.
The Emmy Awards were
scheduled for telecast the following week, but the 9/11 tragedy forced
producers to postpone them indefinitely. Some even questioned
whether the Emmy's should even go on at all.
The whole ruckus led some
to question the fate of the Oscar's, which were still six months
away. Academy President, Frank Pierson announced that the show
would go on as scheduled. Then, after donating $1 million to
disaster relief, pointed out the heightened security that would be
present at the ceremony.
Don't pity me!"
exclaims Randy Newman. You knew it was a weak year for music
when Randy Newman, nominated for the sixteenth time, carries the
strongest tune.
He beats out such luminaries as
Paul McCartney, Faith Hill, Enya and Sting, and then instructs the
orchestra (made up of many musicians that he has worked with) not
to signal him off the stage.
Newman is one of the many reasons
that the ceremony set a record, at 4 hours and 23 minutes, for
being the longest show on
record.