1960 Best Picture:
The Apartment
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Competition: The
Alamo, Elmer Gantry, Sons and Lovers, The Sundowners
Other Winners:
Best Actor: Burt
Lancaster, Elmer Gantry
Best Actress: Elizabeth Taylor, Butterfield 8
Best Supporting Actor: Peter Ustinov, Sparticus
Best Supporting Actress: Shirley Jones, Elmer Gantry
Best Director: Billy Wilder, The Apartment |
Cast:
Jack Lemmon, Shirley
MacLaine, Fred MacMurray, Ray Walston, Edie Adams
Storyline:
A 'sophisticated'
comedy, this Billy Wilder classic looks at life along the corporate
ladder, as an up-and-comer does what he can to get ahead, even if it means
lending his apartment key out to top executives so that they can carry on
their extra-marital affairs. He gets more than he bargained for when
the elevator girl from the office is found attempting suicide in his
bedroom. Did it deserve to
win:
Yes!
Yes! Yes! The Apartment is one of Wilder's best films, an adult
comedy that has been copied on many levels since. While the story is
a perfect snapshot of its times, dealing with married men and young,
single women, the film is timeless.
Elmer
Gantry may have been the closest competitor, but The Apartment was just
too darned clever. On top of that, Director, Billy Wilder had
provided a decade worth of great films, and this honor was certainly due.
Critique:
I enjoyed watching
The Apartment on two levels. It's entertaining in the classic sense,
that the story line is very good, the actors are both funny and
believable, and the cuddly love story, set against the nasty, corporate
world, is engaging.
It is
also interesting from a historical perspective. The opening scene is
a narrative of working life, and it's interesting to see how much has
changed today. Lemmon plays Calvin, sitting amidst a sea of desks
and typewriters. In the computer environment of today, that is a
rare sight. And then the office politics, where the boss is to be
feared, and if you are the low man on the totem pole, you are treated like
it, seems so foreign.
In the
end, however, the film still rings very true in terms of how people treat
other people in relationships. The characters, including Fred
MacMurray's callous Mr. Sheldrake, are still very much in existence today.
The relationship is the heart of the film, and its relevance is what keeps
this one very fresh.
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Best Scene: "We
must keep her awake!" When Calvin finds Fran in his bed, where
she has just swallowed a bottle of pills, the film begins to take off.
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Behind the Scenes:
Some of the
large scale shots of the office pool behind Jack Lemmon included dwarfs
and miniature sets. Of course this would make the smaller space look
much larger.
This was
the last black and white film to win Best Picture for 33 years. Schindler's List would eventually win in 1993.
The Best
Actress race was huge race that year, with excellent performances from
Deborah Kerr, Greer Garson and The Apartment's Shirley MacLaine. It
was a tough call for the winner until suddenly, Elizabeth Taylor found
herself mysteriously on deaths door.
Her
illness was a mystery, but reports said everything from pneumonia to meningitis.
The details of her illness are still shady, but it was true that she lost
her breath, turned blue, and had to have her throat opened up to help her
breath.
In the
end, it provided Liz with what she even concedes, was a sympathy vote, and
not one of her best performances. Deborah Kerr, on the other hand,
stated that Liz 'deserved the award'. It's thought that she said
this under duress, as the world was anxious for word on Liz's declining
health. Kerr's loss would make her the record hold for the most
nominations, without a win, in Oscar history - six!
The event
would lead Shirley MacLaine to comment, 'I lost to a tracheotomy'.
The Alamo
was by no means considered Oscar caliber by the film critics, however it
was a popular film. It had a huge campaign behind it, that secured
it a nod, and its star, John Wayne was really gunning for it to win.
It's
chances were shattered, however, when its only actor to be nominated,
Chill Wills, for Best Supporting Actor, was criticized for his own
shameless campaign. He went as far as to take an ad listing the name
of every member of the Academy, with the caption, "Win, lose or draw,
you are still my cousins, and I love you all.' Groucho Marx
responded with his own ad, stating, 'Dear Mr. Wills, I am delighted to be
your cousin, but I'm still voting for Sal Mineo.'
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A
true sign that Hollywood films were starting to shed the Hayes Code.
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Jack
Lemmon is working boy, Calvin, who lends his apartment out to the company
brass. |
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Settling
back to a quiet evening of TV. Jack is watching 1932 Best Picture,
Grand Hotel.
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Shirley
MacLaine is the elevator girl, Fran.
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Fred
MacMurray is the top chief, and is interested in the key to the apartment. |
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Snooty
secretary, Miss Olsen, knows that Shirley is shagging the boss. |
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"When
you're in love with a man, you shouldn't wear mascara." Shirley
realizes the affair with MacMurray is going no where.
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Shirley
considers the pills, when life doesn't look so great. |
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Before
playing the loving dad on My Three Sons, MacMurray was the dastardly
family man, cheating on his wife.
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Neighbor
Mrs. Dreyfuss, played by Naomi Stevens, helps nurse Shirley back to
health. |
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David Lewis plays
another office cad, Al Kirkeby. Lewis is best known as Edward
Quartermaine on General Hospital. |
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Miss
Olsen decides to spill the beans to MacMurray's wife.
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Lemmon
uses a tennis racquet to strain the spaghetti.
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